{"id":2128,"date":"2019-02-22T16:36:37","date_gmt":"2019-02-22T16:36:37","guid":{"rendered":"http:\/\/circassiancenter.com\/tr\/?p=2128"},"modified":"2019-02-22T16:36:37","modified_gmt":"2019-02-22T16:36:37","slug":"cerkesler-ve-mizah","status":"publish","type":"post","link":"https:\/\/www.circassiancenter.com\/tr\/cerkesler-ve-mizah\/","title":{"rendered":"\u00c7ERKESLER VE M\u0130ZAH"},"content":{"rendered":"

TLETSERUK Nahit Serbes<\/strong>
\n<\/span><\/span>22.06.2010<\/span><\/p>\n

Bunca ac\u0131 ya\u015famas\u0131na ra\u011fmen mizah\u0131 ve g\u00fclmeyi hi\u00e7bir zaman unutmayan \u00fcstatlar\u0131m\u0131z, mizah\u0131n s\u0131rr\u0131n\u0131n komedi zamanlamas\u0131 oldu\u011funu s\u00f6ylerler. Zamanlama bir f\u0131kray\u0131 ger\u00e7ekten komik yapan b\u00fcy\u00fcl\u00fc bir dokunu\u015ftur. \u00c7erkesler mizah\u0131, anlatmak istediklerini ba\u015fka \u015feylere benzeterek anlatma yolu olarak g\u00f6r\u00fcrler. Esas\u0131nda mizah\u0131n felsefesi de s\u00fcsl\u00fc ve sanatl\u0131 anlat\u0131md\u0131r. Bu biraz da dilin kullan\u0131m\u0131yla do\u011frudan ilgilidir.<\/p>\n

Bu c\u00fcmleden olarak bug\u00fcn biraz mizah\u0131m\u0131z\u0131 konu\u015fal\u0131m diye d\u00fc\u015f\u00fcn\u00fcyorum. Belki bir\u00e7o\u011fumuz bu anlatacaklar\u0131m\u0131 biliyorsunuzdur, fakat bilmeyen karde\u015flerimizin de mizah k\u00fclt\u00fcr\u00fcm\u00fcz\u00fc tan\u0131malar\u0131nda fayda oldu\u011funa inan\u0131yorum. Gen\u00e7 T\u00fcrkiye Cumhuriyeti’nin ilk mizah ustalar\u0131 radyo ve televizyon sanat\u00e7\u0131lar\u0131n\u0131n \u00f6nde gelenleri genellikle \u00c7erkeslerdi. Buna bir \u00f6rnek vermek gerekirse mizah sanat\u0131m\u0131z\u0131n duayenleri olan Orhan Boran, Halit K\u0131van\u00e7, T\u00fcrkan \u015eoray \u00c7erkes as\u0131ll\u0131 hem\u015fehrilerimizdir. Gen\u00e7lerimiz de bu a\u011fabeylerini, ablalar\u0131n\u0131 \u00f6rnek almal\u0131 T\u00fcrkiye\u2019mizin bug\u00fcn de \u00f6nde gelen ayd\u0131nlar\u0131 olmak i\u00e7in okumal\u0131 ve \u00e7al\u0131\u015fmal\u0131d\u0131rlar.<\/p>\n

\u00c7erkesler, d\u00fc\u015f ve hayallerini masallar, f\u0131kralar, hik\u00e2yeler \u00fcretmek ve anlatmak suretiyle zenginle\u015ftirmi\u015flerdir. Biz bu konuda \u00f6rnek olarak birka\u00e7 anekdot sunuyoruz<\/p>\n

