{"id":13105,"date":"2019-04-01T16:15:02","date_gmt":"2019-04-01T21:15:02","guid":{"rendered":"http:\/\/circassiancenter.com\/tr\/?p=13105"},"modified":"2019-04-01T16:15:02","modified_gmt":"2019-04-01T21:15:02","slug":"wubihlarin-son-sesleri","status":"publish","type":"post","link":"https:\/\/www.circassiancenter.com\/tr\/wubihlarin-son-sesleri\/","title":{"rendered":"WUBIHLARIN “SON SESLER”\u0130"},"content":{"rendered":"

<\/p>\n

Kafda\u011f\u0131
\nSay\u0131: 13-14 Y\u0131l: 1988<\/p>\n

YEN\u0130 G\u00dcNDEM
\n<\/b>Say\u0131 95, 2 Ocak 1988
\n<\/span>
\n\u00c7ekimi Eyl\u00fcl 1987’de tamamlanan \u2018\u2019Son Sesler\u2019\u2019 adl\u0131 belgesel film 1-14 Mart tarihleri aras\u0131nda Paris’te ger\u00e7ekle\u015ftirilecek Cinema du Reel Festivali’ne davet edildi. Son Sesler, 1860’l\u0131 y\u0131llarda anayurtlar\u0131 Kuzey Kafkasya’dan Osmanl\u0131 topraklar\u0131na g\u00f6\u00e7 ederek s\u0131\u011f\u0131nan 30 bin Wub\u0131h’a ve Wub\u0131hca’ya bir a\u011f\u0131t. Filmin y\u00f6netmeni \u0130smet Arasan, “Wub\u0131hca”y\u0131 konu\u015fan son Wub\u0131h’\u0131n Manyas’\u0131n Hac\u0131osman k\u00f6y\u00fcnde ya\u015fad\u0131\u011f\u0131n\u0131 \u00f6\u011frendi\u011fimde yollara d\u00fc\u015ft\u00fcm” diyor. Yery\u00fcz\u00fcnde bu dili 81 ya\u015f\u0131ndaki Tevfik Esen\u00e7 kadar hat\u0131rlayan ba\u015fka bir canl\u0131n\u0131n kalmam\u0131\u015f olmas\u0131 Arasan’\u0131 “bu \u00fcrpertici durumu ba\u015fkalar\u0131yla payla\u015fmaya” ve 26 dakikal\u0131k bir belgesel yapmaya itmi\u015f.<\/p>\n

Yap\u0131mc\u0131l\u0131\u011f\u0131n\u0131 \u0130stanbul Film Ajans\u0131’n\u0131n \u00fcstlendi\u011fi Hasan Gergin’in g\u00f6r\u00fcnt\u00fcledi\u011fi, \u00f6zg\u00fcn m\u00fczi\u011fini C\u00fcneyt Duru’nun, anlat\u0131c\u0131l\u0131\u011f\u0131n\u0131 da M\u00fc\u015ffik Kemer’in yapt\u0131\u011f\u0131 Son Sesler \u0130stanbul Sinema G\u00fcnleri program\u0131na da al\u0131nd\u0131.<\/p>\n

NOKTA
\n<\/b>\u015eule Arasan
\n<\/span>14 \u015eubat 1988
\n<\/span>
\nWub\u0131hlar\u0131n Son Sesi<\/p>\n

Yery\u00fcz\u00fcnde ana dilini konu\u015fabilen son Wub\u0131h Tevfik Esen\u00e7, Frans\u0131z dil bilimci Dumezil ile yapt\u0131\u011f\u0131 ortak \u00e7al\u0131\u015fma sonunda bir s\u00f6zl\u00fck haz\u0131rlad\u0131.<\/p>\n

Wub\u0131hlar bir zamanlar Kafkasya’n\u0131n en sava\u015f\u00e7\u0131 kabilesiydi. Zamanla yok olup gittiler; haritadan silindiler. Konu\u015ftuklar\u0131 ana dilleri Wub\u0131hca da \u00f6l\u00fcm\u00fcn pen\u00e7esinde, d\u00fcnyada yaln\u0131z bir Wub\u0131h’\u0131n yorgun g\u0131rtla\u011f\u0131nda can buluyor bu dil… Manyas’\u0131n Hac\u0131 Osman k\u00f6y\u00fcnden 82 ya\u015f\u0131ndaki Tevfik Esen\u00e7.<\/p>\n

Tevf\u0131k Esen\u00e7 bir k\u00f6yl\u00fc ama k\u00f6y\u00fcn\u00fcn s\u0131n\u0131rlar\u0131n\u0131 kendi \u00e7abas\u0131yla a\u015fabilmi\u015f, insanl\u0131\u011fa Wub\u0131hca’y\u0131 arma\u011fan edip, dilini kay\u0131p diller aras\u0131ndan \u00e7ekip \u00e7\u0131karmaya \u00e7al\u0131\u015fm\u0131\u015f bir “dil bilimci” ayn\u0131 zamanda d\u00fcnyaca \u00fcnl\u00fc Frans\u0131z din tarih\u00e7isi ve dil bilimcisi Georges Dumezil’in “Benim i\u00e7in o bir meslekta\u015ft\u0131r”, Wub\u0131h Akademisi’ni temsil etmektedir” demesi hi\u00e7 de bo\u015funa de\u011fildir.<\/p>\n

