{"id":31170,"date":"2022-11-11T12:13:55","date_gmt":"2022-11-11T18:13:55","guid":{"rendered":"https:\/\/www.circassiancenter.com\/tr\/?p=31170"},"modified":"2022-11-27T15:57:43","modified_gmt":"2022-11-27T21:57:43","slug":"gunay-cetao-kizilirmakin-kostebek-yollari-kitabi-cikti","status":"publish","type":"post","link":"https:\/\/www.circassiancenter.com\/tr\/gunay-cetao-kizilirmakin-kostebek-yollari-kitabi-cikti\/","title":{"rendered":"G\u00dcNAY \u00c7ETAO KIZILIRMAK\u2019IN K\u00d6STEBEK YOLLARI K\u0130TABI \u00c7IKTI"},"content":{"rendered":"<p><img fetchpriority=\"high\" decoding=\"async\" class=\"alignnone size-full wp-image-31171\" src=\"https:\/\/www.circassiancenter.com\/tr\/wp-content\/uploads\/2022\/11\/GUNAY-CETAO-KIZILIRMAKIN-KOSTEBEK-YOLLARI-KITABI-CIKTI-b.png\" alt=\"\" width=\"571\" height=\"300\" srcset=\"https:\/\/www.circassiancenter.com\/tr\/wp-content\/uploads\/2022\/11\/GUNAY-CETAO-KIZILIRMAKIN-KOSTEBEK-YOLLARI-KITABI-CIKTI-b.png 571w, https:\/\/www.circassiancenter.com\/tr\/wp-content\/uploads\/2022\/11\/GUNAY-CETAO-KIZILIRMAKIN-KOSTEBEK-YOLLARI-KITABI-CIKTI-b-300x158.png 300w\" sizes=\"(max-width: 571px) 100vw, 571px\" \/><\/p>\n<p><strong>Circassian Center<\/strong><\/p>\n<p>G\u00fcnay \u00c7etao K\u0131z\u0131l\u0131rmak\u2019\u0131n \u00f6yk\u00fc kitab\u0131 K\u00f6stebek Yollar\u0131 \u0130leti\u015fim Yay\u0131nlar\u0131\u2019ndan \u00e7\u0131k\u0131yor. Hayat\u0131n bilinen y\u00f6nlerini de\u011fil beklenmeyen, \u015fa\u015f\u0131rtan anlar\u0131n\u0131 g\u00f6steren yazar bizi sars\u0131c\u0131 hik\u00e2yelerle ba\u015f ba\u015fa b\u0131rak\u0131yor\u2026<\/p>\n<p>G\u00fcnay C\u0327etao K\u0131z\u0131l\u0131rmak\u2019\u0131n o\u0308yku\u0308lerindeki insan, yas\u0327amay\u0131 kolaylas\u0327t\u0131racag\u0306\u0131n\u0131 sezdig\u0306i s\u0327eyi tam bulacakken kaybediyor. As\u0327k eski s\u0327ark\u0131larda unutulmus\u0327, ormana gitmek \u201ckitabi\u0302 bir heves\u201d, gu\u0308nu\u0308n uzun tu\u0308neline iki ucundan dalan iki insan birbirine ulas\u0327ana kadar yorulup uyuyakal\u0131yor. Derin bir nefes al\u0131p yeniden yola koyulmaktan bas\u0327ka c\u0327are yok, ama o\u0308nu\u0308mu\u0308zde sand\u0131g\u0306\u0131m\u0131z, yu\u0308ru\u0308du\u0308kc\u0327e varacag\u0306\u0131m\u0131z\u0131 du\u0308s\u0327u\u0308ndu\u0308g\u0306u\u0308mu\u0308z hayat hep geride bir yerde kal\u0131yor. I\u0307leriye veya geriye deg\u0306il, daha derinlere gitmek gerekecek art\u0131k, ko\u0308stebek yollar\u0131 kazarak\u2026<\/p>\n<p><img decoding=\"async\" class=\"n3VNCb KAlRDb\" src=\"https:\/\/www.artfulliving.com.tr\/image_data\/content\/92416c86e39c6756c8ce8ad5cd90a1bf.jpg\" alt=\"G\u00fcnay \u00c7etao K\u0131z\u0131l\u0131rmak'tan \u00d6yk\u00fcler: \u201cK\u00f6stebek Yollar\u0131\u201d | Artful Living\" width=\"572\" height=\"401\" data-noaft=\"1\" \/><\/p>\n<p>Ko\u0308stebek Yollar\u0131, s\u0327ehrin ve yas\u0327am\u0131n du\u0308g\u0306u\u0308mlerini c\u0327o\u0308zu\u0308p insan\u0131 bulmaya, go\u0308rmeye c\u0327al\u0131s\u0327\u0131yor.