![\"\"](\"https:\/\/www.circassiancenter.com\/tr\/wp-content\/uploads\/2023\/01\/CERKES-MOTIFLERI-b-Copy.png\")
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Kuzey Kafkasya K\u00fclt\u00fcr Derne\u011fi<\/strong> \u00c7erkesler Kuzey Kafkasya’n\u0131n otoktan halk\u0131. Ara\u015ft\u0131rmalar\u0131n ortaya koydu\u011fu bir ger\u00e7ek bu. Bir ba\u015fka ger\u00e7ek, dildeki \u00e7e\u011fitlili\u011fe kar\u015f\u0131n \u00c7erkeslerin ya\u015fam bi\u00e7iminin bir oldugu, ayn\u0131 ktilttirti olu\u015fturdu\u011fu. Mitolojileri de tek vekimi motifleri Grek Mitolojisi ile ortak.Tanrilardan ate\u015fi \u00e7alan Sosrikua, btiktilmez k\u0131r\u0131lmaz k\u0131l\u0131\u00e7lar\u0131 d\u0451ven Tlep\u015f vb. \u2022 \u2022 Bu konudaki geli\u015fmeler ortak motiflerin Grek Mitolojisine Nart Destanlar\u0131\u2019ndan aktar\u0131ld\u0131\u011f\u0131 sav\u0131na g\u00fc\u00e7 kazand\u0131r\u0131c\u0131 do\u011frultuda.<\/p>\n \u00c7erkeslerin g\u00f6\u00e7men olarak bulunduklar\u0131 topraklarda da bir s\u00fcre s\u00fcrd\u00fcrebildikleri sosyal \u0443\u0430\u0440\u0131, bu yap\u0131n\u0131n s\u00fcreklili\u011fini sa\u011flayan kurumlar, bu kurumlar\u0131n i\u015flevleri, gezginler, inceleyicileri \u015fa\u015f\u0131rt\u0131c\u0131 d\u00fczeyde. Do\u011fald\u0131r ki, bu halk\u0131n ya\u015fam bi\u00e7imini, sosyo-k\u00fclt\u00fcrel yap\u0131s\u0131n\u0131 yans\u0131tan onlarla ko\u015fut el sanat \u00fcr\u00fcnleri olacakt\u0131. Vard\u0131 ve bunlar birer be\u011feni \u00f6rne\u011fiydi. Kuzey Kafkasya K\u00fclt\u00fcr Dernekleri\u2019nin bu konuda Ankara ve \u0130stanbul’ da a\u00e7m\u0131\u015f olduklar\u0131 sergilerin g\u00f6rd\u00fc\u011f\u00fc ilgi, sanat \u00e7evrelerinde uyandird\u0131\u011f\u0131 hayranl\u0131k bunun en yak\u0131n kan\u0131t\u0131.<\/p>\n “\u00c7erkes Motifleri”, alb\u00fcm\u00fcz\u00fcn ad\u0131. Biliyoruz ki, bu ad\u0131 ta\u015f\u0131yan \u00e7al\u0131\u015fma, \u00e7ok daha yorucu, uzun s\u00fcreli bir ara\u015ft\u0131r\u0131n\u0131n \u00fcr\u00fcn\u00fc olmal\u0131yd\u0131. En az\u0131ndan \u00c7erkes Folkloru, el sanatlar\u0131 konulu bir inceleme yaz\u0131s\u0131n\u0131 i\u00e7ermeliydi. Ancak en iyi \u00e7al\u0131\u015fmay\u0131 ortaya koymak d\u00fc\u015f\u00fcncesine s\u0131k\u0131 s\u0131k\u0131ya sar\u0131lman\u0131n, yap\u0131lmas\u0131 gerekli \u015feyleri b\u00fcy\u00fc \u00f6l\u00e7\u00fcde geciktirdi\u011fi g\u00f6r\u00fc\u015f\u00fcndeyiz. Ayr\u0131ca \u042cir yap\u0131t\u0131n yetersiz olsa -kendisini en iyi g\u00f6stermeye \u00e7al\u0131\u015fmad\u0131k\u00e7a – yararl\u0131 oldugu, dahas\u0131 bunun \u043e alanda daha yetkin yap\u0131tlar\u0131n itici g\u00fcc\u00fc olacagi kan\u0131s\u0131nday\u0131z. Bunun yan\u0131s\u0131ra \u00a0amac\u0131m\u0131z \u00a0\u00e7ok iddial\u0131 olmad\u0131\u011f\u0131ndan eksik ve yetersiz oldu\u011funu bildi\u011fimiz k\u00fc\u00e7\u00fck alb\u00fcm\u00fc yay\u0131mlamay\u0131 g\u00f6rev bildik.