{"id":3192,"date":"2019-02-25T13:52:57","date_gmt":"2019-02-25T13:52:57","guid":{"rendered":"http:\/\/circassiancenter.com\/tr\/?p=3192"},"modified":"2019-02-25T13:52:57","modified_gmt":"2019-02-25T13:52:57","slug":"psine-ve-olum","status":"publish","type":"post","link":"https:\/\/www.circassiancenter.com\/tr\/psine-ve-olum\/","title":{"rendered":"P\u015e\u0130NE ve \u00d6L\u00dcM"},"content":{"rendered":"<p><span style=\"font-family: Arial; font-size: small;\"><b>Kuban Paul Seauhmann<br \/>\n<\/b><\/span><span style=\"font-family: Arial;\"> 12.09.2003<\/span><\/p>\n<p>Bir \u00c7erkes k\u0131z\u0131 g\u00fcnlerce uzak T\u00fcrk k\u00f6ylerden birine gelin gider. Asimilasyon uygulamalar\u0131n\u0131n ilk y\u0131llar\u0131. K\u00f6yden gelin \u00e7\u0131karken \u00c7erkes geleneklerine g\u00f6re u\u011furlan\u0131r. Annesi bir p\u015fineyi sar\u0131p sarmalay\u0131p konvoyun sonundaki e\u015fya y\u00fckl\u00fc at arabas\u0131na koyar. K\u0131z\u0131na da derki, \u201ck\u00f6y\u00fcm\u00fczden ilk kez bir yabanc\u0131ya gelin giden sensin. E\u015fya arabas\u0131na p\u015fine koydum. E\u011fer s\u0131k\u0131nt\u0131ya d\u00fc\u015fersen onu al ve hi\u00e7 kimsenin olmad\u0131\u011f\u0131 yere git ve p\u015fineyle bana wored s\u00f6yle. Emin ol ben seni duyaca\u011f\u0131m\u201d. Y\u0131llar ge\u00e7er. Gen\u00e7 k\u0131z art\u0131k anne olmu\u015f, \u00e7oluk \u00e7ocu\u011fa kar\u0131\u015fm\u0131\u015ft\u0131r ama bir t\u00fcrl\u00fc T\u00fcrk adetlerine ayak uyduramaz ve zaman bulduk\u00e7a gidip annesinin duymas\u0131 umuduyla p\u015fine \u00e7alar, wored s\u00f6yler.<\/p>\n<p>Annesi, k\u0131z\u0131n\u0131n p\u015fine \u00e7al\u0131\u015f\u0131n\u0131 duymak i\u00e7in y\u0131llarca bekler. Bir g\u00fcn gen\u00e7 kad\u0131n amans\u0131z hastal\u0131\u011fa yakalan\u0131r ve \u00f6l\u00fcm d\u00f6\u015fe\u011finde p\u015finesini ister. Uzun zaman vermezler. 14 ya\u015flar\u0131ndaki o\u011flu dayanamaz ve getirir annesine p\u015fineyi. Zorlukla do\u011frulan kad\u0131n p\u015f\u0131neyi al\u0131r ve wored s\u00f6yler:<\/p>\n<p>Annemi g\u00f6remeden gidiyorum ben<br \/>\nBabam\u0131 g\u00f6remeden gidiyorum ben<br \/>\nK\u00f6y\u00fcm\u00fc g\u00f6remeden gidiyorum ben<\/p>\n<p>Bu arada g\u00fcnlerce uzaktaki annesi evde maks\u0131ma yaparken p\u015fine ile wored s\u00f6yleyen bir ses duyar. Kulak kesilir. Evet bu k\u0131z\u0131n\u0131n sesidir. Hemen ko\u015far e\u015finin yan\u0131na. Ata binerler yola d\u00fc\u015ferler. Anne g\u00fcnlerce yol almalar\u0131na kar\u015f\u0131n hala k\u0131z\u0131n\u0131n sesini duymaktad\u0131r. K\u00f6ye yakla\u015ft\u0131klar\u0131nda bir anda k\u0131z\u0131n\u0131n sesi de p\u015finenin sesi de kesilir. Evden \u00e7\u0131\u011fl\u0131klar y\u00fckselir.