<\/p>\n<p><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/wBe_pfmdgxI\" width=\"800\" height=\"500\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p>\u201cHerkes nes\u0327elendig\u0306inde ben de nes\u0327eleniyorum. Sonra nes\u0327e po\u0308rsu\u0308yor. Ne oldug\u0306unu bilmiyorum. Ne getirirlerse ben c\u0327evresini kus\u0327at\u0131yorum. Tek yapabildig\u0306im kus\u0327atmak. Kus\u0327att\u0131kc\u0327a, getirdikleri s\u0327ey, kokular, duygular, so\u0308zler koyulas\u0327\u0131yor, yog\u0306unlas\u0327\u0131yor, ag\u0306\u0131rlas\u0327\u0131yor. Sonra havaland\u0131r\u0131yorlar ic\u0327eriyi toprak kendini hat\u0131rlat\u0131yor. Gidemedikleri ad\u0131mlar\u0131 da getiriyorlar, so\u0308yleyemedikleri so\u0308zleri de. Onlar\u0131 bende gidiyor, bende so\u0308ylu\u0308yorlar.\u201d<\/p>\n<p>Kaynak\u00e7a: \u0130leti\u015fim Yay\u0131nlar\u0131<\/p>\n<p><strong>YEN\u0130 B\u0130R YAZAR VE \u00d6YK\u00dcDE YEN\u0130L\u0130K<\/strong><br \/>\nMurat Bjedu\u011f<br \/>\nt24.com.tr<\/p>\n<blockquote><p>G\u00fcnay \u00c7etao&#8217;nun belki de en \u00f6zg\u00fcn yan\u0131 k\u00f6k\u00fcn\u00fcn kendisinde olmas\u0131; Gogol&#8217;\u00fcn paltosundan \u00e7\u0131km\u0131\u015fl\u0131k intibas\u0131 vermiyor<\/p><\/blockquote>\n<p>K\u00f6stebek Yollar\u0131 isimli ilk \u00f6yk\u00fc kitab\u0131yla edebiyat d\u00fcnyas\u0131na parlak bir giri\u015f yapan <strong>G\u00fcnay \u00c7etao<\/strong> <strong>K\u0131z\u0131l\u0131rmak<\/strong>, y\u0131llar \u00f6nce yapt\u0131\u011f\u0131 <strong>Andrey Platonov<\/strong> \u00e7evirileriyle yaz\u0131n aleminin ve okurlar\u0131n dikkatini \u00e7ekmi\u015fti. D<strong>ostoyevski, Pu\u015fkin, Turgenyev, Gogol, Leskov,Tolstoy, \u00c7ehov<\/strong> ve Rus \u015fair <strong>Marina Tsvetayeva<\/strong> \u00e7evirileri de yay\u0131mlanan yazar, \u00c7erkes as\u0131ll\u0131; ailesinin Adigey Cumhuriyetinin ba\u015fkenti olan Maykop&#8217;a ta\u015f\u0131nmas\u0131yla \u00f6\u011frenim hayat\u0131n\u0131 orada tamamlay\u0131p, Ad\u0131gey Devlet \u00dcniversitesinin Rus Filolojisi Fak\u00fcltesinden mezun olmu\u015f.