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Ali \u0130hsan Aksamaz\u00a0<\/strong><\/p>\n (\u00d6n a\u00e7\u0131klama<\/strong>: Bug\u00fcnk\u00fc misafirim Mesut Kara; sinema yazar\u0131, sanat y\u00f6netmeni, edit\u00f6r, \u00fclkemizin \u00e7ok y\u00f6nl\u00fc bir k\u00fclt\u00fcr emek\u00e7isi, 1988\u2019de tan\u0131d\u0131\u011f\u0131m dostum. Kendisiyle bir s\u00f6yle\u015fi yapt\u0131m. Hayat hik\u00e2yesinden, yazd\u0131\u011f\u0131 dergilerden, makalelerinden, kitaplar\u0131ndan, belgesel filmlerinden ve di\u011fer \u00e7al\u0131\u015fmalar\u0131ndan konu\u015ftuk. 4 IV 2022, Ali \u0130hsan Aksamaz)<\/p>\n +<\/p>\n Ali \u0130hsan Aksamaz<\/strong>: Siz de uygun g\u00f6r\u00fcrseniz, \u00f6nce sizi okuyucular\u0131m\u0131za tan\u0131tmak istiyorum. Bize hayat hik\u00e2yenizden bahseder misiniz? Nerelisiniz? Nerede do\u011fdunuz? \u015eimdi nerede ya\u015f\u0131yorsunuz? Hangi okullarda, ne zaman, nerede \u00f6\u011frenim g\u00f6rd\u00fcn\u00fcz? T\u00fcrk\u00e7e d\u0131\u015f\u0131nda hangi dilleri biliyorsunuz?<\/p>\n Mesut Kara<\/strong>: \u00d6ncelikle zaman ay\u0131r\u0131p benimle s\u00f6yle\u015fi yapma inceli\u011fini g\u00f6sterdi\u011finiz i\u00e7in te\u015fekk\u00fcr ederim. Okurlar\u0131n\u0131za da selamlar\u0131m\u0131 sevgilerimi iletiyorum.1961 \u0130stanbul Kartal do\u011fumluyum. Kendi ya\u011f\u0131yla kavrulan yoksul denebilecek bir ailem vard\u0131. O y\u0131llarda k\u00fc\u00e7\u00fck, sevimli bir i\u015f\u00e7i ve bal\u0131k\u00e7\u0131 kasabas\u0131yd\u0131 Kartal. \u00c7ocuklu\u011fum mahalle k\u00fclt\u00fcr\u00fcn\u00fcn, dostlu\u011fun, dayan\u0131\u015fman\u0131n, kom\u015fuluk ili\u015fkilerinin oldu\u011fu radyolu y\u0131llarda \u201cradyo tiyatrosu\u201d, \u201carkas\u0131 yar\u0131n\u201dlar dinleyerek ge\u00e7ti. Ya\u015fad\u0131\u011f\u0131m o masal gibi y\u0131llarda neredeyse her mahallede bir sinema salonu vard\u0131. K\u00fc\u00e7\u00fcc\u00fck Kartalda bile yazl\u0131k ve k\u0131\u015fl\u0131k salonlar\u0131yla 11 salon vard\u0131 70\u2019li y\u0131llarda. Buna bir de Kartal\u2019a ba\u011fl\u0131 olan, Maltepe, cevizli ve Pendik\u2019te olan salonlar\u0131 eklersek salon say\u0131s\u0131n\u0131n 20\u2019ye yak\u0131n oldu\u011funu s\u00f6yleyebilirim.<\/p>\n \u0130lkokulda yap\u0131lan sa\u011fl\u0131k taramas\u0131nda \u00e7ok zay\u0131f ve bak\u0131ms\u0131z bulunup bug\u00fcn yok edilmek istenen tarihi Valideba\u011f Korusu i\u00e7inde bulunan sanatoryuma yat\u0131r\u0131lm\u0131\u015ft\u0131m. Orada baz\u0131 ak\u015famlar film g\u00f6sterimleri yap\u0131l\u0131rd\u0131, \u00e7ok e\u011flendi\u011fimizi, mutlu oldu\u011fumuzu an\u0131ms\u0131yorum. \u0130lk sinema sevgisi ve ilgisi orada ba\u015flad\u0131.<\/p>\n Sonras\u0131nda babam her hafta izin g\u00fcn\u00fcnde beni ve annemi sinemaya g\u00f6t\u00fcr\u00fcrd\u00fc, bu da beni \u00e7ok etkileyen, mutlu eden bir durumdu. \u00c7ocukluk ve gen\u00e7lik y\u0131llar\u0131mda da Kartal\u2019\u0131n, Pendik\u2019in yazl\u0131k ve k\u0131\u015fl\u0131k salonlar\u0131nda say\u0131s\u0131z film izledim. O filmlerin b\u00fcy\u00fcl\u00fc d\u00fcnyas\u0131nda izledi\u011fim y\u00fczlerce unutulmaz oyuncu belle\u011fime kaz\u0131nd\u0131. Onlar film artisti de\u011fil de sanki mahalle kom\u015fular\u0131m\u0131zd\u0131. \u00d6zellikle yan rol oyuncular\u0131\u2026 \u00c7ok sahici, i\u00e7ten ve inand\u0131r\u0131c\u0131yd\u0131lar. Onlar\u0131n ger\u00e7ek ya\u015fam \u00f6yk\u00fclerini o g\u00fcnlerde merak etmeye ba\u015flam\u0131\u015ft\u0131m, izlerini s\u00fcrme iste\u011fi olu\u015fmu\u015ftu. Yazmaya, yazd\u0131klar\u0131m\u0131 yay\u0131nlamaya ba\u015flad\u0131\u011f\u0131mda ilk onlar\u0131n pe\u015fine d\u00fc\u015ft\u00fcm. \u0130lk yaz\u0131lar\u0131m ve yay\u0131nlanan ilk kitab\u0131m \u201cArtizler Kahvesi\u201d daha \u00e7ok yan rollerde oynayan, adlar\u0131 jeneriklerde, afi\u015flerde yer alamayan sinema emek\u00e7ilerinin ya\u015fam \u00f6yk\u00fcleri ve sinema ser\u00fcvenlerini kendi seslerinden aktarmalarla olu\u015ftu.