<\/p>\n<p>Bu olayda ya\u015fam\u0131n\u0131 yitiren gen\u00e7 han\u0131m\u00a0 sevgili b\u00fcy\u00fckannemin \u00e7ok yak\u0131n bir arkada\u015f\u0131ym\u0131\u015f. Y\u0131llarca bu melodi ve wored kulaktan kula\u011fa g\u00fcn\u00fcm\u00fcze geldi.<\/p>\n<p>\u015eimdilerde aram\u0131zdaki \u201c\u00c7erkes\u201d maskeli asimilasyon makinelerine bakt\u0131\u011f\u0131mda nedense y\u00fcz\u00fcn\u00fc hi\u00e7 g\u00f6rmedi\u011fim, p\u015fine \u00e7alarak \u00f6l\u00fcme giden gen\u00e7 kad\u0131n akl\u0131ma geliyor.<\/p>\n<p>\u00c7ocukken sabah\u0131n erken saatlerinde p\u015fine sesiyle uyanmak bilmem ka\u00e7 \u00c7erkes&#8217;e nasip olmu\u015ftur. Annem \u00e7ok g\u00fczel p\u015fine \u00e7alard\u0131. Bu enstr\u00fcman\u0131n akordeondan en \u00f6nemli iki fark\u0131 vard\u0131r. \u0130lki, iki enstr\u00fcman aras\u0131ndaki ses rengi farkl\u0131l\u0131\u011f\u0131. Nedense akordeon, p\u015finenin verdi\u011fi etkiyi hi\u00e7bir zaman verememi\u015ftir.<\/p>\n<p>\u0130kinci \u00f6nemli farkl\u0131l\u0131k, p\u015fineyi \u00f6\u011frenmek daha zordur. \u00c7\u00fcnk\u00fc klavyedeki bir tu\u015fa bast\u0131\u011f\u0131n\u0131zda iki ayr\u0131 nota \u00e7\u0131kar. Bir bak\u0131ma a\u011f\u0131z armonikas\u0131 gibi. O nedenle p\u015fine \u00e7almada en zorland\u0131\u011f\u0131n\u0131z etap; k\u00f6r\u00fc\u011f\u00fcn kullan\u0131lmas\u0131n\u0131 \u00f6\u011frenme a\u015famas\u0131d\u0131r. \u00c7\u00fcnk\u00fc klavye tu\u015fu k\u00f6r\u00fc\u011f\u00fc \u00e7ekti\u011finizde bir nota, k\u00f6r\u00fc\u011f\u00fc kapatt\u0131\u011f\u0131n\u0131zda ikinci bir nota sesi \u00e7\u0131kar\u0131r. Bu da m\u00fczi\u011fimizin ana temas\u0131n\u0131 en iyi uygulanabildi\u011fi anlam\u0131na gelir.<\/p>\n<p>Hep dikkatimi \u00e7ekerdi, annem \u00e7alarken d\u00fc\u011fme b\u00fcy\u00fckl\u00fc\u011f\u00fcndeki klavyelere bast\u0131\u011f\u0131 gibi; sol tarafta daha az olan ama daha kal\u0131n ses \u00e7\u0131karan\u00a0tu\u015flar\u0131 da kullan\u0131rd\u0131. O tu\u015flara daha az bas\u0131l\u0131rd\u0131. Neden diye sordu\u011fumda annem onlar p\u015finenin thamadeleridir derdi. Y\u0131llar sonra \u00f6\u011frendim ki, m\u00fczikte bas sesler melodinin temelini olu\u015fturuyor.<\/p>\n<p>Akordeon ya da p\u015fine \u00e7alanlar bilecektir, bas sesleri kullanmad\u0131\u011f\u0131n\u0131z zaman melodi ger\u00e7ekten \u00e7ok zay\u0131f kal\u0131yor. Burada \u00f6nemli olan hem klavyenin hem baslar\u0131n h\u00fcnerli kullan\u0131lmas\u0131d\u0131r. Birinden birinin zay\u0131fl\u0131\u011f\u0131 m\u00fczi\u011fin zay\u0131f olmas\u0131na neden olur.<\/p>\n<p>G\u00fcn\u00fcm\u00fczde gen\u00e7lerimizin ve thamadelerimizin ili\u015fkileri ne yaz\u0131k ki, p\u015finede \u00e7alan k\u00f6t\u00fc melodiler gibi oluyor. Klavyeler bas seslere uyum g\u00f6stermek yerine kendi bildiklerini okumay\u0131 ye\u011fliyorlar.<\/p>\n<p>Pekiyi, bas sesler son zamanlarda ne durumda? O da i\u015fin bir ba\u015fka ac\u0131 yan\u0131.