<\/p>\n<p>Takdir g\u00f6ren ba\u015far\u0131l\u0131 \u00e7eviri kariyerinden sonra K\u00f6stebek Yollar\u0131 kitab\u0131yla da \u00f6yk\u00fc alan\u0131nda y\u0131llard\u0131r yeni ve taze bir farkl\u0131l\u0131k arayan, bekleyen okurlar\u0131n ilgisine mazhar olacak. \u00c7\u00fcnk\u00fc \u00f6yk\u00fclerinde g\u00f6r\u00fclen yaz\u0131n yetene\u011finin ve birikiminin potansiyeli, anlat\u0131 dilinin \u2013 bi\u00e7eminin ak\u0131c\u0131l\u0131\u011f\u0131, anlatt\u0131\u011f\u0131 insanlar\u0131 \u00e7ok iyi tan\u0131yor olmas\u0131, i\u00e7erisine derinlemesine n\u00fcfuz etti\u011fi hayatlar\u0131n ve mekanlar\u0131n \u00fcst seviyedeki tasvirleri yazar\u0131 farkl\u0131 bir yere konumland\u0131r\u0131yor.<\/p>\n<p>Kitapta toplam on bir k\u0131sa \u00f6yk\u00fc yer al\u0131yor. Okur daha ilk sayfalarda, kendini \u00f6yk\u00fclerde anlat\u0131lan olaylar\u0131n i\u00e7inde buluyor. Bu \u00f6zellik \u00f6yk\u00fc ve roman okurlar\u0131n\u0131n, G\u00fcnay \u00c7etao&#8217;nun ilk ay\u0131rt edici yazarl\u0131k vasf\u0131 olarak dikkatlerini celbederken eser-yazar-okur diyalekti\u011finin \u00e7ok rastlamad\u0131\u011f\u0131m\u0131z bir ileti\u015fime d\u00f6n\u00fc\u015fmesine vesile oluyor. Bu ileti\u015fim, okurun son yirmi hatta otuz y\u0131ldaki toplumsal, ekonomik ve siyasi geli\u015fmelerin, \u00fcstelik bunlar\u0131n analizine giri\u015fme hatas\u0131na d\u00fc\u015fmeden, son derece incelikle ve duyarl\u0131l\u0131kla \u00f6z\u00fcmsedi\u011fi birey \u00fczerindeki etkilerini, tahribat\u0131n\u0131, bireyin g\u00fcndelik ya\u015fam\u0131ndaki ruh halini, nesnelerle, ba\u015fka insanlarla, mekanlarla kurdu\u011fu hasarl\u0131 ili\u015fkinin boyutlar\u0131n\u0131 ve elbette vahametini harika bir \u00fcslupla anlatarak irkiltici bi\u00e7imde detayland\u0131r\u0131yor.<\/p>\n<p>K\u00f6stebek Yollar\u0131, dikkatle okundu\u011funda, bu \u00fclkenin doksanl\u0131 ve iki binli y\u0131llar\u0131n nesillerinin devlet ve sivil toplumda rol \u00fcstlendi\u011finde memleketin nas\u0131l olabilece\u011fine dair ihmal edilemez ipu\u00e7lar\u0131n\u0131 i\u00e7kin k\u0131ld\u0131\u011f\u0131 alg\u0131lanabiliyor. Bu hususiyeti, sosyologlar, siyaset bilimciler, psikologlar ve psikiyatristlerin K\u00f6stebek Yollar\u0131 \u00f6yk\u00fclerinin bir edebiyat eserinden \u00e7ok daha fazlas\u0131 oldu\u011funu g\u00f6recekleri umudunu do\u011furuyor.<\/p>\n<p>Yayg\u0131n olarak s\u0131n\u0131r ki\u015filik sorunundan ve depresif ruh hallerinden muzdarip olan modern zamanlar\u0131n kentli bireyinin bi\u00e7areli\u011fini, i\u00e7erisinden \u00e7\u0131kamad\u0131\u011f\u0131 kaotik girdab\u0131, adeta bir kara g\u00fcne\u015f olan bu k\u00f6t\u00fcr\u00fcmle\u015ftirici \u0131\u015f\u0131k k\u00fctlesinin zamanla d\u00fczenli bir berrakl\u0131\u011fa kavu\u015famamas\u0131n\u0131n yaratt\u0131\u011f\u0131 \u00f6zy\u0131k\u0131m\u0131n hik\u00e2yesini ibretle izliyoruz \u00f6yk\u00fclerde.