![\"\"](\"http:\/\/circassiancenter.com\/tr\/wp-content\/uploads\/2021\/11\/ANILAR-GONOSINEPE-b.png\")
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Ali \u0130hsan Aksamaz<\/strong><\/p>\n E\u011fitimci- yazar Fatma Ba\u015fural Ayata\u2019n\u0131n son kitab\u0131 \u201cAn\u0131lar\/ Gono\u015finepe\u201d ge\u00e7ti\u011fimiz g\u00fcnlerde \u00c7\u0131kr\u0131k Yay\u0131nlar\u0131 taraf\u0131ndan yay\u0131nland\u0131. An\u0131lar\/ Gono\u015finepe\u201d, T\u00fcrk\u00e7e ve Lazca olmak \u00fczere iki b\u00f6l\u00fcmden olu\u015fuyor.<\/p>\n Fatma Ayata Ba\u015fural, bu \u00e7al\u0131\u015fmas\u0131yla okuyucular\u0131n\u0131 Arde\u015fen\u2019den \u0130stanbul\u2019a uzun bir yolculu\u011fa \u00e7\u0131kar\u0131yor. An\u0131lar\u0131n\u0131 anlat\u0131yor, ama yaln\u0131zca an\u0131lar\u0131n\u0131 anlatmakla kalm\u0131yor.1940\u2019l\u0131 y\u0131llardan g\u00fcn\u00fcm\u00fcze, \u00fclkemizde her alanda ya\u015fanan ekonomik- sosyal de\u011fi\u015fikliklere bilin\u00e7li olarak dikkat \u00e7ekerek \u00e7al\u0131\u015fmas\u0131n\u0131 daha da derin k\u0131l\u0131yor.<\/p>\n Fatma Ayata Ba\u015fural\u2019\u0131n an\u0131lar\u0131n\u0131 okurken kendimizi Do\u011fu Karadeniz\u2019in sisleri\u00e7indeki bir da\u011f k\u00f6y\u00fcnde orman g\u00fclleri aras\u0131nda hissediyoruz. Ke\u00e7ilerin \u00e7\u0131ng\u0131rak sesleri geliyor, ya\u011fmur \u00e7iseliyor…\u00a0 Sonra kendimizi birden yedi tepeli \u0130stanbul\u2019un Safrak\u00f6y\u2019\u00fcnde 60-70 ki\u015filik bir ilkokulun bas\u0131k tavanl\u0131 s\u0131n\u0131f\u0131nda buluyor, nefes almakta zorlan\u0131yorsunuz.<\/p>\n Fatma Ayata Ba\u015fural, \u201cAn\u0131lar\/ Gono\u015finepe\u201d ba\u015fl\u0131kl\u0131 son kitab\u0131na ili\u015fkin \u015funlar\u0131 s\u00f6yl\u00fcyor: \u201c\u00c7ocuklar\u0131n elleri, y\u00fcz\u00fc, g\u00f6z\u00fc, t\u0131rnaklar\u0131 \u00e7amurla dolsun. Yeter ki \u00e7ocuklar \u00f6zg\u00fcrce oynas\u0131n. Balkon \u00e7i\u00e7e\u011fi olmas\u0131n. Vars\u0131n arkada\u015flar\u0131yla tart\u0131\u015fs\u0131n. Sorunlar\u0131 araya kimseyi sokmadan kendileri \u00e7\u00f6zs\u00fcn. Payla\u015fmay\u0131, karde\u015fli\u011fi, sevgiyi \u00f6\u011frensin. Toplu ya\u015faman\u0131n kurallar\u0131n\u0131, yard\u0131mla\u015fma duygusunu benimsesin.<\/p>\n Kendi ya\u015fad\u0131klar\u0131m\u0131, g\u00f6rd\u00fcklerimi, yapt\u0131klar\u0131m\u0131 ve g\u00f6zlemlerimi yazd\u0131m. Anadilim Lazcay\u0131 anamdan, babamdan, ninem, dedem ve \u00e7evremden \u00f6\u011frendim. \u00d6\u011frendi\u011fim Lazca ninnileri, a\u011f\u0131tlar\u0131, s\u00f6zc\u00fckleri be\u015fikten ya\u015fad\u0131\u011f\u0131m \u015fu ana kadar ta\u015f\u0131d\u0131m.