{"id":3381,"date":"2019-02-25T16:38:45","date_gmt":"2019-02-25T16:38:45","guid":{"rendered":"http:\/\/circassiancenter.com\/tr\/?p=3381"},"modified":"2019-02-25T16:38:45","modified_gmt":"2019-02-25T16:38:45","slug":"muzeyyen-senar-cerkesmis","status":"publish","type":"post","link":"https:\/\/www.circassiancenter.com\/tr\/muzeyyen-senar-cerkesmis\/","title":{"rendered":"M\u00dcZEYYEN SENAR \u00c7ERKES\u2019M\u0130\u015e"},"content":{"rendered":"<p><span style=\"font-family: Arial; font-size: small;\"><b>Kuban Paul Seauhmann<br \/>\n<\/b><\/span><span style=\"font-family: Arial;\"> 11.03.2006<\/span><\/p>\n<p>Bildik konudur. Emin oldu\u011funuz ki\u015filerin tan\u0131kl\u0131\u011f\u0131nda \u00fcnl\u00fc baz\u0131 insanlar\u0131n \u00c7erkes oldu\u011funu \u00f6\u011frenirsiniz. Sizin perspektifinize ayk\u0131r\u0131 biri de\u011filse bu sizi sevindirir. Aksi ise k\u0131zd\u0131r\u0131r.<\/p>\n<p>Ge\u00e7en hafta bir talk show televizyon program\u0131 vard\u0131. St\u00fcdyoda y\u00fcz-y\u00fcz elli gen\u00e7 izleyici bulunuyordu. Talk showcu de\u011fi\u015fik sanat ve edebiyat dallar\u0131ndan konuklar\u0131n\u0131 \u00e7a\u011f\u0131rd\u0131. Gen\u00e7lerde her gelen konu\u011fu alk\u0131\u015flad\u0131lar.<\/p>\n<p>Talk showcu ve konuklar\u0131n oturduklar\u0131 masa bu gen\u00e7 izleyicilerin tam ortas\u0131ndayd\u0131. \u0130zleyiciler konuklar\u0131n etraf\u0131nda daire olu\u015fturmu\u015flard\u0131. S\u0131ra son sanat\u00e7\u0131y\u0131 \u00e7a\u011f\u0131rmaya geldi. Talk showcu ba\u011f\u0131rarak M\u00fczeyyen Senar\u2019\u0131 \u00e7a\u011f\u0131rd\u0131. Gen\u00e7 okuyucular\u0131m\u0131zdan tan\u0131mayanlar olabilir. 1950\u2019lilerin Sibel Can\u2019\u0131 gibiydi.<\/p>\n<p>Alk\u0131\u015flarla masaya gelen M\u00fczeyyen Senar, bir t\u00fcrl\u00fc yerle\u015femedi sandalyesine. Bir sa\u011fa d\u00f6n\u00fcyor. Olmad\u0131, bu kez soluna d\u00f6n\u00fcyor. Talk showcu durumu fark etti. Sandalyeyi de\u011fi\u015ftirmeyi \u00f6nerdi.<\/p>\n<p>M\u00fczeyyen Senar, sandalyenin rahat oldu\u011funu ancak, gen\u00e7lere s\u0131rt\u0131 d\u00f6n\u00fck oturdu\u011fu i\u00e7in rahats\u0131z oldu\u011funu s\u00f6yledi.<\/p>\n<p>O anda st\u00fcdyoda alk\u0131\u015f koptu. Gen\u00e7ler b\u00fcy\u00fck bir co\u015fkuyla alk\u0131\u015flad\u0131lar.<\/p>\n<p>\u0130\u00e7imden M\u00fczeyyen Senar\u2019da \u00c7erkes\u2019mi\u015f demek ge\u00e7ti.<\/p>\n<p>\u00c7o\u011fu zaman \u015fu t\u00fcr s\u00f6zleri duyars\u0131n\u0131z: Ne yani,\u00a0 ayak ayak \u00fcst\u00fcne atmak neden sayg\u0131s\u0131zl\u0131k olsun. Sayg\u0131 i\u00e7te olur. \u0130lle de g\u00f6stermek mi gerek?<\/p>\n<p>Bunu da genel olarak gen\u00e7ler dile getiriler. Ancak ya\u015fl\u0131 bir insan\u0131n &#8221;s\u0131rt\u0131m onlara d\u00f6n\u00fck rahats\u0131z oldum&#8221; demesini de \u00e7\u0131lg\u0131nca alk\u0131\u015flarlar.<\/p>\n<p>Burada garipsenecek bir \u015fey yok. D\u00fcnya \u00fczerinde kim olursa olsun, kar\u015f\u0131s\u0131ndakinin sayg\u0131s\u0131n\u0131 fiziki olarak g\u00f6stermesini bekler. Elbette bekleyecek. Herkes m\u00fcneccim de\u011fil ki.<\/p>\n<p>Bir i\u015f g\u00f6r\u00fc\u015fmesine gidiyorsunuz. \u0130\u00e7eri giriyorsunuz. Adam yerinden bile kalkmadan yer g\u00f6steriyor: Buyurun oturun.<\/p>\n<p>Bir-s\u0131f\u0131r yenik ba\u015fl\u0131yorsunuz g\u00f6r\u00fc\u015fmeye. Neden? \u00c7\u00fcnk\u00fc akl\u0131n\u0131zdan \u015fu ge\u00e7iyor: Yahu adam t\u0131nmad\u0131 bile i\u015f g\u00f6r\u00fc\u015fmesinde kesin beni ezecek tekliflerde bulunacak.