{"id":10790,"date":"2023-05-29T01:59:37","date_gmt":"2023-05-29T06:59:37","guid":{"rendered":"http:\/\/circassiancenter.com\/tr\/?p=10790"},"modified":"2023-06-29T16:56:37","modified_gmt":"2023-06-29T21:56:37","slug":"hunego-saide-resim-yapiyorum","status":"publish","type":"post","link":"https:\/\/www.circassiancenter.com\/tr\/hunego-saide-resim-yapiyorum\/","title":{"rendered":"HUNEGO SA\u0130DE: \u2018RES\u0130M YAPIYORUM!"},"content":{"rendered":"

\"\"<\/p>\n

Prof. HA\u00c7EM\u0130Z Mir
\n<\/span> <\/b>Adige Devlet \u00dcniversitesi Adige Filolojisi B\u00f6l\u00fcm\u00fc <\/span>
\n<\/span> <\/b> <\/span> Adige <\/span>Mak<\/span> Gazetesi, Ocak 2013
\n\u00c7eviri: <\/span> A\u00c7UMIJ Hilmi<\/p>\n

HUNEGO Saide Adige yaz\u0131n\u0131na 70’li y\u0131llarda kat\u0131ld\u0131. Kendine has bir ritm i\u00e7erisinde resmetti\u011fi eserlerinde, \u015fiirlerinde \u00e7iy damlalar\u0131 par\u0131ld\u0131yor, \u015fairin a\u00e7t\u0131\u011f\u0131 kap\u0131 aral\u0131\u011f\u0131 g\u00f6zlerimizin \u00f6n\u00fcne dikiliyordu. Bu g\u00fcn konu edindi\u011fimiz \u015fairin se\u00e7me eserlerinin yer ald\u0131\u011f\u0131 kitab\u0131nda ise kap\u0131n\u0131n a\u00e7\u0131ld\u0131\u011f\u0131n\u0131 g\u00fcn\u00fcn en s\u0131cak zaman\u0131nda g\u00fcne\u015fin g\u00f6ky\u00fcz\u00fcndeki yerini ald\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcyoruz. Saide bizleri vaktinde olgunla\u015fm\u0131\u015f \u015fiirleri ile memnun etti. \u0130lerleyen zaman, ya\u015fam\u0131n getirdi\u011fi bitmeyen sorular\u0131n cevaplar\u0131n\u0131 \u015fekillendirip d\u00fc\u015f\u00fcncelerini de daha olgunla\u015ft\u0131rm\u0131\u015f olarak \u00f6n\u00fcm\u00fcze \u00e7\u0131k\u0131yor.<\/p>\n

Edebiyat biliminde bayan lirikler daha ayr\u0131 bir \u015fekilde \u00f6ne \u00e7\u0131k\u0131yorlar. Bunun da bir sebebi olsa gerek. \u00c7\u00fcnk\u00fc b\u00f6ylesi \u015fiirlerde kad\u0131n\u0131n d\u00fc\u015f\u00fcn \u015fekli, sokulganl\u0131\u011f\u0131, y\u00fcrekten gelen farkl\u0131 bir ritim yer al\u0131yor.<\/p>\n

Saide’nin \u015fiirlerini ele alacak olursak; onlar g\u00fc\u00e7l\u00fcler, hem erkek (kat\u0131) d\u00fc\u015f\u00fcn \u015feklinin izlerini hem de kad\u0131n\u0131n s\u0131cak y\u00fcreklili\u011fini ta\u015f\u0131rken, anlat\u0131m ve k\u0131yaslamalardaki kad\u0131nlar\u0131n yumu\u015fak dokunu\u015flar\u0131n\u0131 ihtiva eden se\u00e7imi s\u00f6zkonusu;<\/p>\n

\u041b\u044d\u043d\u044b\u0441\u0442\u044d \u0447\u0430\u043d\u043aI\u044d<\/p>\n

\u0431\u0437\u044b\u043f\u0445\u044a\u044d\u0440 \u0442\u044b\u0431\u0437\u044b\u0433\u044a\u044d\u0443<\/p>\n