<\/p>\n Lazca s\u00f6zc\u00fckler kolay okunsun, anla\u015f\u0131ls\u0131n diye se\u00e7erek kulland\u0131m. Do\u011fdu\u011fum g\u00fcnden beri Lazcadan beslendim,\u00a0 konu\u015ftum, y\u00fcr\u00fcd\u00fcm, b\u00fcy\u00fcd\u00fcm, sevdim. Ekme\u011fimi, suyumu Lazca istedim. Do\u011fdu\u011fum, ya\u015fad\u0131\u011f\u0131m b\u00f6lgenin yerel dilidir Lazca. Yak\u0131n zamana kadar devlet okullar\u0131nda Lazca se\u00e7meli ders de\u011fildi. Lazca s\u00f6zl\u00fckler, ders kitaplar\u0131 ve gazete de yoktu. O nedenle de Lazca yaz\u0131m dilinde do\u011fal olarak baz\u0131 \u015five farkl\u0131l\u0131klar\u0131 var. Ben, bu kitab\u0131mda \u00e7ocuklu\u011fumun Lazcas\u0131yla, yani F\u0131rt\u0131na Lazcas\u0131yla yazd\u0131m.\u201d<\/p>\n E\u011fitimci- yazar Fatma Ayata Ba\u015fural, an\u0131lar\u0131n\u0131 iki dilde anlat\u0131yor; T\u00fcrk\u00e7e ve Lazca. B\u00f6ylece anadili Lazcaya sahip \u00e7\u0131k\u0131yor. Bu yakla\u015f\u0131m\u0131 \u00e7al\u0131\u015fmas\u0131na ayr\u0131 bir de\u011fer kat\u0131yor. Kitapta Sema Yan\u0131lmaz G\u00fcrsoy\u2019un Lazca \u015fiirleri de yer al\u0131yor.<\/p>\n \u00c7ok yak\u0131n bir zamana kadar Lazca T\u00fcrkiye\u2019nin sahipsiz anadillerden biriydi. So\u011fuk Sava\u015f\u2019\u0131n bitmesi ve Sarp S\u0131n\u0131r Kap\u0131s\u0131\u2019n\u0131n a\u00e7\u0131lmas\u0131n\u0131n ard\u0131ndan internet ve sosyal medyan\u0131n yayg\u0131nla\u015fmas\u0131 Lazcan\u0131n da bir r\u00f6nesans ya\u015famas\u0131 imk\u00e2n\u0131n\u0131 sa\u011flad\u0131. Fatma Ayata Ba\u015fural\u2019\u0131n bu \u00e7al\u0131\u015fmas\u0131 da Lazcan\u0131n art\u0131k sahipsiz olmad\u0131\u011f\u0131n\u0131 g\u00f6steriyor.<\/p>\n +<\/p>\n (\u00d6nerilen okumalar: Ali Hac\u0131alio\u011flu, Sifteri\u201d, Lazika Yay\u0131n Kollektifi, \u0130stanbul, 2021; Ali \u0130hsan Aksamaz, \u201c\u015eanguli\u015fi Skiri\/ \u015eanguli\u2019nin Evl\u00e2d\u0131 Faik Aksamaz\u201d, \u00c7\u0131kr\u0131k Yay\u0131nlar\u0131, \u0130stanbul, 2020; Ali \u0130mdat \u00d6z\u00e7akmak, \u201cD\u00fcnden Bug\u00fcne Arhavi\u201d, \u0130stanbul Arhavililer Derne\u011fi Yay\u0131n\u0131, \u0130stanbul, 2014;\u00a0 \u00a0\u201cArde\u015fen Belediyesi Ahmet Hamdi Yaz\u0131c\u0131 Etnografya M\u00fczesi\u201d, 3 VI 2016, ardeseninsesi.com; <\/strong>Bayram Ali \u00d6z\u015fahin, \u201cSarpi Moleni\u201d, Lazika Yay\u0131n Kollektifi, \u0130stanbul, 2021; Cemil Telci, \u201cMaisine Entrikalar\u0131\u201d, Kendi Yay\u0131n\u0131, \u0130stanbul, 2017; \u00c7\u0306ani \u015eana\u015fi, Henife Franci\u015fi, \u201cTolik\u00e7eturi Faik\u0306 Dai\u201d, Laz K\u00fclt\u00fcr Derne\u011fi Yay\u0131n\u0131, \u0130stanbul, 2021; \u201cDikyama\u00e7 K\u00f6y\u00fc (Kamparna) Ya\u015fam Tarz\u0131 M\u00fczesi\u201d, 4 I 2017, arhavizyon.com; <\/strong>Faruk Benli, \u201cMamoylar Aile Tarihi\u201d, Kendi Yay\u0131n\u0131, Ankara, 2015; Fatma Ba\u015fural: \u201cAnadilimizi, k\u00fclt\u00fcr\u00fcm\u00fcz\u00fc, adetlerimizi bilelim!