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MAMIRIKO Nuriyet \u041f\u0446I\u044b I\u044d\u0448I\u0443 \u043d\u0430\u0445\u044c\u0438 \u0448\u044a\u044b\u043f\u043a\u044a\u044d \u0434\u044b\u0434\u0436 – \u0413\u0443\u0449\u044bI\u044d\u0436\u044a<\/em> Do\u011frunun kararl\u0131l\u0131\u011f\u0131 kar\u015f\u0131s\u0131nda insanlarda her zaman inat\u00e7\u0131 oluyorlar. Fakat adaletsizlikle kar\u015f\u0131la\u015ft\u0131klar\u0131nda g\u00f6zya\u015flar\u0131 d\u00f6k\u00fclmeden hemen ‘do\u011fru de\u011fil, do\u011fru de\u011fil’ diyerek tela\u015flan\u0131yorlar. Her kim olursan ol sa\u00e7t\u0131\u011f\u0131n, yayd\u0131\u011f\u0131n \u015feyle sonra kar\u015f\u0131la\u015f\u0131yorsun. Fakat kim ne derse desin, kendi ba\u015f\u0131na yetip, dile getirdiklerinle davaran\u0131\u015flar\u0131n\u0131, yapt\u0131klar\u0131n\u0131 \u00f6rt\u00fc\u015ft\u00fcrd\u00fc\u011f\u00fcnde do\u011frular\u0131n\u0131n ba\u015fak verece\u011fine, ayd\u0131nlanaca\u011f\u0131na g\u00fcn y\u00fcz\u00fcne \u00e7\u0131kaca\u011f\u0131na inan\u0131yorum.<\/p>\n G\u00f6n\u00fcl \u00f6zg\u00fcrd\u00fcr. Fakat ya\u015fam \u00f6zg\u00fcr olamaz. Onun i\u00e7erisinde gelenekler, yap\u0131lmas\u0131 gerekenler, devletin kurallar\u0131, ufak insanlar\u0131n dahi arzular\u0131-umutlar\u0131 yer al\u0131yor. Yazar da t\u00fcm bunlar\u0131 inceleyen, ara\u015ft\u0131ran, de\u011ferlendiren s\u00f6zleri ile ya\u015f\u0131yor. Bir yerde kesip b\u0131rakm\u0131yor iyiyi de k\u00f6t\u00fcy\u00fc de birbirine kom\u015fu k\u0131l\u0131yor. G\u00f6rd\u00fc\u011f\u00fc \u00e7ok, kavrad\u0131\u011f\u0131 ise ondan da fazla. Yazar, b\u00f6yle herkes her \u015fey i\u00e7in g\u00f6nl\u00fcndeki kayg\u0131lar\u0131n\u0131 d\u00fc\u015f\u00fcncelerini g\u00fcn, ay, y\u0131llar boyunca ka\u011f\u0131da aktar\u0131yor – ya\u015fam\u0131 ilerliyor.<\/p>\n Yazd\u0131\u011f\u0131 her \u015fey bir soluklanma, her kitab\u0131 bir b\u00fcy\u00fck ad\u0131m. Fakat b\u00fct\u00fcn yazar ve \u015fairler ayn\u0131 de\u011filler; hepsi derinlere uzanan, insanlar\u0131n hi\u00e7 farketmediklerini arayan, d\u00fc\u015f\u00fcnen, s\u0131n\u0131rs\u0131z g\u00f6zlemleyen, ilgin\u00e7 ki\u015filerdir de diyemeyiz. Tabiki herkes kendisinde olan\u0131 ortaya koyabilir, Tanr\u0131 sadece baz\u0131lar\u0131n\u0131n eline yetene\u011fi bah\u015fetmi\u015ftir. Fakat herkesin eme\u011fine, yetene\u011fine \u00fcretimine her a\u00e7\u0131dan adil de\u011ferlendirmeyi yapacak olan \u015fey zamand\u0131r. \u00d6z\u00fc olan da\u011f\u0131lm\u0131yor \u00f6zs\u00fcz olan ise un-ufak olma e\u011filiminde.