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Ay\u015fe Nart \u0130nsanl\u0131k tarihi boyunca adalet, \u00e7o\u011fu zaman g\u00f6klere havale edilmi\u015ftir. Haks\u0131zl\u0131klar\u0131n, zul\u00fcmlerin, e\u015fitsizliklerin h\u00fck\u00fcm s\u00fcrd\u00fc\u011f\u00fc d\u00fcnyada, insana \u201cger\u00e7ek \u00f6te d\u00fcnyadad\u0131r\u201d denmi\u015f, teselli g\u00f6kte aranm\u0131\u015ft\u0131r. Fakat asl\u0131nda insan g\u00f6kte de\u011fil, yerde do\u011far; insan i\u00e7in g\u00f6kte bir do\u011fum yoktur, g\u00f6bek ba\u011f\u0131 bu topra\u011fa ba\u011fl\u0131d\u0131r. Bu y\u00fczden insan\u0131n adaleti de yery\u00fcz\u00fcnde aramas\u0131 gerekir. G\u00f6klerde vaat edilen adalet, ya\u015fanan hayata dokunmad\u0131k\u00e7a, sadece bir avutma, bir susturma arac\u0131 olur. Dinler ve ideolojiler, kimi zaman bu s\u00f6ylemi insanlar\u0131n bilin\u00e7lerine kaz\u0131m\u0131\u015f, \u201cadalet burada de\u011fil, \u00f6tede\u201d diyerek onlar\u0131 ya\u015fad\u0131klar\u0131 adaletsizli\u011fe al\u0131\u015ft\u0131rm\u0131\u015ft\u0131r. Bunun k\u00f6k\u00fc \u00e7ok derinlerde, insan\u0131n bilin\u00e7d\u0131\u015f\u0131nda aranmal\u0131d\u0131r. Bilin\u00e7\u00fcst\u00fc \u015fimdiki zamand\u0131r; o an\u0131n fark\u0131ndal\u0131\u011f\u0131d\u0131r. Bilin\u00e7alt\u0131, bilin\u00e7\u00fcst\u00fcn\u00fcn tortusu, hat\u0131rlanabilir birikimidir. Ama bilin\u00e7d\u0131\u015f\u0131 bamba\u015fka bir yerdir: insanl\u0131k tarihinin g\u00f6m\u00fcld\u00fc\u011f\u00fc karanl\u0131k bir mezar. Orada genlerle ta\u015f\u0131nan, ku\u015faktan ku\u015fa\u011fa akan sesler vard\u0131r. \u201cAdalet g\u00f6klerdedir\u201d s\u00f6z\u00fc de i\u015fte bu mezar\u0131n yank\u0131lar\u0131ndan biridir. \u0130nsan fark\u0131nda olmadan bu sesi i\u00e7selle\u015ftirir, \u00e7\u00fcnk\u00fc bilin\u00e7d\u0131\u015f\u0131 bireyin de\u011fil, t\u00fcm insanl\u0131\u011f\u0131n y\u00fck\u00fcn\u00fc ta\u015f\u0131r. O y\u00fczden de g\u00f6ksel adalet fikri, toplumsal haf\u0131zada k\u00f6kle\u015fir ve nesiller boyunca tekrarlan\u0131r.<\/p>\n Oysa insan yerseldir. Topra\u011fa basar, havay\u0131 solur, suyu i\u00e7er; bedeni de hik\u00e2yesi de d\u00fcnyaya aittir. \u0130nsan i\u00e7in ger\u00e7ek, ancak yery\u00fcz\u00fcn\u00fcn terazisinde tart\u0131labilir. Adaletin g\u00f6\u011fe ta\u015f\u0131nmas\u0131, hem insan\u0131n do\u011fas\u0131na yabanc\u0131la\u015fmas\u0131d\u0131r hem de umudun yanl\u0131\u015f yere sevk edilmesidir. \u00c7\u00fcnk\u00fc umut, g\u00f6kten indirilen bir l\u00fctuf de\u011fil, ya\u015fam\u0131n i\u00e7inden do\u011fan bir ba\u011fd\u0131r; insan\u0131n en temel i\u00e7g\u00fcd\u00fclerinden biri, neredeyse varolu\u015fun nefesidir. Umut yoksa insan yoktur; umut koptu\u011funda ya\u015fam