\/ \u015ek\u0306u Nananena, K\u0306ult\u0306uri, adetepe \u015fk\u0306uni mi\u015fk\u0306urt\u0306an!\u201d, circassian.com.tr\/ gurcuhaber.com; \u0130smail Muzaffer \u00d6zbay, Mehmet Ali K\u00f6k,\u00a0 Muhsin Erol, Metin Bilgin, \u201cArhavi Halk Bilim Ara\u015ft\u0131rmas\u0131- Tarih, K\u00fclt\u00fcr, \u0130nsan\u201d, Arhavililer Vakf\u0131, Ankara, 2010; K\u00e2mil Aksoylu, \u201cLaz K\u00fclt\u00fcr\u00fc\u201d, Phoenix Yay\u0131nlar\u0131, Ankara, 2009; Kemal \u00d6zb\u0131y\u0131k, \u201c\u00dczerleri Toz Olmas\u0131n\/ Do\u011fu Karadeniz\u2019de Ya\u015f Almak\u201d, Karina Yay\u0131nevi, Ankara, 2017; M. Recai \u00d6zg\u00fcn, \u201cAtmaca\u201d, Kendi Yay\u0131n\u0131, \u0130stanbul, 1996; Mecit \u00c7ak\u0131rusta, \u201cDutxuri Palikari\u201d, Lazika Yay\u0131n Kollektifi, \u0130stanbul, 2012; Sami Avc\u0131, \u201cAtalar\u0131m\u0131z\u0131n Ya\u015fad\u0131\u011f\u0131 Topraklar ve Soya\u011fac\u0131m\u0131z\u201d, Kendi Yay\u0131n\u0131, Ankara, 2013; Selma Ko\u00e7iva, \u201cBedia Xala\u201d, Kald\u0131ra\u00e7 Yay\u0131nevi, \u0130stanbul, 2012)<\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" Ali İhsan Aksamaz Eğitimci- yazar Fatma Başural Ayata’nın son kitabı “Anılar\/ Gonoşinepe” geçtiğimiz günlerde Çıkrık Yayınları tarafından yayınlandı. Anılar\/ Gonoşinepe”, Türkçe ve Lazca olmak üzere iki bölümden oluşuyor. Fatma Ayata Başural, bu çalışmasıyla okuyucularını Ardeşen’den İstanbul’a uzun bir yolculuğa çıkarıyor. Anılarını anlatıyor, ama yalnızca anılarını anlatmakla kalmıyor.1940’lı yıllardan günümüze, ülkemizde her alanda yaşanan ekonomik- sosyal […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"","ocean_second_sidebar":"","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"on","ocean_gallery_id":[],"footnotes":""},"categories":[135],"tags":[],"class_list":["post-21207","post","type-post","status-publish","format-standard","hentry","category-yazarlar-ali-ihsan-aksamaz-laz-kulturu","entry"],"_links":{"self":[{"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/posts\/21207","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/comments?post=21207"}],"version-history":[{"count":1,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/posts\/21207\/revisions"}],"predecessor-version":[{"id":21213,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/posts\/21207\/revisions\/21213"}],"wp:attachment":[{"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/media?parent=21207"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/categories?post=21207"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/tags?post=21207"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"http:\/\/c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