<\/p>\n Anadolu’nun \u015fe\u015fitli b\u00f6lgelerinden gelen \u00c7erkes Motifleri isteklerini topluca kar\u015f\u0131lamak yan\u0131s\u0131ra as\u0131l ama\u00e7; \u00c7erkes yap\u0131s\u0131 ke\u00e7enin, dededen kalma hal\u0131n\u0131n, kilimin,has\u0131r\u0131n, bir k\u00f6\u015f\u0435\u0443\u0435 at\u0131l\u0131 duran para kesisinin, i\u011fneligin, g\u00fcn\u00fcm\u00fcze gelebilen elbiselerin, g\u00fcm\u00fc\u015f i\u011fnelerin, bunlar \u00fczerindeki motiflerin k\u0131saca \u00c7erkes yap\u0131s\u0131, \u00c7erkesle ilgili her \u015feyin de\u011ferli ve \u00f6nemli oldugunu belirtmek…<\/p>\n K\u00fclt\u00fcr\u00fcm\u00fcz\u00fc ya\u015fatmak, var olmak sav\u0131nda olan her \u00c7erkes\u2019in folklorik de\u011ferlerimizin yitmemesi, derlenip degerlendirilmesi konular\u0131nda \u00e7\u0430\u042c\u0430 g\u0451stermesi gerekti\u011fini bir kez daha vurgulamak.<\/p>\n Bu ama\u00e7lara alb\u00fcm\u00fcn yayg\u0131nl\u0131k kazanmas\u0131 oran\u0131nda yakla\u015f\u0131labilece\u011fini biliyoruz. Bunun i\u00e7in de ilk \u00f6nlem fiyat\u0131n d\u00fc\u015f\u00fck tutulmas\u0131 idi. Ancak dernekleraras\u0131 isti\u015fari toplant\u0131larda oy\u042cirligiyle al\u0131nm\u0131\u015f bir karar vard\u0131: “Ankara’da Kafkas K\u0131z \u00d6\u011frenci Yurdu yapt\u0131rmak”. Gelirini gere\u011fine ve \u00f6nemine inand\u0131\u011f\u0131m\u0131z bu yurda ay\u0131r\u0131nca fiyat\u0131n\u0131 y\u00fcksek tutmay\u0131 uygun bulduk.<\/p>\n Alb\u00fcm iki b\u00f6l\u00fcmden olu\u015fuyor: Birinci b\u00f6l\u00fcmde Azamat Min Kutas taraf\u0131ndan derlenen, Miyekuape’de yay\u0131mlanan “Adi\u011fe Halk El Sanatlari” alb\u00fcm\u00fcnden kimi motifler oldu\u011fu gibi aktar\u0131ld\u0131. \u0130kinci b\u00f6l\u00fcmde motiflerimizden \u042cir b\u00f6l\u00fcm\u00fcn\u00fcn Motifleri alb\u00fcmden aktar\u0131p d\u00fczenleyen ve uygulama \u00f6rneklerini \u00e7izen Nefin (YILDAR) DAGISTANY, Melek (F!DAN) ATALAY, Avni YEHUTLE ile “\u00c7erkes Motifleri ” ni baskiya hazirlayan Necdet \u041d\u0410\u0422\u0410\u041c, Keramettin DONMEZ ve Yunus BLENGA\u0412S’a, ayr\u0131ca bas\u0131mda olanca titizli\u011fi g\u00f6steren Emek Kli\u015fe \u00e7al\u0131\u015fanlar\u0131na te\u015fekk\u00fcr ederiz.<\/p>\n Bu konuda ara\u015ft\u0131r\u0131ya, derlemeye dayal\u0131 daha yetkin,daha \u00f6zg\u00fcn yap\u0131tlar\u0131n gecikmemesi umut ve dilegiyle…<\/p>\n
\nAnkara, Temmuz 1977<\/p>\n![\"\"](\"https:\/\/www.circassiancenter.com\/tr\/wp-content\/uploads\/2023\/01\/CERKES-MOTIFLERI-c-Copy.png\")
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\ng\u00fcn\u00fcm\u00fcze uygulana\u042cilme olanag\u0131 ara\u015ft\u0131r\u0131ld\u0131.<\/p>\n