\u0428\u044a\u0445\u044c\u0430\u0434\u0436\u0438 \u0438\u0433\u044a\u0430\u0448I\u044d<\/p>\n

\u0434\u0436\u0430\u043d\u044d \u0449\u0435\u043b\u044a\u044d\u0436\u044c\u044b…<\/p>\n

\u0422\u0444\u044d\u043c\u044b\u0448I\u0443\u0436\u044c \u0434\u0436\u0430\u043d\u044d\u0440<\/p>\n

\u0442\u0444\u044b\u0437\u044d\u0431\u043b\u044d\u043c\u044b\u0445\u044a\u043e\u0443<\/p>\n

\u0422\u044d\u0433\u044a\u044d\u0442I\u044d\u043fI\u044b\u0436\u044c\u044b\u0448\u044a<\/p>\n

\u0434\u0433\u044a\u044d\u0442\u044d\u0440\u044d\u0437\u044b\u043d\u044d\u0443-<\/p>\n

\u041f\u044b\u0434\u044d \u0444\u044d\u0442\u044d\u0448I\u044b<\/p>\n

\u043d\u0435\u043f\u044d \u0442\u0438\u0448I\u043e\u0448I\u043aI\u044d,<\/p>\n

\u0417\u044b \u0434\u044b\u043fI\u044d \u0433\u043e\u0440\u044d<\/p>\n

\u0440\u0435\u043d\u044d\u0443 \u0434\u0440\u0435\u043aI\u043e\u043aI\u044b…<\/p>\n

<\/p>\n

\u015eairin yolu kolay de\u011fil. Bunu defalarca ba\u015fka \u015fairler de dile getirdiler. Her biri kendi san\u0131lar\u0131yla ifade ettiler. Saide’de ayn\u0131 \u015feyi, b\u0131kk\u0131nl\u0131k ve yak\u0131nma i\u00e7ermeyen bir dille ifade ediyor;<\/p>\n

\u0423\u0441\u044d\u0440- \u0433\u044a\u044d\u0441\u044d\u043f\u044d\u0442\u0445\u044b\u0434
\n\u0423\u0438\u0448\u044a\u044d\u0444\u044b\u0433\u044a\u044d \u0433\u0443\u043a\u044a\u0430\u0443,
\n\u0423\u043d\u044d\u0437\u044d\u0433\u044a\u044d \u0433\u044a\u043e\u0433\u0443\u0440\u044b\u043aI\u0443,
\n\u0415\u043b\u044a\u044d\u043aI\u043e\u043d\u0440\u044d \u0433\u0443\u0433\u044a\u0430\u043fI,
\n\u041c\u044d\u0437\u044d\u0443 \u0443\u0449\u044d\u0433\u044a\u0443\u0430\u0449\u044d…<\/p>\n

\u015eiir yazman\u0131n zor olmad\u0131\u011f\u0131n\u0131, akl\u0131na gelenleri serbest bir \u015fekilde kaleme ald\u0131\u011f\u0131nda olaca\u011f\u0131n\u0131 varsayanlara y\u00f6nelik \u015fair kitab\u0131nda \u015fu dizelere yer vermi\u015f;<\/p>\n

\u0421\u0438\u0443\u0441\u044d\u0445\u044d\u043c \u0443\u043d\u044d \u044fI\u044d\u043f –
\n\u0428\u044a\u0445\u044a\u044d\u0444\u0438\u0442\u044b\u0445
\n\u0423\u0440\u0430\u043c\u044b\u043c \u0442\u0435\u0442\u044b\u0445,
\n\u0417\u044b\u0444\u0430\u0435\u043c, \u0433\u043e\u0442\u044b\u0445,
\n\u0417\u044b\u0444\u0430\u0435\u0440 \u043a\u044a\u0430I\u043e,
\n\u0417\u044b\u0444\u0430\u0435\u043c – \u0440\u0430I\u043e!
\n\u0410\u0443 \u0448\u044a\u0445\u044c\u044d\u0444\u0438\u0442 \u0443\u0441\u044d\u0440 –
\n\u0428\u044a\u0445\u044c\u0430\u0440\u044b\u0442I\u0443\u043f\u0449 \u0443\u0441\u044d\u043f!<\/p>\n