<\/p>\n \u0130lk ve orta \u00f6\u011frenimi Kartal\u2019da tamamlad\u0131ktan sonra A. \u00dc. Dil ve Tarih Co\u011frafya Fak\u00fcltesi\u2019nde bir y\u0131l Klasik Felsefe (Klasik Yunan Dili ve Edebiyat\u0131), iki y\u0131l da T\u00fcrk Dili ve Edebiyat\u0131 b\u00f6l\u00fcmlerine devam ettim. Okulu yar\u0131m b\u0131rak\u0131p \u00e7al\u0131\u015fma hayat\u0131na ba\u015flad\u0131m. \u00d6nceki y\u0131l emekli olsam da o g\u00fcnlerden bu g\u00fcn karn\u0131m\u0131 doyurmak, kiram\u0131 \u00f6deyebilmek i\u00e7in \u00e7al\u0131\u015f\u0131yorum.<\/p>\n Ali \u0130hsan Aksamaz<\/strong>: Sizi, \u00e7e\u015fitli yay\u0131n organlar\u0131nda yay\u0131nlanan makalelerinizden de tan\u0131yorum; ilk akl\u0131ma gelenler \u201cExpress\u201d ve \u201c\u00d6k\u00fcz\u201d. \u0130lk ne zaman yazmaya ba\u015flad\u0131n\u0131z? \u201cExpress\u201d ve \u201c\u00d6k\u00fcz\u201d d\u0131\u015f\u0131nda hangi yay\u0131n organlar\u0131nda makaleleriniz yay\u0131nland\u0131? \u00a0 Evrensel Gazetesinde yaz\u0131yorsunuz. Yaz\u0131lar\u0131n\u0131z\u0131 be\u011feniyle okuyorum; bunu bir sebebi var. \u00c7\u00fcnk\u00fc \u00e7al\u0131\u015fmalar\u0131n\u0131zda daha ziyade bilinmeyen, g\u00f6r\u00fclmeyen, hatta g\u00f6r\u00fclmek istenmeyen insanlar\u0131, sanat\u00e7\u0131lar\u0131 bizlere tan\u0131t\u0131yorsunuz. \u00c7ok iyi tan\u0131d\u0131\u011f\u0131m\u0131z\u0131 sand\u0131\u011f\u0131m\u0131z sanat\u00e7\u0131lar\u0131 da bizlere bilinmeyen y\u00f6nleriyle tan\u0131t\u0131yorsunuz. Onlar\u0131, \u00e7al\u0131\u015fmalar\u0131n\u0131zla bir anlamda \u00f6l\u00fcms\u00fczle\u015ftiriyorsunuz. Bu alanda \u00e7ok de\u011ferli \u00e7al\u0131\u015fmalar\u0131n\u0131z, kitaplar\u0131n\u0131z var. Bu alana, bu a\u00e7\u0131dan y\u00f6neli\u015finizin hik\u00e2yesini anlat\u0131r m\u0131s\u0131n\u0131z?<\/p>\n Mesut Kara<\/strong>: Ortaokul- lise edebiyat \u00f6\u011fretmenim yazar- ressam Celal \u00d6zcan\u2019\u0131n \u00fczerimde etkisi, eme\u011fi b\u00fcy\u00fckt\u00fcr. Onun \u00f6zel ilgisi ve etkisi oldu edebiyat\u0131, sanat\u0131 sevmemde, yazmaya y\u00f6nelmemde.<\/p>\n Yazmaya ortaokul y\u0131llar\u0131mda ba\u015flad\u0131m. \u201cYitik\u201d adl\u0131 \u00f6yk\u00fcm 1985 y\u0131l\u0131nda G\u00f6ky\u00fcz\u00fc adl\u0131 dergide yay\u0131nland\u0131. O g\u00fcnden bu yana, yazmay\u0131, dergilerde, gazetelerde yaz\u0131 yay\u0131nlamay\u0131 s\u00fcrd\u00fcr\u00fcyorum.<\/p>\n \u201c\u00dcnlem\u201d, \u201c\u0130stanbul Haber\u201d, \u201cExpress, \u00d6k\u00fcz\u201d, \u201cMerhaba Beyo\u011flu\u201d, \u201cFesat\u201d, \u201cAksak Kurba\u011fa\u201d, \u201cSanal \u00d6rdek\u201d, \u201cU\u00e7\u201d, \u201cAk\u015fam Gazetesi Sinema Eki: Pr\u00f6miyer\u201d, \u201c\u00dcnlem\u201d, \u201cKa\u00e7ak Yay\u0131n\u201d, \u201cCinemascope\u201d,\u201d Kasabadan Esinti\u201d, \u201cTmolos Edebiyat\u201d, \u201cBekir Abi\u201d, \u201cDelikli \u00c7\u0131nar\u201d, \u201cTiyatro Gazetesi\u201d, \u201cSarmal \u00c7evrim\u201d gibi dergilerde yazarl\u0131k ve edit\u00f6rl\u00fck yapt\u0131m. \u201cBirg\u00fcn Gazetesi\u201dnde, \u201cGazete Duvar\u201d, \u201cGazete Fersude\u201d gibi internet gazetelerinde yaz\u0131lar\u0131m yay\u0131nland\u0131. Klaros Yay\u0131nlar\u0131\u2019nda 22 kitapl\u0131k \u201cSinema Kitapl\u0131\u011f\u0131\u201d serisinin edit\u00f6rl\u00fc\u011f\u00fcn\u00fc yapt\u0131m.<\/p>\n Gazete yazarl\u0131\u011f\u0131n\u0131 Kas\u0131m 2012\u2019den bu yana \u201cEvrensel Gazetesi\u201dnde daha \u00e7ok sinema \u00fczerine yazarak s\u00fcrd\u00fcr\u00fcyorum.<\/p>\n Ali \u0130hsan Aksamaz<\/strong>: Biliyorum; yay\u0131nlanm\u0131\u015f bir\u00e7ok kitab\u0131n\u0131z var: \u201cDevlet, Toplum ve Sinema\u201d, \u201cSinema ve 12 Eyl\u00fcl\u201d, \u201cM\u00fclks\u00fcz ve \u00c7\u0131plak\u201d, \u201cPendik\u2019li Y\u0131llar\u201d, \u201cBenim Sinemalar\u0131m\u201d, \u201cYe\u015fil\u00e7am Hat\u0131ras\u0131\u201d, \u201cSinematik Yaz\u0131lar\u0131\u201d, \u201cHayat\u0131m\u0131z Sinema\u201d, \u201cArtizler Kahvesi\u201d. Bu kitaplar\u0131n\u0131z d\u0131\u015f\u0131nda ba\u015fka yay\u0131nlanm\u0131\u015f veya bask\u0131ya haz\u0131r kitaplar\u0131n\u0131z var m\u0131? Bu kitaplar\u0131n\u0131z\u0131n i\u00e7eriklerinden k\u0131saca bahseder misiniz? \u0130lk kitab\u0131n\u0131z hangisi? Ne zaman yay\u0131nland\u0131? Kitaplar\u0131n\u0131z\u0131n okunulurlu\u011fundan memnun musunuz? Bir de \u201cT\u00fcrk Sinema Tarihi\u201dne ili\u015fkin bir ansiklopedi \u00e7al\u0131\u015fman\u0131z oldu\u011funu bir yay\u0131n organ\u0131nda okumu\u015ftum. Bu \u00e7al\u0131\u015fman\u0131z hangi a\u015famada? Ne zaman yay\u0131nlanacak? Ba\u015fka m\u00fcjdeli haberleriniz var m\u0131?