<\/p>\n Belli bir, d\u00fcnyay\u0131 alg\u0131lama kavrama yetisi olan etraf\u0131ndaki insanlar\u0131n mut ve umutlar\u0131n\u0131, dertlerini hissedip b\u00fct\u00fcn bunlar kar\u015f\u0131s\u0131nda kayg\u0131s\u0131z kalamayan, kalabal\u0131k\u00a0 kitleleri kendisinden \u00f6ne alan, onlar\u0131 i\u015fiten, onlara yak\u0131n olan, y\u00fcrek \u00e7\u0131rp\u0131nt\u0131lar\u0131n\u0131 i\u00e7inde hisseden kayg\u0131lanan ve onlar i\u00e7in bir \u015feyler yapmay\u0131 becerebilen ki\u015fi b\u00fcy\u00fck yazard\u0131r. Herkes kendi s\u00f6zc\u00fcklerini kullanabiliyor, bunlarda, sanat\u0131n\u0131n de\u011feri de d\u00fc\u015f\u00fcncelerinin uzan\u0131m\u0131na ba\u011fl\u0131. S\u00f6ylediklerinin y\u00fckl\u00fc oldu\u011fu anlam\u0131n dinletici y\u00f6nlendirici g\u00fcc\u00fc, s\u0131ms\u0131k\u0131 kavramas\u0131 da bunun devam\u0131.<\/p>\n Bu y\u00fczden bu g\u00fcnlerde do\u011fum g\u00fcn\u00fcn\u00fc kutlayan \u00c7ESEBEJ \u0130sako Kaplan’\u0131n sanat\u0131 ve ya\u015fam \u00f6yk\u00fcs\u00fcne de\u011finelim. Adige edebiyat\u0131na 60-70’li y\u0131llarda\u00a0 giren, kendi d\u00fc\u015f\u00fcnce ve kararlar\u0131 olan yazar \u015fairler aras\u0131nda \u00c7ESEBEJ Kaplan’da yer al\u0131yor. Uzat\u0131p s\u00fcnd\u00fcrmeden, s\u00f6zc\u00fcklerinde g\u00fc\u00e7l\u00fc olan bir dil kullanmay\u0131 becerebiliyor. S\u00f6zc\u00fc\u011f\u00fcn y\u0131lki at\u0131 gibi oldu\u011funu kavrayarak, onun geminden tutup istedi\u011fi y\u00f6ne \u00e7ekebiliyor. \u00a0Do\u011fruyu destek al\u0131p olan-biteni her zaman derinden kavrad\u0131\u011f\u0131n\u0131n belirteci bu s\u00f6zler. \u015eiirlerindeki\u00a0 farkl\u0131 farkl\u0131 sat\u0131rlar insanlar\u0131 g\u00f6zlemledi\u011finin \u00f6rne\u011fi. \u0130yilikle k\u00f6t\u00fcl\u00fc\u011f\u00fcn hi\u00e7 durmadan birbirlerine kar\u015f\u0131 durdu\u011fu bu bu\u00a0 ya\u015fam\u0131n iki yakas\u0131n\u0131 dile getirip k\u00f6t\u00fcl\u00fc\u011f\u00fcn tamamen y\u0131k\u0131lmas\u0131, ortadan kald\u0131r\u0131lmas\u0131 gerekti\u011finin alt\u0131n\u0131 \u00e7izerek anlatan \u00c7ESEBEJ Kaplan erken ya\u015flarda ilk gen\u00e7lik y\u0131llar\u0131nda yazmaya ba\u015flad\u0131. \u0130lk \u015fiirlerinin ‘Kolhoz Ya\u015fant\u0131s\u0131’ isimli rayon gazetesinde yay\u0131nlanmaya ba\u015flad\u0131\u011f\u0131nda hen\u00fcz okul \u00f6\u011frencisiydi. Ya\u015fam\u0131n d\u00fc\u011f\u00fcmleri-zorluklar\u0131 o zaman g\u00f6zlerinin \u00f6n\u00fcne dikilmeye ba\u015flam\u0131\u015ft\u0131.\u00a0 O tarihlerde gen\u00e7 delikanl\u0131 k\u00f6y okulunda okumaktayd\u0131. Fakat \u00e7if\u00e7i bir ailede do\u011fan-yeti\u015fen Kaplan, halktan emek\u00e7ilerin ya\u015famlar\u0131n\u0131 birisinin kendisine anlatmas\u0131na gerek olmadan y\u00fcrekten-g\u00f6n\u00fclden biliyor-anl\u0131yordu.<\/p>\n Bu d\u00f6nemde yazd\u0131\u011f\u0131 ilk \u015fiirlerini ‘H\u0131dze-Ps\u0131dze’, ‘Fekotl’ler’, ‘Ya\u015fes\u0131\u00e7e’ yay\u0131nlamaya ba\u015flam\u0131\u015ft\u0131. \u0130nsanlar onun d\u00fc\u015f\u00fcnce-kavrama yetisini alg\u0131layarak \u015fiirlerini ilgi ile okuyorlard\u0131.