<\/p>\n<p>\u00c7aresizlikle cebelle\u015fen bireyin hayat\u0131n\u0131 ge\u00e7irmekte oldu\u011fu mekanlar\u0131n tasvirlerinde, kurgusal olmayan ger\u00e7ek g\u00fcndelik hayat\u0131n i\u00e7inde gizlenmi\u015f ve ancak g\u00f6z\u00f6n\u00fcne getirilince hat\u0131rlanan detaylar d\u00fczenli bir ustal\u0131kla i\u015fleniyor. \u00d6yk\u00fclerde s\u0131k s\u0131k kar\u015f\u0131la\u015f\u0131lan ve hatta usan\u00e7 verici naftalin rayihalar\u0131 sa\u00e7an ge\u00e7mi\u015f zamanlar\u0131n art\u0131k varolmayan tenhal\u0131\u011f\u0131na, \u00fcrk\u00fct\u00fcc\u00fc s\u00fckunetine, m\u00fcbala\u011fal\u0131 masumiyetine, mazi romantizmine kar\u015f\u0131 diren\u00e7li bir reddiyeye s\u0131k rasgeliyoruz. Yani ne nostalji ne de saudade s\u00f6z konusu de\u011fil \u00c7etao&#8217;da. G\u00fcncelli\u011fin tazeli\u011fi bu sayede okura bir ferahl\u0131k ya\u015fat\u0131yor\u2026 Anlat\u0131lan sanki benim, duygusunu hissettirerek. Evet! Yer yer bir ge\u00e7mi\u015f zaman hik\u00e2yesi mi, modern zaman \u00f6yk\u00fcs\u00fc m\u00fc yoksa bir <strong>\u0130smet \u00d6zel<\/strong> \u015fiiri mi ya da <strong>Gerard Nerval<\/strong> \u00f6yk\u00fcs\u00fc m\u00fc okuyoruz sorusu akla geliyor. Baz\u0131 b\u00f6l\u00fcmlerde <strong>Elena Ferrante<\/strong> tad\u0131 al\u0131n\u0131yor. Bir etkilenme ya da bir esinlenme de\u011fil kastetti\u011fim; bir duyarl\u0131\u011f\u0131n ve benzer bak\u0131\u015f a\u00e7\u0131lar\u0131n\u0131n ortak payda b\u00f6l\u00fc\u015f\u00fcm\u00fc.<\/p>\n<p>G\u00fcnay \u00c7etao&#8217;nun belki de en \u00f6zg\u00fcn yan\u0131 k\u00f6k\u00fcn\u00fcn kendisinde olmas\u0131; Gogol&#8217;\u00fcn paltosundan \u00e7\u0131km\u0131\u015fl\u0131k intibas\u0131 vermiyor. \u00c7ehov veya John Cheever ya da E. A. Poe yahut Salinger etkisi g\u00f6r\u00fcnm\u00fcyor \u00c7etao&#8217;nun yaz\u0131n\u0131nda. Ne romantizm ne realizm, ne toplumcu ger\u00e7ek\u00e7ilik, ne maupassant, ne de durum \u00f6yk\u00fcc\u00fcl\u00fc\u011f\u00fc gibi kategorilere de girmiyor. Kendine \u00f6zg\u00fc bir yazar olman\u0131n ilk ama sa\u011flam ad\u0131mlar\u0131n\u0131 at\u0131yor. Anlat\u0131 zenginli\u011fi insan\u0131n belle\u011finde yer etmi\u015f m\u00fczik par\u00e7alar\u0131n\u0131 da i\u00e7sel hoparl\u00f6rlerinde duyuruyor: <strong>Beatles<\/strong>&#8216;\u0131n <strong>John Lennon<\/strong> besteleri olan I&#8217;m the Walrus, Nowhere Man \u015fark\u0131lar\u0131, Raison D&#8217;etre&#8217;nin end\u00fcstriyel ortam m\u00fczi\u011fi, Shockabilly&#8217;nin alb\u00fcmleri &#8211; \u00f6zellikle de Vietnam- ve <strong>John Cage<\/strong>&#8216;in yap\u0131tlar\u0131 ilk yank\u0131lananlar.