<\/p>\n Mesut Kara<\/strong>: Mesut Kara olarak yay\u0131nlanm\u0131\u015f 9 kitab\u0131m var. Ayr\u0131ca \u201cMizah, Muhalefet ve Demokrasi Ekseninde: Komedinin \u00d6yk\u00fcs\u00fc\u201d ve \u201cSinematik Yaz\u0131lar adlar\u0131yla da ortak kitap \u00e7al\u0131\u015fmalar\u0131m\u0131z oldu. Bunlar\u0131n d\u0131\u015f\u0131nda i\u00e7eri\u011fine katk\u0131da bulundu\u011fum 7 kitap yay\u0131nland\u0131.<\/p>\n \u201cArtizler Kahvesi\u201dnden s\u00f6z etmi\u015ftim. Ocak 1999\u2019da yay\u0131nlanan \u0130kinci kitab\u0131m \u201cYe\u015fil\u00e7am\u2019da Unutulmayan Y\u00fczler\u201d teker teker aray\u0131p buldu\u011fum, g\u00f6r\u00fc\u015fmeler yapt\u0131\u011f\u0131m 60\u2019l\u0131 y\u0131llar\u0131n ba\u015frol oyuncular\u0131yla, y\u0131ld\u0131zlar\u0131yla yapt\u0131\u011f\u0131m s\u00f6yle\u015filerden olu\u015ftu. \u00a0 Ocak 2006\u2019da y\u00fcz y\u00fcze tan\u0131\u015fma olana\u011f\u0131 bulamad\u0131\u011f\u0131m, \u00f6nceki d\u00f6nemin, 50\u2019li, 60\u2019l\u0131 y\u0131llar\u0131n y\u0131ld\u0131zlar\u0131, ba\u015frol oyuncular\u0131 \u00fczerine yazd\u0131\u011f\u0131m yaz\u0131lar\u0131 toplad\u0131\u011f\u0131m \u201cYe\u015fil\u00e7am Hat\u0131ras\u0131\u201d yay\u0131nland\u0131. Ekim 2010\u2019da Heyamola Yay\u0131nlar\u0131\u2019n\u0131n \u201c\u0130stanbulum\u201d dizisi kapsam\u0131nda \u00e7ocukluk, gen\u00e7lik an\u0131lar\u0131m\u0131n yer ald\u0131\u011f\u0131 \u201cPendikli Y\u0131llar Sinemasal An\u0131lar\u201d yay\u0131nland\u0131. Sonras\u0131nda da s\u0131ras\u0131yla \u201cSinema ve 12 Eyl\u00fcl\u201d, \u201cM\u00fclks\u00fcz ve \u00c7\u0131plak\u201d, \u201cBenim Sinemac\u0131lar\u0131m\u201d, \u201cDevlet, Toplum ve Sinema\u201d, \u201cHayat\u0131m\u0131z Sinema\u201d adl\u0131 kitaplar\u0131m yay\u0131nland\u0131. \u00d6n\u00fcm\u00fczdeki g\u00fcnlerde \u201cSine-Masal Yaz\u0131lar adl\u0131 kitab\u0131m bas\u0131lacak. \u00dczerinde \u00e7al\u0131\u015ft\u0131\u011f\u0131m, yay\u0131na haz\u0131rlad\u0131\u011f\u0131m \u00fc\u00e7 ayr\u0131 dosya daha var. \u0130ki y\u0131ld\u0131r da b\u00fct\u00fcn eski-yeni kitaplar\u0131m Klaros Yay\u0131nlar taraf\u0131ndan yay\u0131nlan\u0131yor.<\/p>\n \u201cSinema Ansiklopedisi\u201d \u00e7al\u0131\u015fmam\u0131 tek ki\u015finin \u00fcstesinden gelebilece\u011fi bir \u00e7al\u0131\u015fma olmad\u0131\u011f\u0131, bir ekip i\u015fi oldu\u011fu i\u00e7in ask\u0131ya ald\u0131m\u2026 Bunun yerine Cumhuriyet d\u00f6neminde T\u00fcrkiye Sinema Tarihi \u00fczerine bir \u00e7al\u0131\u015fma i\u00e7indeyim.<\/p>\n Ali \u0130hsan Aksamaz<\/strong>: Sizin belgesel filmleriniz de var: \u201cFantastik Sinemas\u0131\u201d ,\u201c\u015eimdi Ge\u00e7ti Buradan: I\u015f\u0131yarak Yok Olan Akt\u00f6r Erkan Y\u00fccel\u201d, \u201cBir P\u00fct\u00fcn Olarak Y\u0131lmaz G\u00fcney\u201d, \u201c\u0130ki Kalas Bir Heves\u201d, \u201c\u00c7e\u015fme Film Festivali\u201d. Yeni belgesel \u00e7al\u0131\u015fmalar\u0131n\u0131z, yeni projeleriniz var m\u0131? M\u00fcjdeli haberleriniz var m\u0131?<\/p>\n Mesut Kara<\/strong>: Yapt\u0131\u011f\u0131m belgesel film \u00e7al\u0131\u015fmalar\u0131n\u0131 da \u015f\u00f6yle s\u0131ralayabilirim:<\/p>\n Yeni projeler var fakat olanaks\u0131zl\u0131klar nedeniyle ertelemek zorunda kal\u0131yorum.<\/p>\n Ali \u0130hsan Aksamaz<\/strong>: Hangi yay\u0131n organ\u0131nda okudu\u011fumu \u015fimdi hat\u0131rlayam\u0131yorum; ancak ilk T\u00fcrk filminin hangisi oldu\u011fu konusunda bir tart\u0131\u015fman\u0131n oldu\u011funu hat\u0131rl\u0131yorum. Baz\u0131lar\u0131, Sultan Re\u015fad\u2019\u0131n Rumeli seyahatini konu alan filmi; baz\u0131lar\u0131 da Ayastefanos\u2019taki Rus An\u0131t\u0131n\u0131n y\u0131k\u0131l\u0131\u015f\u0131n\u0131 konu alan filmi, ilk T\u00fcrk filmi olarak kabul ediyor diye bir tart\u0131\u015fman\u0131n oldu\u011funu hat\u0131rl\u0131yorum. Siz bu konuya nas\u0131l yakla\u015f\u0131yorsunuz?