<\/p>\n Gen\u00e7 delikanl\u0131 hen\u00fcz 16 ya\u015f\u0131ndayken 1959 y\u0131l\u0131nda Adler’e gider. Burada Tar\u0131m Okulu’nda okumaya ba\u015flar ard\u0131ndan H\u0131d\u0131j kentinde e\u011fitimine devam eder. Ezelden beri g\u00f6zleri ile g\u00f6n\u00fclleri ile topra\u011fa bakan ilgi duyan Adigeler tar\u0131msal meslekleri seviyorlard\u0131, Kaplan bunun yan\u0131s\u0131ra kendi yetenekleri do\u011frultusunda k\u00fclt\u00fcr e\u011fitimi de alm\u0131\u015ft\u0131.<\/p>\n \u00c7ESEBEJ Kaplan ilk poemi ‘F\u0131\u015fha \u015e\u0131p’\u0131 erken ya\u015flar\u0131nda yazarak gen\u00e7 bir \u015fairin yeti\u015fti\u011fini g\u00f6sterdi. Askerlik vazifesini de yerine getirdi. 1965-970 y\u0131llar\u0131 aras\u0131nda Adige Devlet \u00d6\u011fretmen Enstit\u00fcs\u00fc Filoloji fak\u00fcltesi Adige Dili b\u00f6l\u00fcm\u00fcn\u00fc okur. Gazetecilik ve edebiyat alan\u0131nda \u00e7al\u0131\u015fmaya ba\u015flar. Rayon, Otonom B\u00f6lge, Eyalet gazetelerinde Adigece ve Rus\u00e7a yazd\u0131klar\u0131 yay\u0131nlan\u0131r. Mesle\u011fi olan \u00f6\u011fretmenlik dal\u0131nda \u00e7al\u0131\u015fmad\u0131 fakat radyo gazetecili\u011fi, Otonom B\u00f6lge Y\u00fcr\u00fctme Komitesi\u00a0 K\u00fclt\u00fcr Kurulu\u015funa ba\u011fl\u0131 Milli Sanat Evi’nde metodist olarak \u00e7al\u0131\u015f\u0131r.<\/p>\n \u00c7ESEBEJ Kaplan sadece yazmak i\u00e7in yazmadan hayatta olanlar\u0131 ayd\u0131nlatmay\u0131, olanlarla olmayanlar\u0131n neden olmad\u0131\u011f\u0131n\u0131, iyilik ve k\u00f6t\u00fcl\u00fc\u011f\u00fcn alt\u0131n\u0131 \u00e7izerek b\u00fct\u00fcn bunlarda da kendi g\u00f6r\u00fc\u015f ve d\u00fc\u015f\u00fcncelerini ortaya koyarak yazmay\u0131 adet edinmi\u015fti.Fakat her \u015feyi g\u00f6r\u00fcp kavramay\u0131 \u00f6r\u00fclm\u00fc\u015f bir duvar gibi y\u00f6netimi ellerinde tutanlar kabul edebilir miydi? \u00c7ESEBEJ Kaplan\u2019\u0131n yazd\u0131klar\u0131 ile yaz\u0131m stili ile, edebiyat alan\u0131na anti duru\u015f soktu\u011funu s\u00f6ylediler. Bunun neticesinde ‘G\u00fcvenilmez \u015eair’ diye onu adland\u0131rd\u0131lar. Yazd\u0131klar\u0131na de\u011fer vermeden, d\u0131\u015fl\u0131yorlard\u0131. \u015eair \u00c7ESEBEJ Kaplan o d\u00f6nemlerde de umudunu yitirmedi. Y\u0131llar i\u00e7inde kendi olanaklar\u0131 ile ‘G\u00fczel \u00d6vg\u00fcleri Durdur’ (1960), ‘Bir Avu\u00e7 G\u00fcne\u015f I\u015f\u0131\u011f\u0131’ (1966), ‘Han\u0131n Kundusuvu’ (1969), ‘Adem\u0131ye K\u00f6yl\u00fclerini Su G\u00f6t\u00fcr\u00fcyor’ (1967) isimli kitaplar\u0131n\u0131 yay\u0131nlar.