Kervanc\u0131 Ba\u015f\u0131
\n<\/b>
\n\u00dc\u00e7 delikanl\u0131 muhabbet etmek i\u00e7in bir k\u0131z arkada\u015flar\u0131n\u0131n evine misafirli\u011fe giderler. Ho\u015f be\u015ften sonra evin gen\u00e7 k\u0131z\u0131 delikanl\u0131lara \u00e7ay ikram eder. Fakat bilerek \u015feker vermeden yerine oturur. Delikanl\u0131lar gen\u00e7 k\u0131z fark etsin diye hep birden sanki \u015feker varm\u0131\u015f gibi h\u0131zla bardaklar\u0131n\u0131 kar\u0131\u015ft\u0131rmaya ba\u015flarlar. Bu durumu seyreden gen\u00e7 k\u0131z, k\u0131s k\u0131s g\u00fclerek \u201cAaa… Fincanc\u0131 kervanlar\u0131 ge\u00e7iyor\u201d der. Delikanl\u0131n\u0131n cevab\u0131 haz\u0131rd\u0131r. \u201cKervanc\u0131ba\u015f\u0131na sor bakal\u0131m \u015fekeri de var m\u0131ym\u0131\u015f?\u201d Gen\u00e7 k\u0131z \u015fekeri getirir ve kahkahalarla g\u00fclerler.<\/p>\n

Migrel \u00e7ocuk ve ya\u015fl\u0131 kad\u0131n
\n<\/b>
\n\u201cOn ya\u015flar\u0131nda bir Migrel \u00e7ocuk s\u0131k s\u0131k kom\u015fular\u0131na gidermi\u015f. Evin ya\u015fl\u0131 kad\u0131n\u0131 da her seferinde bu \u00e7ocu\u011fu aya\u011fa kalk\u0131p kar\u015f\u0131larm\u0131\u015f. Migrel \u00e7ocuk bir g\u00fcn kendi anneannesine gitmi\u015f ve sormu\u015f: \u201cAnneanne, kom\u015fuya her gitti\u011fimde ya\u015fl\u0131 han\u0131m beni aya\u011fa kalk\u0131p kar\u015f\u0131l\u0131yor, neden acaba? Anneanne, cevap vermi\u015f: \u201cYavrum, \u00c7erkeslik budur i\u015fte. Onlar k\u00fc\u00e7\u00fck – b\u00fcy\u00fck demeden herkese sayg\u0131 ve sevgi g\u00f6sterirler. onun i\u00e7in o ya\u015fl\u0131 han\u0131m, sen onlara her gitti\u011finde aya\u011fa kalk\u0131yor.” demi\u015f.<\/p>\n

Televizyon izlerken\u2026
\n<\/b>
\nKabardey televizyonunu tamire g\u00f6t\u00fcrm\u00fc\u015f. Tamirci “Televizyonun nesi var?” beyefendi diye sormu\u015f. O da “Bilmiyorum vallahi, ak\u015fam televizyon izlerken dantel t\u0131\u011f\u0131 ile kula\u011f\u0131m\u0131 kar\u0131\u015ft\u0131r\u0131yordum. Kula\u011f\u0131m\u0131 kar\u0131\u015ft\u0131r\u0131rken kula\u011f\u0131m birden feci \u015fekilde a\u011fr\u0131maya ba\u015flad\u0131. Fakat benim as\u0131l \u00fcz\u00fcld\u00fc\u011f\u00fcm \u015fu ki televizyonun sesi de ayn\u0131 anda gitti.” demi\u015f.<\/p>\n

\u201cAt\u0131 nereye ba\u011flayay\u0131m?\u201d
\n<\/b>
\n\u00c7erkes\u2019in evine bir misafir gelmi\u015f. Bir, iki, \u00fc\u00e7 g\u00fcn derken, misafir \u00fc\u00e7 ay kadar kalm\u0131\u015f. Nihayet bir sabah gitmeye karar verip at\u0131n\u0131 haz\u0131rlamaya koyulmu\u015f. Tam o esnada ev sahibi gitmek \u00fczere olan misafire nezaketen “Biraz daha kalsayd\u0131n\u0131z, tam al\u0131\u015fm\u0131\u015ft\u0131k.” demi\u015f. Misafir buna kar\u015f\u0131n “Yok olmaz, art\u0131k gitmem gerek” diyerek kararl\u0131 bir tav\u0131r sergilemi\u015f. Ev sahibi art\u0131k misafirin gitmekte kararl\u0131 oldu\u011funu d\u00fc\u015f\u00fcnerek s\u00f6zlerini biraz daha abartm\u0131\u015f, “Yok gitme kal” diye \u0131srar etmi\u015f. Misafir bunun \u00fczerine ev sahibinin y\u00fcz\u00fcne bakm\u0131\u015f, ”Mademki bu kadar \u0131srar ediyorsunuz kalay\u0131m, ama at\u0131n ipini nereye ba\u011flayay\u0131m?\u201d diye sormu\u015f. Ev sahibi b\u00fcy\u00fck bir pi\u015fmanl\u0131k ve \u00e7aresizlik i\u00e7inde kendim ettim, kendim buldum dercesine “Dilime ba\u011fla!” demi\u015f.<\/p>\n