<\/p>\n Mesut Kara<\/strong>: Festivallerde, sinemayla ilgili kurumlarda, yay\u0131nlarda vb. sinemam\u0131z\u0131n kabul g\u00f6ren sembolik do\u011fum tarihi 14 Kas\u0131m 1914. Bu tarihte \u00e7ekildi\u011fi s\u00f6ylenen\/ kabul edilen ilk \u201cT\u00fcrk filmi\u201d Ayastefanos\u2019taki Rus Abidesinin Y\u0131k\u0131l\u0131\u015f\u0131. Filmi \u00e7ekti\u011fi ve \u201cilk T\u00fcrk filmi\u201dne imza att\u0131\u011f\u0131 s\u00f6ylenen ki\u015fi ise Fuat Uzk\u0131nay.<\/p>\n \u0130ddiaya g\u00f6re o tarihte yedek subay olan ve \u00f6ncesinde Sigmund Weinberg\u2019in yan\u0131nda sinema ayg\u0131tlar\u0131n\u0131 kullanmay\u0131 \u00f6\u011frenmi\u015f olan Fuat Uzk\u0131nay, an\u0131t\u0131n y\u0131k\u0131l\u0131\u015f\u0131n\u0131 filme al\u0131r. B\u00f6ylece 14 Kas\u0131m 1914\u2019de Fuat Uzk\u0131nay taraf\u0131ndan \u00e7ekildi\u011fi s\u00f6ylenen \u201cAyastefanos\u2019taki Rus Abidesinin Y\u0131k\u0131l\u0131\u015f\u0131\u201d adl\u0131 150 metrelik belge film, ilk \u201cT\u00fcrk filmi\u201d olarak tarihe ge\u00e7er. Fakat bu filmi bug\u00fcne dek g\u00f6ren olmam\u0131\u015ft\u0131r. Filmin \u00e7ekilemedi\u011fi ya da \u00e7ekildikten sonra yand\u0131\u011f\u0131, kayboldu\u011fu y\u00f6n\u00fcnde ku\u015fkular vard\u0131r.<\/p>\n Bu konuda, sinema tarih\u00e7isi Nijat \u00d6z\u00f6n\u2019\u00fcn ve Bur\u00e7ak Evren\u2019in de\u011ferli ara\u015ft\u0131rmalar\u0131, katk\u0131lar\u0131 olmu\u015ftur. Nijat \u00d6z\u00f6n \u201c\u0130lk T\u00fcrk Sinemac\u0131s\u0131 Fuat Uzk\u0131nay\u201d (TSD Yay\u0131nlar\u0131, 1970 \u0130stanbul) adl\u0131 kitab\u0131nda bu ku\u015fkular\u0131 dile getirmi\u015ftir. Konuyla ilgili bir\u00e7ok makale yay\u0131nlayan, ara\u015ft\u0131rmalar\u0131n\u0131 kitapla\u015ft\u0131ran Bur\u00e7ak Evren de ku\u015fkular\u0131n\u0131 ve \u00f6ncesinde \u00e7ekildi\u011fi s\u00f6ylenen filmlere y\u00f6nelik belgelerini bu kitaplarda kaleme al\u0131r. Yeni belgeler sinemam\u0131z\u0131n \u201csembolik\u201d do\u011fum tarihini de\u011fi\u015ftirmese de bilinmezliklerin, belirsizliklerin ayd\u0131nlanmas\u0131 a\u00e7\u0131s\u0131ndan \u00f6nemlidir.<\/p>\n Bur\u00e7ak Evren s\u00f6z\u00fc edilen filmin ilk T\u00fcrk filmi olmad\u0131\u011f\u0131n\u0131, filmi, d\u00f6neminde de (bug\u00fcn aram\u0131zda olmayan onlarca ki\u015fiyle yap\u0131lan s\u00f6yle\u015filer sonucu) hi\u00e7bir kimsenin g\u00f6rmedi\u011fi belirtiliyor. Bur\u00e7ak Evren\u2019e g\u00f6re \u201cEn \u00f6nemlisi; bu film \u00e7ekilmi\u015f olsa bile ilk film say\u0131lmayaca\u011f\u0131d\u0131r. Manaki Karde\u015fler\u2019i ya\u015fad\u0131klar\u0131 d\u00f6nem i\u00e7inde de\u011ferlendirip Osmanl\u0131 tebaas\u0131ndan olduklar\u0131 ger\u00e7e\u011fi d\u00fc\u015f\u00fcn\u00fcl\u00fcrse, onlar\u0131 T\u00fcrk sinemas\u0131n\u0131n \u00f6nc\u00fclerinden saymak m\u00fcmk\u00fcn olmaktad\u0131r. Bu ger\u00e7ekten yola \u00e7\u0131karak onlar\u0131n 1905\u2019te ilk \u00e7ektikleri filmi de (Y\u00fcn E\u011firen Kad\u0131nlar) T\u00fcrk sinemas\u0131n\u0131n ba\u015flang\u0131c\u0131 olarak kabul etmek olas\u0131d\u0131r.<\/p>\n Yanaki-Milton Manaki Karde\u015fler\u2019in de\u011fil de Fuat Uzk\u0131nay\u2019\u0131n \u00e7ekti\u011fi varsay\u0131lan filmin ilk \u201cT\u00fcrk Filmi\u201d kabul edilmesini \u2018sinemay\u0131 millile\u015ftirme\u2019 ve sembolle\u015ftirme \u00e7abas\u0131 olarak de\u011ferlendirmek gerekir.<\/p>\n Ali \u0130hsan Aksamaz<\/strong>: T\u00fcrk Sinema Tarihini d\u00f6nemlere ay\u0131rarak incelemek gerekirse, siz bu d\u00f6nemlerin ba\u015flang\u0131c\u0131 olarak hangi olay, olgu ve s\u00fcre\u00e7leri g\u00f6r\u00fcyorsunuz? T\u00fcrk Sinemas\u0131, bu d\u00f6nemlerde hangi \u00fclke sinemalar\u0131ndan b\u00fcy\u00fck \u00f6l\u00e7\u00fcde ya da k\u0131smen etkilendi? Bu alanda, d\u00f6nemlerine g\u00f6re T\u00fcrk Sinemas\u0131nda hangi ekoller ne kadar etkili oldu?