\u00a0 O tarihlerde keskin \u015fiirleri ile Krasnodar baraj g\u00f6l\u00fcn\u00fcn Adigelere hi\u00e7 bir faydas\u0131 olmayaca\u011f\u0131n\u0131 dile getirdi. Bu \u015fiirinde bahsetti\u011fi \u015feylerin do\u011fru oldu\u011funu ise daha sonra ya\u015fam kan\u0131tlad\u0131.<\/p>\n Ayn\u0131 \u015fekilde ‘Fukara’ isimli poetik poeminde Adige g\u00f6\u00e7meninin aile ya\u015fam\u0131n\u0131, ‘Biz Sizler I\u00e7in Fakiriz’, ‘Minkutas’\u0131n Haydisi’ eserlerinde, olanlar\u0131 evirip \u00e7evirmeden, a\u00e7\u0131k a\u00e7\u0131k dile getirdi. Fakat iktidar\u0131 ellerinde tutanlara kar\u015f\u0131 koydu\u011funda, kim olursan ol, onlardan iyilik g\u00f6remezsin, \u015fairde bu konudan muzdariptir.<\/p>\n Sovyet ideolojisinin kararlar\u0131 kat\u0131 olmas\u0131n ara\u011fmen \u00c7ESEBEJ Kaplan’\u0131n kendi g\u00f6r\u00fc\u015flerini terk etmesini b\u0131rak\u0131n her zaman daha g\u00fcr \u00a0s\u00f6zleri ile olanlar\u0131 dile getiriyordu. Bu konuda kendisini \u00f6zg\u00fcr k\u0131lm\u0131\u015ft\u0131. Fakat bunu kabul etmediler.<\/p>\n 1972 y\u0131l\u0131nda Sovyet d\u00fczeni ve ya\u015fant\u0131s\u0131na uymayan yaz\u0131lar\u0131 ile Sovyet ya\u015fant\u0131s\u0131n\u0131 k\u00fc\u00e7\u00fck d\u00fc\u015f\u00fcr\u00fcc\u00fc eserler verdi\u011fini belirtrek Kom\u00fcnist partiden atarlar. Bununla da yetinmeyerek, bas\u0131n-yay\u0131n alan\u0131nda \u00e7al\u0131\u015fmas\u0131n\u0131 yasaklayarak yeniden onu ‘e\u011fitmek’ i\u00e7in M\u0131yekuape Karton fabrikas\u0131nda \u00e7al\u0131\u015fmas\u0131na karar verirler. Burada kendisine verilen \u00e7al\u0131\u015fma zorunlulu\u011fu bitti\u011finde 1992 y\u0131l\u0131na kadar A\u011fa\u00e7 \u0130\u015fleme tesislerinde \u00e7al\u0131\u015ft\u0131r\u0131l\u0131r. \u00c7ESEBEJ Kaplan’\u0131n 70’li y\u0131llar\u0131n sonuna kadar ne d\u00fczyaz\u0131 ne de \u015fiir ve di\u011fer alanlarda yaz\u0131lar\u0131 g\u00f6z\u00fckmez. Bazen binde bir gazete veya almanaklarda baz\u0131 yaz\u0131lar\u0131 bas\u0131l\u0131r.<\/p>\n 1979 y\u0131l\u0131nda bir grup yazar\u0131n da eserinin yer ald\u0131\u011f\u0131 ‘Caddemiz’ isimli kitap Krasnodar Kitap bas\u0131mevinin Adigece k\u0131sm\u0131nca yay\u0131nlan\u0131r. Bu kitapta Kaplan’\u0131n ‘\u0130dris’ isimli poemi ve baz\u0131 \u015fiirleri yer al\u0131r. 1982 y\u0131l\u0131nda ‘Benim pay\u0131mdaki i\u015f’ isimli \u015fiir kitab\u0131 yay\u0131nlan\u0131r. Daha sonra bu kitab\u0131ndaki eserleri 1982 y\u0131l\u0131nda ‘\u00c7eki\u00e7 sesi’ isimli kitab\u0131na da al\u0131r. \u00dcnl\u00fc Adige \u015fairi Jene K\u0131r\u0131m\u0131ze \u00c7ESEBEJ Kaplan hakk\u0131nda; ‘\u0130\u015f\u00e7ilikle i\u015ftigal eden gen\u00e7 \u015fair \u00c7ESEBEJ Kaplan ya\u015f\u0131t\u0131 gen\u00e7 dostlar\u0131 i\u00e7inde k\u00f6yl\u00fcs\u00fc ya\u015fl\u0131 insanlar i\u00e7inde en \u00f6nemlisi Sovyet halk\u0131n\u0131n temiz y\u00fcreklili\u011fini anlat\u0131p dile getiriyor’ diyordu.