B\u00f6ylece; \u00f6zg\u00fcrl\u00fc\u011f\u00fcn serbestlikten farkl\u0131 bir \u015fey oldu\u011funu da dile getirmi\u015f oldu. Adigeler ‘\u0448\u044a\u0445\u044c\u044d\u0444\u0438\u0442- \u00f6zg\u00fcr’ kelimesinden ziyade daha \u00e7ok ‘\u0448\u044a\u0445\u044c\u0430\u0440\u044b\u0442I\u0443\u043f\u0449 – serbest’ kelimesini kullan\u0131yorlar. Bu kelimenin anlam\u0131 g\u00fczel de\u011fil; e\u011fitimsiz, uygunsuz, kendi akl\u0131na gelen d\u0131\u015f\u0131nda ba\u015fka bir \u015feyi umursamadan, hi\u00e7 bir kimsenin uygunsuz g\u00f6rd\u00fc\u011f\u00fc \u015feylere ald\u0131rmadan hareket etmeyi de kaps\u0131yor. Sayide Adigece\u2019yi iyi kullan\u0131yor kelimelerin \u00f6zlerini dahi \u00f6z\u00fcms\u00fcyor. \u015eiirlerinin g\u00fc\u00e7l\u00fc olu\u015funun bir sebebi de bu.<\/p>\n

D\u00fc\u015f\u00fcnce ile dil birbirleri ile ili\u015fkililer, birisinin ard\u0131ndan di\u011feri geliyor. Yazar\u0131n d\u00fc\u015f\u00fcnceleri uzaklara ula\u015f\u0131yor bunu yaparken de Adige d\u00fc\u015f\u00fcnce \u015fekli – konu\u015fma usul\u00fcn\u00fc kullan\u0131yor. Adeta\u00a0 \u00e7ok uzun ya\u015fam\u0131\u015f insanlar\u0131n bilgeli\u011fi ile dile getirdi\u011fi \u015feyler insana ilgin\u00e7 geliyor. Ya\u015fama bu kadar vak\u0131f olmaya ne zaman f\u0131rsat buldu diye insan\u0131n akl\u0131na geliyor.<\/p>\n

\u041e\u0440\u0438 \u0441\u044d\u0440\u0438 \u0441\u044b\u0434 \u0434\u0433\u043e\u0449\u044b\u043d?
\n\u0426I\u044b\u0444 \u0444\u044d\u0434\u044d\u0443 \u0442\u044b\u0437\u044d\u043f\u043b\u044a\u044b\u043d
\n\u043bI\u044d\u043d\u044b\u0440 \u043a\u044a\u044d\u0441\u043c\u044d –
\n\u0441\u044b\u0434 \u0442\u0448I\u044d\u0436\u044c\u044b\u043d?
\n\u0422\u044b\u043aI\u044d\u0433\u044a\u043e\u0436\u044c\u043c\u0438 –
\n\u0431\u043b\u044d\u043aI\u044b\u0433\u044a\u0430\u0445\u044d\u0443
\n\u0422\u0438\u0433\u0443\u043d\u0430\u0445\u044c\u0445\u044d\u0440 \u043a\u044a\u044d\u043d\u044d\u0436\u044c\u044b\u043d.<\/p>\n

Adige tarihi ve Adigelerin d\u00fcnyadaki konumlar\u0131 hakk\u0131nda \u00e7o\u011fu zaman kayg\u0131lar duyuyoruz. Ge\u00e7mi\u015f d\u00f6nemler ola\u011fan\u00fcst\u00fc derecede ilgi \u00e7ekici ve bir o kadarda zavall\u0131l\u0131k i\u00e7eriyor. Bu g\u00fcn da\u011f\u0131t\u0131lm\u0131\u015f milletimizin gelece\u011finin nas\u0131l olaca\u011f\u0131n\u0131 bilmek zor. Sayide bu kayg\u0131lar\u0131 dile getirmeyi becerebildi;<\/p>\n