<\/p>\n Mesut Kara<\/strong>: Nijat \u00d6z\u00f6n, T\u00fcrk Sinemas\u0131\u2019n\u0131 \u201c\u0130lk D\u00f6nem (1914\u20131923), Tiyatrocular D\u00f6nemi (1923\u20131939), Ge\u00e7i\u015f D\u00f6nemi (1939\u20131950), Sinemac\u0131lar D\u00f6nemi (1950\u20131970), Gen\u00e7\/ Yeni Sinema D\u00f6nemi (1970\u20131987)\u201d olarak tan\u0131mlar. Tarihlerdeki k\u00fc\u00e7\u00fck oynamalar d\u0131\u015f\u0131nda genel kabul g\u00f6rm\u00fc\u015f bir tan\u0131mlamad\u0131r bu. Farkl\u0131 d\u00f6nemlendirmeler de olmas\u0131na kar\u015f\u0131n genellikle ara\u015ft\u0131rmac\u0131lar Nijat \u00d6z\u00f6n\u2019\u00fcn tan\u0131m\u0131n\u0131 kabullenir. T\u00fcrk sinemas\u0131 tarihinde d\u00f6nemlendirmeyi yeniden tan\u0131mlamak gerekti\u011fini d\u00fc\u015f\u00fcnenler de vard\u0131r. Bu sat\u0131rlar\u0131n yazar\u0131na g\u00f6re de 1950\u20131970 aras\u0131n\u0131 Ye\u015fil\u00e7am d\u00f6nemi diye tan\u0131mlaman\u0131n daha uygun oldu\u011fu d\u00fc\u015f\u00fcn\u00fclmektedir. Bu d\u00f6nem de kendi i\u00e7inde b\u00f6l\u00fcmlenebilir. \u00d6rne\u011fin B\u00fclent G\u00f6r\u00fcc\u00fc\u2019n\u00fcn \u201cYeni Film\u201d dergisinde \u00f6nerdi\u011fi \u201c1950\u20131960: Ticari Ye\u015fil\u00e7am sinemas\u0131n\u0131n ba\u015flang\u0131\u00e7 ve geli\u015fim y\u0131llar\u0131\u201d, \u201c1960\u20131970 Ye\u015fil\u00e7am sinemas\u0131n\u0131n doruk y\u0131llar\u0131 \/ Ye\u015fil\u00e7am-d\u0131\u015f\u0131 sinema aray\u0131\u015flar\u0131\u201d bi\u00e7iminde tan\u0131mlanabilir sinemam\u0131z\u0131n bu d\u00f6nemi. 70\u2019leri, 80\u2019leri ve 90 sonras\u0131 d\u00f6nemi yeniden yorumlamak\/ tan\u0131mlamak gerekmektedir.<\/p>\n Sinemac\u0131lar d\u00f6neminde belli bir sinema dili olu\u015fturma aray\u0131\u015flar\u0131 geli\u015fir. Bu isimlerin en \u00f6nemlileri aras\u0131nda L\u00fctfi \u00d6. Akad, Metin Erksan, At\u0131f Y\u0131lmaz, Osman Seden, Memduh \u00dcn, Halit Refi\u011f ve Y\u0131lmaz G\u00fcney vard\u0131r. Bu y\u00f6netmenler Ye\u015fil\u00e7am sinemas\u0131n\u0131n pop\u00fcler, ticari yan\u0131na filmler yapsalar da as\u0131l aray\u0131\u015flar\u0131n\u0131 Ye\u015fil\u00e7am d\u0131\u015f\u0131 bir sinemaya y\u00f6neltirler. Ba\u015flang\u0131\u00e7ta Bat\u0131 etkisinin, Bat\u0131l\u0131 Sinema dilinin \u00f6nemli etkileri g\u00f6r\u00fclse de zaman zaman Ye\u015fil\u00e7am\u2019\u0131n ticari ili\u015fkilerine yenik d\u00fc\u015fseler de kendi \u00fcsluplar\u0131n\u0131, ulusal bir sinema ger\u00e7ekle\u015ftirme isteklerini olu\u015fturmada \u00f6nemli k\u0131r\u0131lma noktalar\u0131 yarat\u0131rlar.<\/p>\n 27 May\u0131s 1960 y\u0131l\u0131nda yap\u0131lan asker\u00ee m\u00fcdahale sonras\u0131 kabul edilen yeni anayasan\u0131n getirdi\u011fi k\u0131sm\u00ee \u00f6zg\u00fcrl\u00fck ortam\u0131 sinemaya da yans\u0131r. Toplumsal ger\u00e7ek\u00e7i filmler yap\u0131lmaya ba\u015flan\u0131r bu d\u00f6nemde.<\/p>\n Toplumcu ger\u00e7ek\u00e7ili\u011fin ilk \u00f6rne\u011fi de Metin Erksan\u2019\u0131n y\u00f6netti\u011fi \u201cGecelerin \u00d6tesi\u201d (1960) dir. 1960-65 aras\u0131nda yap\u0131lan k\u00f6y ger\u00e7e\u011fi \u00f6yk\u00fcleri ve toplumsal ger\u00e7ek\u00e7i ba\u015fyap\u0131t filmlerin etkisi ve izi bug\u00fcnlere kadar yans\u0131r.<\/p>\n \u201cGecelerin \u00d6tesi\u201d (Metin Erksan, 1960), \u201cY\u0131lanlar\u0131n \u00d6c\u00fc\u201d (Metin Erksan, 1962), \u201c\u015eehirdeki Yabanc\u0131\u201d (Halit Refi\u011f, 1962), \u201cSusuz Yaz\u201d (Metin Erksan, 1964), \u201cK\u0131zg\u0131n Delikanl\u0131\u201d (Ertem G\u00f6re\u00e7, 1964), \u201cKaranl\u0131kta Uyananlar\u201d (Ertem G\u00f6re\u00e7, 1964), \u201cH\u0131zl\u0131 Ya\u015fayanlar\u201d (Nevzat Pesen, 1964) ve \u201cBitmeyen Yol\u201d (Duygu Sa\u011f\u0131ro\u011flu, 1965) filmlerini 60\u2019lar\u0131n ilk yar\u0131s\u0131nda yap\u0131lan toplumsal ger\u00e7ek\u00e7i filmlerin \u00f6nemli \u00f6rnekleri olarak s\u0131ralayabiliriz. \u201cUlusal Sinema Hareketi\u201dnin, Sinematek Derne\u011fi\u2019nin etkileri, katk\u0131lar\u0131 \u00f6nemlidir. \u201cGen\u00e7 Sinema Hareketi\u201d \u00f6nemli bir \u00e7\u0131k\u0131\u015ft\u0131r. 1970-80 aras\u0131nda Y\u0131lmaz G\u00fcney\u2019in etkisi b\u00fcy\u00fckt\u00fcr.<\/p>\n Ali \u0130hsan Aksamaz<\/strong>: T\u00fcrk Sinema Tarihi\u2019nin, bug\u00fcne kadar sa\u011fl\u0131kl\u0131 olarak mercek alt\u0131na al\u0131nabildi\u011fini d\u00fc\u015f\u00fcn\u00fcyor musunuz? T\u00fcrk Sinemas\u0131n\u0131 ba\u015flang\u0131c\u0131ndan bug\u00fcne her y\u00f6n\u00fcyle tan\u0131yor muyuz? Bir T\u00fcrk filmleri ar\u015fivimiz var m\u0131? T\u00fcrk Sinemac\u0131l\u0131\u011f\u0131n\u0131n, kendi tarihine l\u00e2y\u0131k\u0131yla sahip \u00e7\u0131k\u0131p, \u00e7\u0131kmad\u0131\u011f\u0131 konusunu da de\u011ferlendirir misiniz? Bunun sebeplerine ili\u015fkin neler s\u00f6ylemek istersiniz?