<\/p>\n \u015eair 1992 y\u0131l\u0131nda gazete-yay\u0131n kompleksi ‘Tham Yine\u015f’u’ n\u00fcn y\u00f6neticili\u011fini yapar. Her hafta ayn\u0131 ismi ta\u015f\u0131yan gazete ile\u00a0 sanatsal edebi yaz\u0131lar\u0131n yay\u0131nland\u0131\u011f\u0131 ‘Kafkas fiili’ dergisini yay\u0131nlar. \u00c7ESEBEJ Kaplan bu d\u00f6nem i\u00e7erisinde ‘Nefap’, ‘Psem G\u0131j Ye\u015f’\u0131’, isimli eserleri yay\u0131nlan\u0131r. Bu kitaplarda daha \u00f6nceki tarihlerde\u00a0 yazd\u0131\u011f\u0131 pek \u00e7ok \u015fiiri de girer. Bu \u015fiirlerde keskin derin bir bak\u0131\u015fla hayat\u0131 g\u00f6zlemledi\u011fi, sanatsall\u0131kla birlikte do\u011fruyu da muhafaza ederek yazd\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcyoruz. \u00c7ESEBEJ Kaplan’\u0131n kaleme ald\u0131\u011f\u0131 yaz\u0131larda her zaman Adigeydeki ya\u015fam\u0131n eksiklikleri ve yap\u0131lan hatalar, s\u0131radan halk\u0131n ac\u0131lar\u0131, arzular\u0131 a\u00e7\u0131k bir dille anlat\u0131l\u0131r. Bunun\u00a0 yan\u0131s\u0131ra yazar\u0131n ba\u015fka temalara, sevgiye de\u011findi\u011fi lirik eserleri de vard\u0131r. \u00c7ESEBEJ Kaplan’\u0131 insanlar\u00a0 \u015fair, yazar, gazeteci halk\u0131n faydas\u0131 i\u00e7in emek sarfeden toplumsal etkinliklerin kat\u0131l\u0131mc\u0131s\u0131 olarak tan\u0131rlar. 16 y\u0131ld\u0131r da Rusya Yazarlar Birli\u011fi’nin Adigey Dal\u0131 ba\u015fkan\u0131. Bu organizasyon i\u00e7inde kendisininde anla\u015ft\u0131\u011f\u0131 pek \u00e7ok sanatla me\u015fgul ki\u015fi de yer al\u0131r. Yaz\u0131yorlar, d\u00fc\u015f\u00fcn\u00fcyorlar sanatsal geli\u015fim i\u00e7in \u00e7al\u0131\u015f\u0131rken ya\u015fam\u0131 ele al\u0131yorlar.<\/p>\n \u00c7ESEBEJ Kaplan’I do\u011fum g\u00fcn\u00fc dolay\u0131s\u0131yla tebrik ederken yar\u0131m asr\u0131 ge\u00e7mi\u015f olan sanatsal ya\u015fam\u0131n\u0131nda ilerlemesini, sa\u011fl\u0131k ve esenlik i\u00e7erisinde t\u00fcm iyiliklerinin \u00e7o\u011falarak artmas\u0131 temennisinde bulunuyoruz.<\/p>\n","protected":false},"excerpt":{"rendered":" MAMIRIKO Nuriyet Adige Mak Gazetesi, Temmuz 2013 Çeviri: AÇUMIJ Hilmi ПцIы IэшIу нахьи шъыпкъэ дыдж – ГущыIэжъ Tatlı yalandan daha iyisi acı doğru – Atasözü Doğrunun kararlılığı karşısında insanlarda her zaman inatçı oluyorlar. Fakat adaletsizlikle karşılaştıklarında gözyaşları dökülmeden hemen ‘doğru değil, doğru değil’ diyerek telaşlanıyorlar. Her kim olursan ol saçtığın, yaydığın şeyle sonra karşılaşıyorsun. 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\n<\/strong> Adige Mak Gazetesi, Temmuz 2013
\n\u00c7eviri: A\u00c7UMIJ Hilmi<\/p>\n
\nTatl\u0131 yalandan daha iyisi ac\u0131 do\u011fru – Atas\u00f6z\u00fc\u00a0 <\/em><\/p>\n