Kim Kimlerden?
\n<\/b>
\nBir Musevi, bir H\u0131ristiyan, bir Arap ve bir de \u00c7erkes biri birlerine hava at\u0131yorlarm\u0131\u015f.<\/p>\n

Musevi: “Hz. Musa bizdendir” demi\u015f.
\nH\u0131ristiyan:”Hz. \u0130sa bizdendir” demi\u015f.
\nArap an\u0131nda devreye girmi\u015f ve: “Hz. Muhammed’de bizdendir” demi\u015f.<\/p>\n

\u00c7erkes g\u00f6\u011fe do\u011fru bak\u0131p \u015f\u00f6yle demi\u015f: “Vallahi azizim, Cenab\u0131 Allah’ta bizdendir” diyerek son noktay\u0131 koymu\u015f.<\/p>\n

<\/p>\n

Mizahi anlat\u0131mlar\u0131n yan\u0131 s\u0131ra trajik olaylar\u0131nda hikayele\u015ftirilerek ku\u015faktan ku\u015fa\u011fa geldi\u011fini g\u00f6rmekteyiz. Ona bir \u00f6rnek verecek olursak:<\/p>\n

Lago ile Nak\u2019\u0131n a\u015fk hik\u00e2yesi
\n<\/b>
\nKafkas Da\u011flar\u0131\u2019n\u0131n Adigey topraklar\u0131nda bulunan Lago-Nak b\u00f6lgesi derin u\u00e7urumlar\u0131n oldu\u011fu yollardan gidilebilen bir tepedir. Efsaneye g\u00f6re eski zamanda Lago ad\u0131nda bir \u00c7erkes k\u0131z\u0131 ve Nak ad\u0131nda bir delikanl\u0131 birbirlerine \u00e2\u015f\u0131k olmu\u015flar. Ancak iki gencin aileleri bu evlili\u011fe izin vermemi\u015fler. Dillere destan olan bu \u00e2\u015f\u0131klar\u0131n ailelerini arac\u0131lar da ikna edememi\u015fler. \u00c7aresiz kalan delikanl\u0131, bir gece vakti sevgilisi Lago\u2019yu at\u0131na al\u0131p ka\u00e7\u0131rm\u0131\u015f. Olay\u0131 an\u0131nda \u00f6\u011frenen Lago\u2019nun erkek karde\u015fleri atlar\u0131na atlayarak ka\u00e7an sevgililerin pe\u015fine d\u00fc\u015fm\u00fc\u015fler. Delikanl\u0131 takip edildi\u011fini anlay\u0131nca at\u0131n\u0131 d\u00f6rtnala da\u011flar\u0131n tepelerine do\u011fru s\u00fcrmeye ba\u015flam\u0131\u015f. Fakat gecenin karanl\u0131\u011f\u0131nda bir u\u00e7uruma yuvarlan\u0131p \u00f6lm\u00fc\u015fler. Bu trajik olaydan sonra da\u011f\u0131n ad\u0131 Lago-Nak Da\u011f\u0131 olarak an\u0131l\u0131r olmu\u015f.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

TLETSERUK Nahit Serbes 22.06.2010 Bunca acı yaşamasına rağmen mizahı ve gülmeyi hiçbir zaman unutmayan üstatlarımız, mizahın sırrının komedi zamanlaması olduğunu söylerler. Zamanlama bir fıkrayı gerçekten komik yapan büyülü bir dokunuştur. Çerkesler mizahı, anlatmak istediklerini başka şeylere benzeterek anlatma yolu olarak görürler. Esasında mizahın felsefesi de süslü ve sanatlı anlatımdır. Bu biraz da dilin kullanımıyla doğrudan 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