<\/p>\n Mesut Kara<\/strong>: T\u00fcrk Sinema Tarihi \u00fczerine yazmak, ara\u015ft\u0131rmalar yapmak bilgi ve belge eksikli\u011fi nedeniyle olduk\u00e7a g\u00fc\u00e7t\u00fcr. Ba\u015flang\u0131c\u0131ndan itibaren belgesi olmayan sinemam\u0131z\u0131n, yazar\u0131 da ara\u015ft\u0131rmac\u0131s\u0131 da olmas\u0131 gerekti\u011fi kadar olamam\u0131\u015ft\u0131r. Buna bir de belge biriktirme gelene\u011finin eksikli\u011fi eklendi\u011finde, -t\u0131pk\u0131 y\u0131llarca yap\u0131lan Ye\u015fil\u00e7am sinemas\u0131 gibi- karanl\u0131kta el yordam\u0131yla, ki\u015fisel \u00e7abalarla tarih yazma g\u00fc\u00e7l\u00fc\u011f\u00fc ortaya \u00e7\u0131kmaktad\u0131r. Yeterli yaz\u0131l\u0131 belge, ara\u015ft\u0131rma olmamas\u0131, tan\u0131kl\u0131klar\u0131n kayda ge\u00e7memesi, ar\u015fivlerin tutulmamas\u0131, an\u0131lar\u0131n yaz\u0131lmamas\u0131, var olan belgelerin ki\u015fisel ar\u015fivlerde bulunmas\u0131, ara\u015ft\u0131rmac\u0131lar\u0131n, tarih\u00e7ilerin, akademisyenlerin kullan\u0131m\u0131na a\u00e7\u0131k olmamas\u0131 bilimsel ara\u015ft\u0131rmalar\u0131 daha da g\u00fc\u00e7le\u015ftiren bir durum olu\u015fturmaktad\u0131r. Yeterli olmayan az say\u0131daki belgeye ula\u015fmaktaki g\u00fc\u00e7l\u00fck, kaynaklar\u0131n ve ki\u015fisel \u00e7abalar\u0131n yetersizli\u011fi bir\u00e7ok olumsuzlu\u011fu da beraberinde getirir. Zaman i\u00e7inde, belgeye dayanmayan kulaktan dolma bilgiler, ayn\u0131 kaynaktan \u00e7o\u011falt\u0131lan eksik ya da yanl\u0131\u015f bilgiler genel do\u011frulara d\u00f6n\u00fc\u015f\u00fcr.<\/p>\n Sinemam\u0131z\u0131n kendili\u011finden, karanl\u0131kta el yordam\u0131yla, deneme yan\u0131lma y\u00f6ntemiyle olu\u015fmas\u0131-geli\u015fmesi yap\u0131lacak ara\u015ft\u0131rmalar kadar, yorumlamay\u0131 da g\u00fc\u00e7le\u015ftirmektedir. Ba\u015flang\u0131c\u0131ndan bu yana belli bir kuramsal deste\u011fin olmamas\u0131, ele\u015ftirel katk\u0131dan, destekten \u00e7ok devletin ve k\u00fclt\u00fcr \u00e7evrelerinin olumsuz yakla\u015f\u0131mlar\u0131, k\u00f6stekleri de (sans\u00fcr, bask\u0131, k\u00fc\u00e7\u00fcmseme vb.) sinemam\u0131z\u0131n geli\u015fmesine olumsuz etki yapt\u0131\u011f\u0131 gibi, bug\u00fcn de\u011ferlendirmelere, yorumlamalara kolayl\u0131k getirebilecek do\u011fru kurumsalla\u015fmay\u0131, sekt\u00f6r olabilmeyi de olumsuz etkilemi\u015ftir.<\/p>\n Ali \u0130hsan Aksamaz<\/strong>: Ku\u015fkusuz Bat\u0131da end\u00fcstrinin geli\u015fmesine paralel olarak film \u00e7ekiminde ve \u00fcretiminde kullan\u0131lan ara\u00e7lar da geli\u015fti. Bat\u0131da geli\u015fen bu ara\u00e7lar, ge\u00e7mi\u015fte e\u015f zamanl\u0131 olarak \u00fclkemizde de kullan\u0131labildi mi? Bu konuyu ge\u00e7mi\u015fi ve bug\u00fcn\u00fcyle de\u011ferlendirir misiniz?<\/p>\n Mesut Kara<\/strong>: Ye\u015fil\u00e7am d\u00f6nemi sinemas\u0131 olanaks\u0131zl\u0131klar i\u00e7inde, devletin a\u011f\u0131r sans\u00fcr bask\u0131s\u0131na ra\u011fmen, sinema emek\u00e7ilerinin eme\u011fi ve \u201cyarat\u0131c\u0131l\u0131klar\u0131yla\u201d kendi kendini var eden bir sinemayd\u0131. Teknik olanaklardan yoksundu. 1990- 2000 sonras\u0131 olu\u015fan yeni sinema geli\u015fen teknolojik olanaklardan da yararlanarak, kendini yenileyip, d\u00f6n\u00fc\u015ft\u00fcrerek filmler yapmay\u0131 s\u00fcrd\u00fcr\u00fcyor. Daha ger\u00e7ek\u00e7i, daha hayat\u0131n i\u00e7inden\u2026<\/p>\n Ali \u0130hsan Aksamaz<\/strong>: Bir filmin ortaya \u00e7\u0131kmas\u0131nda \u00e7ok \u00e7e\u015fitli evrelerde \u00e7ok farkl\u0131 ki\u015filerin eme\u011fi var. Her bir filmin de bir mesaj\u0131 var. Bu mesaj\u0131n izleyiciye ula\u015fmas\u0131 ve etkili olmas\u0131nda en b\u00fcy\u00fck sorumluluk senaristte mi, y\u00f6netmende mi, oyuncularda m\u0131, prod\u00fckt\u00f6rde mi?