\u0410\u0434\u044b\u0433\u044d \u043f\u044d\u043f\u0447\u044a\u044b<\/p>\n

\u0417\u044d\u0444\u044d\u0434\u044d\u0443 \u043f\u0448\u044a\u044b\u0433\u044a\u044d –<\/p>\n

\u041f\u0448\u044a\u044b\u0433\u044a\u044d – \u0438\u0448\u044a\u0445\u044c\u0430\u043aI\u043e<\/p>\n

\u044b\u0433\u0443\u043aI\u044d \u044b\u0433\u044a\u044d\u0445\u044a\u0443\u0440\u044d\u043f,<\/p>\n

\u0424\u0430\u0439 \u0444\u044d\u043c\u044b\u0435\u043c\u0438<\/p>\n

\u0448\u044a\u0445\u044c\u0430\u043aI\u043e\u0440 \u043a\u044a\u0435\u0434\u044dI\u0443\u0440\u044d\u043f!<\/p>\n

\u0418\u043e\u043d\u0442\u044d\u0433\u044a\u0443\u0433\u044a\u044d<\/p>\n

\u0428\u044a\u0445\u044c\u044d\u0440 \u0440\u0438\u0433\u044a\u044dI\u044d\u0442\u0440\u044d\u043f,<\/p>\n

\u0413\u0430\u0448I\u044d\u043c \u0438\u0434\u0430\u0445\u044d<\/p>\n

\u041d\u044d\u043c \u0440\u0438\u0433\u044a\u044d\u043b\u044a\u044d\u0433\u044a\u0443\u0440\u044d\u043f…<\/p>\n

\u0130yilik ve g\u00fczellik ya\u015fam\u0131n i\u00e7erisinde m\u00fccadele ederken insan\u0131n y\u00fcre\u011finde de \u00e7arp\u0131\u015f\u0131yorlar. K\u00f6t\u00fcl\u00fc\u011fe nas\u0131l kar\u015f\u0131 duracaks\u0131n, nas\u0131l bir m\u00fccadele yolu se\u00e7ecek ona galip geleceksin? \u015eairin bak\u0131\u015f a\u00e7\u0131s\u0131da bir ba\u015fka…<\/p>\n

\u015eiirlerinde insan temas\u0131 e\u015fit bir \u015fekilde yer al\u0131yor. \u0130nsan ili\u015fkileri basit de\u011filler, adaletsizlikler insan\u0131n belini b\u00fck\u00fcyor, ya\u015fam\u0131n\u0131 k\u0131salt\u0131yor fakat bunlar\u0131 yok saymak ta m\u00fcmk\u00fcn de\u011fil. Bu hususta g\u00f6n\u00fcl rahatl\u0131\u011f\u0131 ise bir insan\u0131n \u00fcz\u00fcnt\u00fc-kederlerine di\u011ferinin ortak olmas\u0131 onlar\u0131 anlamas\u0131 ile m\u00fcmk\u00fcn oluyor. Bunu herkes ba\u015faram\u0131yor. B\u00f6ylesi durumlar i\u00e7in Saide \u015f\u00f6yle s\u00f6yl\u00fcyor;<\/p>\n

I\u0430\u043f\u043bI \u0437\u044d\u0442\u0449\u044d\u043aI\u044b\u043d\u044b\u0448\u044a –<\/p>\n

\u0442\u044b\u0437\u044d\u043f\u043b\u044d\u043aI\u044b\u043d<\/p>\n

(\u043f\u0430\u0443\u0437\u044d\u0440 \u043a\u044a\u044b\u0434\u044d\u0444\u044d) \u0442\u044b\u0437\u044d\u0431\u043b\u044d\u043aI\u044b\u0448\u044a\u0443\u043c\u044d.<\/p>\n