<\/p>\n<p>\u00d6yk\u00fclerdeki bi\u00e7are bireyler, neoliberalizmin k\u0131rk y\u0131ll\u0131k sultas\u0131nda 68&#8217;in d\u00fcnyay\u0131 ve verili olan ya\u015fam bi\u00e7imlerini de\u011fi\u015ftirmek ve d\u00f6n\u00fc\u015ft\u00fcrmek i\u00e7in m\u00fcdahale eden bireyiyle, ikame olan ve hayat\u0131 sadece seyreden, yorumlamakla yetinen k\u00f6stebe\u011fe, <strong>Kafka<\/strong>&#8216;n\u0131n <strong>Gregor Samsa<\/strong>&#8216;s\u0131na d\u00f6n\u00fc\u015fm\u00fc\u015f halleriyle i\u00e7 burkuyorlar. \u0130\u00e7inde d\u00f6nendikleri sinikizmi bu ikameden ho\u015fnut olmayan ve ele\u015ftiren cenahta yer alan okuru, birey olma sorunsal\u0131yla bir kez daha bilek g\u00fcre\u015fine girmeye sevkediyor.<\/p>\n<p><strong>Orhan Veli<\/strong>, Tolstoy, <strong>Proust<\/strong>, <strong>John Cheever<\/strong> isimlerinin \u00f6yk\u00fclerde ge\u00e7mesi bir entelekt\u00fcel te\u015fhir de\u011fil. Bir anlam\u0131 var ve bir \u015feylerin i\u015fareti. \u00c7etao&#8217;nun yazarl\u0131k y\u00f6n\u00fcne ve hangi istikamette seyredece\u011fine dair ipu\u00e7lar\u0131n\u0131 bar\u0131nd\u0131r\u0131yor.<\/p>\n<h3>Modern s\u00fcrrealizm ve psychedelic temalar<\/h3>\n<p>M\u00fcsamahas\u0131z ger\u00e7ek\u00e7ili\u011finin yan\u0131 s\u0131ra mandalina ve k\u0131rm\u0131z\u0131 bal\u0131k metaforlar\u0131yla yazar, modern s\u00fcrrealizme de zekice g\u00f6z k\u0131rp\u0131yor. Anlat\u0131daki zenginlik baz\u0131 b\u00f6l\u00fcmlerde i\u00e7i burkulsa da okuru g\u00f6nendiriyor ayn\u0131 zamanda. Ba\u015fl\u0131ba\u015f\u0131na bir psychedelic yaz\u0131n olan Ev \u00f6yk\u00fcs\u00fcnde ise bilin\u00e7 \u00f6tesine uzan\u0131l\u0131yor.<\/p>\n<p>Her kitap tan\u0131t\u0131m veya de\u011ferlendirme yaz\u0131s\u0131, yazan\u0131n bak\u0131\u015f a\u00e7\u0131s\u0131yla kaleme al\u0131nd\u0131\u011f\u0131 i\u00e7in belli bir \u00f6znellik ta\u015f\u0131r. Ama nesnelli\u011fe itina g\u00f6sterilerek yaz\u0131lan bu yaz\u0131n\u0131n ba\u011flam\u0131n\u0131n K\u00f6stebek Yollar\u0131 \u00f6yk\u00fcleriyle ba\u011flant\u0131lar\u0131n\u0131n net olarak anla\u015f\u0131lmas\u0131 i\u00e7in a\u015fa\u011f\u0131daki al\u0131nt\u0131lar bir fikir verebilir:<\/p>\n<p>\u2018&#8217;<em><strong>D\u00f6nd\u00fc\u011f\u00fcmde bir\u00e7ok \u015fey de\u011fi\u015fmi\u015fti ama de\u011fi\u015fmesini istemedi\u011fim yegane \u015fey ayn\u0131yd\u0131.Her gece ayn\u0131yd\u0131. Bitimsiz bir a\u015fkla lanetlenmi\u015ftim\u2026 Tek bildi\u011fim neyim yoksa onu \u00f6zledi\u011fimdi. Ve hi\u00e7bir \u015fey sand\u0131\u011f\u0131m gibi de\u011fildi. Syf: 17<\/strong><\/em><\/p>\n<p><em><strong>\u0130\u00e7imdeki huzursuzlu\u011fun kaynaklar\u0131n\u0131 ar\u0131yorum.Son zamanlarda bir ba\u015ftan alma ihtiyac\u0131 var i\u00e7imde, d\u00f6n\u00fcm noktalar\u0131na filan de\u011fil de \u015f\u00f6yle k\u0131y\u0131da k\u00f6\u015fede kalm\u0131\u015f, az d\u00fc\u015f\u00fcn\u00fclm\u00fc\u015f