<\/p>\n Mesut Kara<\/strong>: Sinema bir ekip ve para i\u015fi. Kolektif bir \u00e7aba gerektiriyor. \u00d6ncelikle iyi bir fiti\\ proje ve bunun senaryoya aktar\u0131lmas\u0131 gerekiyor. Sonra bu projeyi ba\u015far\u0131yla hayata ge\u00e7irecek, oyuncu y\u00f6netiminde de ba\u015far\u0131l\u0131 iyi bir y\u00f6netmene ihtiya\u00e7 var ve b\u00fct\u00fcn bunlar\u0131 ger\u00e7ekle\u015ftirmek i\u00e7in bu projeye para yat\u0131racak bir yap\u0131mc\u0131 olmas\u0131 gerekiyor. Bu ayaklardan biri eksik olsa film aksar ya da ger\u00e7ekle\u015ftirilemez. Y\u00f6netmen sinemas\u0131\\ Auteur sinemas\u0131 da denilen yeni d\u00f6nem sinemas\u0131nda genellikle kendi senaryolar\u0131n\u0131 filme aktaran y\u00f6netmenler filmin de yap\u0131mc\u0131s\u0131 konumundalar.<\/p>\n Ali \u0130hsan Aksamaz<\/strong>: Ba\u015flang\u0131c\u0131ndan bug\u00fcne T\u00fcrk filmlerini y\u0131llar\u0131na, t\u00fcrlerine, konular\u0131na, ba\u015fka \u00fclkelerden taklit olup olmad\u0131klar\u0131na, ba\u015frol oyuncular\u0131na g\u00f6re s\u0131n\u0131fland\u0131rd\u0131\u011f\u0131n\u0131zda, kar\u015f\u0131m\u0131za genel olarak nas\u0131l bir tablo \u00e7\u0131k\u0131yor? Bu tablodan ortaya \u00e7\u0131kan sonu\u00e7, T\u00fcrk sinemac\u0131l\u0131\u011f\u0131n\u0131n bilin\u00e7li bir tercihi mi, 1945 sonras\u0131 \u201cyeni d\u00fcnya d\u00fczeni\u201dnin T\u00fcrk Sinemac\u0131l\u0131\u011f\u0131na bir dayatmas\u0131 m\u0131, yoksa her ikisi de mi?<\/p>\n Mesut Kara<\/strong>: Sinema her sanat dal\u0131ndan, tiyatrodan, m\u00fczikten, \u00f6zellikle de edebiyattan ve ba\u015fka \u00fclke sinemalar\u0131ndan, yararlan\u0131r. Sinemam\u0131z da ba\u015flang\u0131c\u0131ndan bu yana tiyatrodan, yerli-yabanc\u0131 edebiyattan ve ba\u015fka \u00fclke sinemalar\u0131ndan etkilenerek, yararlanarak, taklit ederek, uyarlayarak filmler \u00fcretti. Yaln\u0131zca \u00fclke edebiyat\u0131ndan s\u00f6z edersek 1917 tarihli \u201cPen\u00e7e\u201d filminden bug\u00fcne dek, \u201c122 edebiyat\u00e7\u0131m\u0131z\u0131n eserlerinden senaryola\u015ft\u0131r\u0131lan filmler, 445 kez uyarlanarak, beyaz perdeye aktar\u0131lm\u0131\u015ft\u0131r.<\/p>\n Ba\u015fka \u00fclke sinemas\u0131ndan 203 film uyarlanm\u0131\u015f, taklit edilmi\u015f, kopyalanm\u0131\u015f ya da yeniden \u00fcretilmi\u015f.<\/p>\n T\u00fcrk sinemas\u0131nda Ye\u015fil\u00e7am d\u00f6nemi y\u0131ld\u0131z sinemas\u0131yd\u0131 ve oyunculara g\u00f6re filmler yap\u0131l\u0131yordu. Ye\u015fil\u00e7am\u2019da her konuda, her t\u00fcrde filmler \u00fcretildi. Ye\u015fil\u00e7am sinemas\u0131, -d\u00f6nemin ana ak\u0131m sinemas\u0131- sistemin kendini yeniden \u00fcretmesine, kal\u0131c\u0131 ve uzun soluklu olmas\u0131na hizmet ediyordu. Bu anlamda toplumu \u201cafyonluyordu.\u201d Dayatmadan \u00e7ok bir tercih ve \u00e7aresizlikti, savrulmayd\u0131, tecimseldi.<\/p>\n Ali \u0130hsan Aksamaz<\/strong>: Zaman ay\u0131rd\u0131\u011f\u0131n\u0131z ve sorular\u0131m\u0131 samimiyetle cevaplad\u0131\u011f\u0131n\u0131z i\u00e7in te\u015fekk\u00fcr ederim. Sizi daha fazla me\u015fgul etmek istemiyorum. \u015eimdilik ba\u015fka sorum yok. Ancak sizin okuyucular\u0131m\u0131za iletmek istedi\u011finiz ba\u015fka mesajlar\u0131n\u0131z varsa, l\u00fctfen onlar\u0131 da aktar\u0131n. Size sa\u011fl\u0131kl\u0131, yeni eserler \u00fcretece\u011finiz uzun bir \u00f6m\u00fcr dilerim. Sa\u011fl\u0131cakla kal\u0131n.<\/p>\n Mesut Kara <\/strong>Bana b\u00f6yle \u00f6nemli sorularla g\u00fczel bir s\u00f6yle\u015fi olana\u011f\u0131 verdi\u011finiz zaman ay\u0131rd\u0131\u011f\u0131n\u0131z ve g\u00fczel dilekleriniz, i\u00e7in \u00e7ok te\u015fekk\u00fcr ederim.<\/p>\n Sanat\\ sinema hayatt\u0131r, hayat\u0131 g\u00fczelle\u015ftirme, d\u00f6n\u00fc\u015ft\u00fcrme ara\u00e7lar\u0131d\u0131r. Hayat\u0131n i\u00e7inde olal\u0131m. Selam ve sevgiyle\u2026<\/p>\n +<\/p>\n (\u00d6nerilen okumalar<\/strong>: Adnan T\u00f6nel, \u201c2. \u00c7e\u015fme Film Festivali\u2019nin Ard\u0131ndan\u201d, 5 VI 2012, birgun.net; Cemal Berkta\u015f, \u201cBir Mesut Kara S\u00f6yle\u015fisi\u201d, 26 V 2020, cemalen.com; \u00a0 Korkut Ak\u0131n, \u201cDevlet, Toplum ve Sinema Adl\u0131 Kitab\u0131n\u0131n Yay\u0131n\u0131 Vesilesiyle Mesut Kara R\u00f6portaj\u0131\u201d, 4 IV 2020, Kitap Eki Dergisi, Mart 2020\/ sadibey.com; Mesut Kara, \u201cErkan Y\u00fccel ve Sinema\u201d, 1 XII 2012, evrensel.net; Mesut Kara, \u201cBir P\u00fct\u00fcn Olarak Y\u0131lmaz G\u00fcney\u201d, 17 XI 2012, sinematikyesilcam.com)<\/p>\n","protected":false},"excerpt":{"rendered":" Ali İhsan Aksamaz (Ön açıklama: Bugünkü misafirim Mesut Kara; sinema yazarı, sanat yönetmeni, editör, ülkemizin çok yönlü bir kültür emekçisi, 1988’de tanıdığım dostum. Kendisiyle bir söyleşi yaptım. Hayat hikâyesinden, yazdığı dergilerden, makalelerinden, kitaplarından, belgesel filmlerinden ve diğer çalışmalarından konuştuk. 