<\/p>\n<p>Bu kez siz \u00fcst perdelerde davranmaya ba\u015flayacaks\u0131n\u0131z. Ne bileyim, belki oturur oturmaz ayak ayak \u00fcst\u00fcne at\u0131p, koltu\u011fa kayk\u0131lacaks\u0131n\u0131z. Kollar\u0131n\u0131z\u0131 da g\u00f6\u011fs\u00fcn\u00fczde birle\u015ftirdiniz mi tamamd\u0131r. Durum 1-1 oldu.<\/p>\n<p>Bu kez kar\u015f\u0131n\u0131zdakinin beyninde hareketlilikler ba\u015flar.<\/p>\n<p>\u0130\u015f g\u00f6r\u00fc\u015fmesinin sonucunda kazanan olmaz.<\/p>\n<p>\u00c7erkesler d\u00fcnyan\u0131n en geli\u015fmi\u015f toplumuydu, dedi\u011fimizde; amma da \u015fi\u015finiyorsunuz, kar\u015f\u0131l\u0131\u011f\u0131n\u0131 verenlere en g\u00fczel yan\u0131t\u0131 asl\u0131nda M\u00fczeyyen Senar verdi. Hem \u00c7erkes de de\u011fil. S\u0131rt\u0131m d\u00f6n\u00fck oturmaktan rahats\u0131z oldum, dedi\u011finde y\u00fczlerce gen\u00e7; alk\u0131\u015f k\u0131yamet te\u015fekk\u00fcr ediyorsa atalar\u0131m\u0131z do\u011fru yoldaym\u0131\u015f.<\/p>\n<p>M\u0131\u015f\u2019l\u0131 yaz\u0131nca, \u015fimdi de\u011fil miyiz sorusunun yan\u0131t\u0131n\u0131 da vermek gerek.<\/p>\n<p>Kesinlikle de\u011filiz.<\/p>\n<p>\u0130nanmazsan\u0131z, internet sitelerindeki d\u00fc\u011f\u00fcn dernek fotograflar\u0131na bak\u0131n. Arka planda thamadeler dururken; \u00f6n tarafta gen\u00e7ler vur patlas\u0131n, \u00e7al oynas\u0131n.<\/p>\n<p>Halk danslar\u0131nda ilk \u00f6\u011fretilen kurallardan biri partnerinize s\u0131rt\u0131n\u0131z\u0131 d\u00f6nmeden oynaman\u0131zd\u0131r. T\u00fcm koreografi buna g\u00f6re yap\u0131l\u0131r. Gel gelelim dans an\u0131nda \u00e7o\u011funlukla uyulmaz. Dans\u00e7\u0131 deju yapanlar\u0131n yan\u0131na gelir, fig\u00fcrlerini sergilerken partneri olan k\u0131z orada yaln\u0131z kal\u0131r. Usta dans\u00e7\u0131lar, bu durumlarda koreografi gere\u011fi k\u0131zla ayr\u0131ld\u0131klar\u0131nda, k\u0131z y\u00fcz\u00fcn\u00fc d\u00f6nece\u011fi zamana kadar deju yapanlar\u0131n yan\u0131na gider, gelir. K\u0131z d\u00f6nd\u00fc\u011f\u00fcnde kar\u015f\u0131s\u0131ndad\u0131r.<\/p>\n<p>Son derece ince bir o kadar da gereksiz gibi gelebilir size. Ancak de\u011fil. Danslar toplumun ya\u015fam bi\u00e7imini yans\u0131tt\u0131\u011f\u0131na g\u00f6re do\u011fru dans etmek gerekir.<\/p>\n<p>Bu durumda thamadeleri arkas\u0131na al\u0131p dans eden ki\u015fi, yozla\u015fm\u0131\u015f \u00c7erkes\u2019tir. K\u0131za s\u0131rt\u0131n\u0131 d\u00f6n\u00fcp arkada\u015flar\u0131na fig\u00fcr g\u00f6sterisi yapanda.<\/p>\n<p>M\u00fczeyyen Senar\u2019\u0131n ya\u015f\u0131 87\u2019mi\u015f. Bu ya\u015fta bir kad\u0131n; torununun \u00e7ocu\u011fu ya\u015f\u0131ndaki gen\u00e7lere s\u0131rt\u0131n\u0131 d\u00f6nd\u00fcm diye sandalyesinde \u00e7ivi varm\u0131\u015f gibi k\u0131vran\u0131rken, bizimkilerin b\u00fcy\u00fcklerini umursamamalar\u0131; yozla\u015fman\u0131n en g\u00fczel \u00f6rne\u011fidir.<\/p>\n<p>Biri gelip bana sorsa, M\u00fczeyyen Senar \u00c7erkes mi diye. Evet, derim. Hem de geleneklerini, \u015f\u00f6hretine kar\u015f\u0131n unutmam\u0131\u015f bir \u00c7erkes.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Kuban Paul Seauhmann 11.03.2006 Bildik konudur. Emin oldu&#287;unuz ki&#351;ilerin tan&#305;kl&#305;&#287;&#305;nda &uuml;nl&uuml; baz&#305; insanlar&#305;n &Ccedil;erkes oldu&#287;unu &ouml;&#287;renirsiniz. Sizin perspektifinize ayk&#305;r&#305; biri de&#287;ilse bu sizi sevindirir. Aksi ise k&#305;zd&#305;r&#305;r. Ge&ccedil;en hafta bir talk show televizyon program&#305; vard&#305;. St&uuml;dyoda y&uuml;z-y&uuml;z elli gen&ccedil; izleyici bulunuyordu. Talk showcu de&#287;i&#351;ik sanat ve edebiyat dallar&#305;ndan konuklar&#305;n&#305; &ccedil;a&#287;&#305;rd&#305;. Gen&ccedil;lerde her gelen konu&#287;u alk&#305;&#351;lad&#305;lar. 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