<\/p>\n<p>Gen\u00e7 ya\u015flarda akordeon ya da p\u015fine \u00f6\u011frenenleri samanl\u0131klara g\u00f6nderirlerdi. \u00c7\u00fcnk\u00fc yeni \u00f6\u011frenen birinin elinde bu enstr\u00fcmanlar bir canavara d\u00f6n\u00fc\u015fmektedir.<\/p>\n<p>Bizim geleneklerimizin ayr\u0131lmaz bir par\u00e7as\u0131 olan bu enstr\u00fcmanlar asl\u0131nda \u00c7erkeslerin tam bir aynas\u0131d\u0131r. H\u00fcz\u00fcn dolu bir melodi ya da wared de bile ezgiyi keskin vuru\u015flar belirler. Bas sesler az ama etkin rol \u00fcstlenirler.<\/p>\n<p>Melodiyi \u00e7alan klavyeler gen\u00e7lerimizi anlat\u0131r.<\/p>\n<p>Baslar ise thamadelerimizi.<\/p>\n<p>\u00c7erkes olmak zor. \u00c7erkes olarak ya\u015famak \u00e7ok daha zor.<\/p>\n<p><span style=\"color: #0000ff;\"><strong>SonS\u00f6z<\/strong><\/span><br \/>\n<b> \u00c7erkes, korkuyu b\u00fcy\u00fck kusur kabul edendir. (Kuban)<\/b><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Kuban Paul Seauhmann 12.09.2003 Bir &Ccedil;erkes k&#305;z&#305; g&uuml;nlerce uzak T&uuml;rk k&ouml;ylerden birine gelin gider. Asimilasyon uygulamalar&#305;n&#305;n ilk y&#305;llar&#305;. K&ouml;yden gelin &ccedil;&#305;karken &Ccedil;erkes geleneklerine g&ouml;re u&#287;urlan&#305;r. Annesi bir p&#351;ineyi sar&#305;p sarmalay&#305;p konvoyun sonundaki e&#351;ya y&uuml;kl&uuml; at arabas&#305;na koyar. K&#305;z&#305;na da derki, &ldquo;k&ouml;y&uuml;m&uuml;zden ilk kez bir yabanc&#305;ya gelin giden sensin. E&#351;ya arabas&#305;na p&#351;ine koydum. E&#287;er s&#305;k&#305;nt&#305;ya d&uuml;&#351;ersen [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"0","ocean_second_sidebar":"0","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"0","ocean_custom_header_template":"0","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"0","ocean_menu_typo_font_family":"0","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"0","ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"off","ocean_gallery_id":[],"footnotes":""},"categories":[96],"tags":[],"class_list":["post-3192","post","type-post","status-publish","format-standard","hentry","category-yazarlar-kuban-seauhmann","entry"],"_links":{"self":[{"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/posts\/3192","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/comments?post=3192"}],"version-history":[{"count":1,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/posts\/3192\/revisions"}],"predecessor-version":[{"id":3193,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/posts\/3192\/revisions\/3193"}],"wp:attachment":[{"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/media?parent=3192"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/categories?post=3192"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/tags?post=3192"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}