Evet g\u00fcn geldi Wub\u0131hlar\u0131n ya\u015fad\u0131\u011f\u0131 Hac\u0131 Osman k\u00f6y\u00fcnde, anas\u0131 babas\u0131 Wub\u0131h olan be\u015f alt\u0131 hane kald\u0131. O evlerde bile Wub\u0131hca konu\u015fulmaz oldu. Koskoca k\u00f6yde bir tek Esen\u00e7, dedesinin ona verdi\u011fi “gizli g\u00f6revi” s\u00fcrd\u00fcr\u00fcyor, dilini unutmamakta direniyordu. \u0130htiyarlar da g\u00f6\u00e7\u00fcp gidince bir o kald\u0131.<\/p>\n

Cereyana kap\u0131l\u0131nca. Diyor ki: “Dumezil \u00f6lene kadar bu i\u015fle u\u011fra\u015ft\u0131. Ben de \u00f6lene kadar bu i\u015fle u\u011fra\u015faca\u011f\u0131m. \u0130\u00e7imden bir itme, bir ses bu i\u015fi yapacaks\u0131n dedi. \u00f6yle ba\u015flad\u0131m dilimi kurtarma i\u015fine. Bana hi\u00e7 iyi yap\u0131yorsun diyen olmad\u0131. Ama ben bir kere o cereyana kap\u0131lm\u0131\u015f\u0131m. Bunca y\u0131l nas\u0131l devam etti ben de bilmiyorum. Giderek daha fazla heyecan duydum. Bildiklerimi anlatay\u0131m istedim. Dumezil olmasa belki ben de di\u011ferleri gibi ana lisan\u0131m\u0131 unutup gidecektim. \u015eimdiye berlik ediyor, dilinin inceliklerini ona \u00f6\u011fretiyor.<\/p>\n

Ancak bug\u00fcn yorgun, bir yere gidecek g\u00fcc\u00fc kalmad\u0131. Hatta zar zor konu\u015fuyor. Bundan b\u00f6yle Charachidze, her yaz onunla \u00e7al\u0131\u015fmak i\u00e7in Manyas’a geliyor. G\u00fcnlerce masaya kapan\u0131yorlar. Nefesi t\u00fckense, g\u0131rtla\u011f\u0131 yorulsa da “Son Sesleri” \u00e7\u0131kar\u0131yor ve ana dilinde konu\u015fman\u0131n tad\u0131n\u0131 ya\u015f\u0131yor. \u00c7al\u0131\u015fmaya bir t\u00fcrl\u00fc dur durak demiyor. K\u0131\u015f gelince, \u0130stanbul’da bu kez de bir T\u00fcrk dil bilimciye Bo\u011fazi\u00e7i \u00dcniversitesi’nden Sumru \u00d6zsoy’a Wub\u0131hca’y\u0131 \u00f6\u011fretiyor. “Amac\u0131 yeni bir ara\u015ft\u0131rmac\u0131ya yard\u0131mc\u0131 olmak” diyor.<\/p>\n

Esen\u00e7lerin kap\u0131s\u0131 87 yaz\u0131nda bu kez farkl\u0131 bir nedenle \u00e7al\u0131nd\u0131: Gen\u00e7 bir sinemac\u0131 \u0130smet Ara\u015fan, “Wub\u0131hlar\u0131n ser\u00fcvenini, Esen\u00e7’in trajik konumunu sinemada bir \u00fcrperti olarak ya\u015fatmak ve onun hayat\u0131n\u0131n h\u00fczn\u00fcn\u00fc ba\u015fka insanlara bula\u015ft\u0131rmak” i\u00e7in Esen\u00e7 ile el ele verdi, bir belgesel film \u00e7ekti. 82’lik delikanl\u0131 t\u0131pk\u0131 dil \u00e7al\u0131\u015fmas\u0131nda oldu\u011fu gibi filmde de b\u00fcy\u00fck bir titizlikle \u00e7al\u0131\u015ft\u0131. “Son Sesler” adl\u0131 filmin, 1-15 Mart tarihleri aras\u0131nda Paris’te ger\u00e7ekle\u015fecek Cinema du Reel Festivali’nde finale kalm\u0131\u015f olmas\u0131, T\u00fcrkiye’nin yar\u0131\u015fmada ilk kez bu filmle temsil edilmesi Esen\u00e7’i \u00e7ok heyecanland\u0131r\u0131yor. \u00c7abas\u0131n\u0131n geni\u015f kitlelere ula\u015fmas\u0131n\u0131n sevinci i\u00e7inde. Ama kalbi art\u0131k bu t\u00fcr heyecanlara dayanamayacak kadar yorgun.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Kafdağı Sayı: 13-14 Yıl: 1988 YENİ GÜNDEM Sayı 95, 2 Ocak 1988 Çekimi Eylül 1987’de tamamlanan ‘’Son Sesler’’ adlı belgesel film 1-14 Mart tarihleri arasında Paris’te gerçekleştirilecek Cinema du Reel Festivali’ne davet edildi. Son Sesler, 1860’lı yıllarda anayurtları Kuzey Kafkasya’dan Osmanlı topraklarına göç ederek sığınan 30 bin Wubıh’a ve Wubıhca’ya bir ağıt. Filmin yönetmeni İsmet […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"0","ocean_second_sidebar":"0","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"0","ocean_custom_header_template":"0","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"0","ocean_menu_typo_font_family":"0","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"0","ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"off","ocean_gallery_id":[],"footnotes":""},"categories":[6],"tags":[],"class_list":["post-13105","post","type-post","status-publish","format-standard","hentry","category-arastirma-ana-sayfa","entry"],"_links":{"self":[{"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/posts\/13105","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/comments?post=13105"}],"version-history":[{"count":1,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/posts\/13105\/revisions"}],"predecessor-version":[{"id":13107,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/posts\/13105\/revisions\/13107"}],"wp:attachment":[{"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/media?parent=13105"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/categories?post=13105"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/tags?post=13105"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}