Bu g\u00fczel bir cevap. \u0130yilik ve k\u00f6t\u00fcl\u00fc\u011f\u00fcn, so\u011fukkalplilikle s\u0131cak kalplili\u011fin birbirleri ile yanyana yol almalar\u0131n\u0131n yan\u0131t\u0131. Fakat bunun yan\u0131s\u0131ra ya\u015fam felsefesi de o kadar basit de\u011fil, bu y\u00fczden Adigelerin ‘bir insan\u0131n mayas\u0131, di\u011fer bir insan – \u0437\u044b \u0446I\u044b\u0444\u044b\u043c \u0437\u044b \u0446I\u044b\u0444\u044b\u0440 \u0438\u0449\u0445\u044d\u043f\u0441 ‘\u00c7N. birebir \u00e7evirisi; bir insan di\u011fer insan\u0131n (kal\u0131p- \u015fekil veren) kolas\u0131 <\/em>‘ \u015feklindeki ifadelerinden yola \u00e7\u0131karak empati ve ho\u015fg\u00f6r\u00fcye sahip olunmal\u0131. Yazar da bunu dile getiriyor;<\/p>\n

\u0416\u044a\u0430\u043b\u044b\u043c\u044b\u0433\u044a\u044d<\/p>\n

\u043a\u044a\u044b\u0442\u044d\u0437\u044b\u0445\u044c\u044b\u0433\u044a\u044d<\/p>\n

\u041f\u0447\u044a\u0430\u0433\u044a\u044d \u0434\u0433\u044a\u044d\u0435\u0436\u044c\u044b\u0433\u044a\u044d,<\/p>\n

\u0422\u044b\u0433\u0443 \u0445\u044d\u0433\u044a\u0443\u043aI\u044d\u0443 –<\/p>\n

Sana ters yakla\u015fan\u0131 ho\u015fg\u00f6rmek – affetmek Tanr\u0131\u2019ya yakla\u015fmana vesile olur. Yoksa g\u00f6n\u00fcl k\u0131r\u0131c\u0131 d\u00fc\u015f\u00fcncelerin karanl\u0131\u011f\u0131 d\u00fcnyay\u0131 kaplamaz m\u0131? Ya\u015fam\u0131n k\u0131sa oldu\u011funu hi\u00e7 bir zaman unutmamaml\u0131, \u00f6mr\u00fc gereksiz i\u015flerle heba etmemeli \u00e7\u00fcnk\u00fc;<\/p>\n

\u0423\u0438\u0433\u044a\u044d\u043f\u044d\u043d\u043aI\u044d –<\/p>\n

\u041aI\u044d\u043aI\u044b, \u043aI\u044d\u043aI\u044b, \u043aI\u044d\u043aI\u044b …<\/p>\n

\u0130yili\u011fe g\u00fcvenmek onu arzulamak, onu \u00e7a\u011f\u0131rmak umudun karakteridir. \u0130nsan\u0131 var olduran \u015feyde umuttur;<\/p>\n

\u0413\u0443\u0433\u044a\u044d\u0440 – \u0445\u044c\u0430\u043aI\u044d!
\n\u0423\u043f\u044d\u043c\u044b\u0433\u044a\u043e\u043aI\u043c\u044d – I\u0443\u043aI\u044b\u0436\u044c\u044b\u0449\u0442…<\/p>\n","protected":false},"excerpt":{"rendered":"

Prof. HAÇEMİZ Mir Adige Devlet Üniversitesi Adige Filolojisi Bölümü Adige Mak Gazetesi, Ocak 2013 Çeviri: AÇUMIJ Hilmi HUNEGO Saide Adige yazınına 70’li yıllarda katıldı. Kendine has bir ritm içerisinde resmettiği eserlerinde, şiirlerinde çiy damlaları parıldıyor, şairin açtığı kapı aralığı gözlerimizin önüne dikiliyordu. Bu gün konu edindiğimiz şairin seçme eserlerinin yer aldığı kitabında ise kapının açıldığını 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