4 IV 2022, Ali İhsan Aksamaz) + Ali İhsan Aksamaz: Siz de uygun görürseniz, önce sizi […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"","ocean_second_sidebar":"","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"on","ocean_gallery_id":[],"footnotes":""},"categories":[135],"tags":[],"class_list":["post-25060","post","type-post","status-publish","format-standard","hentry","category-yazarlar-ali-ihsan-aksamaz-laz-kulturu","entry"],"_links":{"self":[{"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/posts\/25060","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/comments?post=25060"}],"version-history":[{"count":1,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/posts\/25060\/revisions"}],"predecessor-version":[{"id":25063,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/posts\/25060\/revisions\/25063"}],"wp:attachment":[{"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/media?parent=25060"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/categories?post=25060"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/tags?post=25060"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![](\"https:\/\/blog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<\/p>\n![](\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgn0wzNZv2iRcW7b5ExO_MKkxPSqrAG9t5H1d4u_axbAGcbral5FBsIQ7xuaW2JNZme1RR1Hhz38qotk2ucFqBuuodcYa_tjzvUfZGvMiVq7VH73zInlDakZkdxYdZGeHOQTyrJbyzHFnGhI_6K1vTnQTxi3JoGKsN6YT8gfqwzgO-7YrYUk2U4bVupAg\/w640-h488\/2%20Mesut%20Kara.png\")
\n\u201cYazmaya ortaokul y\u0131llar\u0131mda ba\u015flad\u0131m\u201d<\/p>\n![](\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhowEiWuwPJHMeE0pQHBuIWdwBXTjs6Dfztq3VvqFK0kb_NwcZTfSrJ37aXCdwayGVuu6uSMUcyTJSW5QF9Kl8qzln924XnRHABkUJjKcj6oM3RG2AKCJdQPlg6PVOZLCmt2nYdirMvsNizKWhwtS-UhYKB3YMkHfhvX7KNQciE_RXAtCpmjo6QMSfS3Q\/w400-h640\/3%20Mesut%20Kara.png\")
\n\u201cCumhuriyet d\u00f6neminde T\u00fcrkiye Sinema Tarihi \u00fczerine bir \u00e7al\u0131\u015fma i\u00e7indeyim\u201d<\/p>\n![](\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEh0Zklp4jgWTXKKabBQpvvhl76fPtkvaian_s3qKS7KulfnwwMlHKLJfBao2kZl9zo-48qi21h489PKOKN8smjUyzMhmqy8zcz0yn9FYCORkD2C2DhwiqBmU9Ba9RHAcoD_wioObK49MhPUx7pCd6HdVwVDSHkuKitAG_mFfmB2BqmB1hAN-4s-irvOTw\/w428-h640\/4%20Mesut%20Kara.jpg\")
\n\u201cYeni projeler var fakat olanaks\u0131zl\u0131klar nedeniyle ertelemek zorunda kal\u0131yorum\u201d<\/p>\n\n
![](\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjes2XcdLqsFUfGU1R2Mx0PMMLX2rHYqsmiukMvCJb3f2LiZSqdgsEbWbex_6SgDqThtJnJBHljCmh6zZDrt8cknc0CJqOKkS13xCr2oNlYZt0ztZTKYMZvBy4aUsxK7hy_UXQy1TblW3-viudNzzEvBNV2shJ3W2w-GS1deLGwpef1VOT7l2EpQ4TKSA\/w462-h640\/5%20Mesut%20Kara.png\")
\nMesut Kara\u2019n\u0131n katk\u0131 sundu\u011fu etkinliklerden baz\u0131lar\u0131<\/p>\n![](\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjIwOoIgMSJAnccFQATgdoYtPujP_0han1Mhy7GAvPS_jwGrU57Mqd5F9inYtvrBma2TVdzgs-jEYp25uXwDv6z8zhaxeU-441OVOIV4UAnTKiFSQPhjF3BzYLSzcBomxxlZmJfpG1XCLmcdjMlNQ6MFCEXt2AmJLSwDD64pcwIXtaw5qeLkZYhjyTXTQ\/w640-h442\/6%20Mesut%20Kara.jpg\")
\nMesut Kara, Ye\u015fil\u00e7am\u2019\u0131n emektarlar\u0131 ile<\/p>\n![](\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEg44UO45orswUlt8YgQTg5cm6LwnMKfREK7NFv5l5bsXBFE8xiyFOqwZt11xd21yZhwFpdjI09ozNCA-xLzU4zx7Txc8L7YYSLNJWHZCVg3uy21nIAUD5FGW3PO0Tz2efUQdWUJVLdFvMDKPx5y4T_pH3nRYglg4GmHhKmw3uVE4MCRoQT8xOVKbQW-jQ\/w486-h640\/7%20Mesut%20Kara.jpg\")
\nMesut Kara ve dostlar\u0131n\u0131n 1997 y\u0131l\u0131nda birlikte \u00e7\u0131kard\u0131\u011f\u0131, kendisinin de yazd\u0131\u011f\u0131 ve sayfa tasar\u0131mlar\u0131n\u0131, grafikerli\u011fini yapt\u0131\u011f\u0131 mizah dergisi: \u201cFesat\u201d<\/p>\n