k\u00fc\u00e7\u00fck \u015feylere bir kez daha bakmak istiyorum bulundu\u011fum uzakl\u0131ktan. Baz\u0131 kitaplar\u0131 yeniden okumay\u0131 istemek gibi bir \u015fey &#8211; her on y\u0131lda \u00e7\u0131karaca\u011f\u0131n dersler de\u011fi\u015fir derler hani\u2026 Syf: 34<\/strong><\/em><\/p>\n<p><em><strong>\u2026\u00e7ocu\u011fuz daha, y\u00fcz\u00fcm\u00fczdeki \u0131\u015f\u0131klar, g\u00f6lgeler nas\u0131l ge\u00e7ici, nas\u0131l g\u00fczel\u2026 Syf:38<\/strong><\/em><\/p>\n<p><em><strong>\u2026kendimi bug\u00fcne de\u011fin ya\u015fad\u0131klar\u0131m\u0131n tam tersinin ya\u015fand\u0131\u011f\u0131n\u0131 hayal etti\u011fim kar\u015f\u0131 k\u0131y\u0131ya yollad\u0131m\u2026 Syf:44<\/strong><\/em><\/p>\n<p><em><strong>\u2026herkes herkesi kand\u0131r\u0131p gidiyordu i\u015fte\u2026 Syf: 55<\/strong><\/em><\/p>\n<p><em><strong>\u00d6nce \u00e7ocu\u011fumuzu do\u011furaca\u011f\u0131m, sonra belki kendimi do\u011fururum\u2026 Syf:57<\/strong><\/em><\/p>\n<p><em><strong>\u00c7\u00fcnk\u00fc benim bir yar\u0131m ya\u015faya ya\u015faya bitti \u2013 kalan yar\u0131mla idare ediyorum. Syf:67<\/strong><\/em><\/p>\n<p><em><strong>Her \u015fey bitti gibi gelmiyor mu sana da? Syf: 69<\/strong><\/em><\/p>\n<p><em><strong>\u2026k\u00fc\u00e7\u00fcc\u00fck huzursuzluklardan \u00f6r\u00fcl\u00fc bir a\u011f var \u00fczerinde. Syf: 72&#8243;<\/strong><\/em><\/p>\n<p>Kitap bitince \u015fu sorular belle\u011fi epeyce me\u015fgul ediyor:<\/p>\n<p>68&#8217;mi, Z&#8217;mi?<\/p>\n<p>Seyredip yorumlayan m\u0131, de\u011fi\u015ftirmek i\u00e7in m\u00fcdahale eden mi?<\/p>\n<p>Gregor Samsa m\u0131, Spartak\u00fcs m\u00fc?<\/p>\n<p>Edebiyat d\u00fcnyas\u0131 ve okurlar\u0131 belli ki uzun y\u0131llar konu\u015facak G\u00fcnay \u00c7etao&#8217;yu.<\/p>\n<p>&nbsp;<\/p>\n<div id=\"malwarebytes-root\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Circassian Center G&uuml;nay &Ccedil;etao K&#305;z&#305;l&#305;rmak&rsquo;&#305;n &ouml;yk&uuml; kitab&#305; K&ouml;stebek Yollar&#305; &#304;leti&#351;im Yay&#305;nlar&#305;&rsquo;ndan &ccedil;&#305;k&#305;yor. Hayat&#305;n bilinen y&ouml;nlerini de&#287;il beklenmeyen, &#351;a&#351;&#305;rtan anlar&#305;n&#305; g&ouml;steren yazar bizi sars&#305;c&#305; hik&acirc;yelerle ba&#351; ba&#351;a b&#305;rak&#305;yor&hellip; G&uuml;nay C&#807;etao K&#305;z&#305;l&#305;rmak&rsquo;&#305;n o&#776;yku&#776;lerindeki insan, yas&#807;amay&#305; kolaylas&#807;t&#305;racag&#774;&#305;n&#305; sezdig&#774;i s&#807;eyi tam bulacakken kaybediyor. As&#807;k eski s&#807;ark&#305;larda unutulmus&#807;, ormana gitmek &ldquo;kitabi&#770; bir heves&rdquo;, gu&#776;nu&#776;n uzun tu&#776;neline iki ucundan dalan iki 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