ba\u011f\u0131 kopar, karanl\u0131k ba\u015flar. Bu ba\u011flamda adalet ile umut ayn\u0131 damarda akar. Adalet, umudun toplumsal bi\u00e7ime b\u00fcr\u00fcnmesidir; umut, adaletin i\u00e7 nefesi. Umut olmadan adalet talep edilmez; adaletin imk\u00e2n\u0131 hat\u0131rlanmaz. Adalet olmadan da umut, soyut bir avuntuya d\u00f6n\u00fc\u015f\u00fcr. \u0130kisi birbirini do\u011frular, birbirine tutunur. Adalet er ya da ge\u00e7, yerde ve \u015fimdi kurulmad\u0131k\u00e7a; yasa, kurum, ili\u015fki ve vicdan d\u00fczeyinde in\u015fa edilmedik\u00e7e, \u201c\u00f6te\u201dye havale edilen umut, pasif bir bekleyi\u015ften \u00f6teye ge\u00e7emez.<\/p>\n B\u00f6yle d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcm\u00fczde adalet, s\u0131rf kurallar\u0131n uygulanmas\u0131 de\u011fil, bir i\u015f\u00e7ilik ve incelik<\/strong> meselesi olarak g\u00f6r\u00fcn\u00fcr: Oysa adalet bir sanatt\u0131r. Sanat nas\u0131l \u00f6l\u00e7\u00fc, denge, ritim ve sezgi gerektiriyorsa, adalet de \u00f6yle gerektirir. Sanat\u00e7\u0131 malzemesini\u00a0 -renk, ta\u015f, s\u00f6zc\u00fck, ses-\u00a0 nas\u0131l sab\u0131rla i\u015flerse, adaleti kuran toplum da ili\u015fkilerini, kurumlar\u0131n\u0131, dilini ve belle\u011fini sab\u0131rla i\u015fler. Yaln\u0131zca kural yazmak yetmez; insan\u0131n ac\u0131s\u0131n\u0131 \u201cduyan\/g\u00f6zeten\u201d, onu d\u00f6n\u00fc\u015ft\u00fcrmek i\u00e7in yarat\u0131c\u0131 \u00e7\u00f6z\u00fcmler \u00fcreten bir adalet gerekir. Bu y\u00fczden adalet, mekanik bir da\u011f\u0131t\u0131m de\u011fil; ya\u015fayan bir duyarl\u0131l\u0131k<\/strong> ve yerinde bir \u00f6l\u00e7\u00fc<\/strong> meselesidir. Umut burada hem kaynak hem y\u00f6ntemdir. Ya\u015fam\u0131n malzemeleri -ac\u0131 ve mutluluk- umutsuz b\u0131rak\u0131ld\u0131\u011f\u0131nda ya i\u015fkenceye ya da bo\u015f hazza d\u00f6n\u00fc\u015f\u00fcr. Oysa insan, ac\u0131n\u0131n i\u00e7inden umut do\u011furabildi\u011finde ayd\u0131nlanma ba\u015flar: ac\u0131, bir ifadeye, bir derse, bir d\u00f6n\u00fc\u015f\u00fcme, bir eyleme evrilir. Umut bu d\u00f6n\u00fc\u015f\u00fcm\u00fcn k\u0131v\u0131lc\u0131m\u0131d\u0131r. Bir \u00e7ocu\u011fun y\u00fcr\u00fcmeye \u00e7al\u0131\u015f\u0131rken defalarca d\u00fc\u015f\u00fcp kalkmas\u0131 gibi; bir toplum da adalet ararken defalarca t\u00f6kezler, ama umut olduk\u00e7a aya\u011fa kalkar, yeniden dener, \u201cdaha adil\u201din pe\u015fine d\u00fc\u015fer.<\/p>\n Sanat, bu s\u00fcre\u00e7te adalet ve umudun dili olur. Burada sanat ba\u011f\u0131ms\u0131z bir tema de\u011fil; adalet-umut damar\u0131n\u0131n i\u00e7 sesi, g\u00f6r\u00fcn\u00fcr k\u0131lma tekni\u011fidir. Sanat\u0131n g\u00f6revi \u201columsuzu olumlamak\u201d de\u011fildir; olumsuzu d\u00f6n\u00fc\u015ft\u00fcrmek<\/strong>tir. Sanat, ac\u0131y\u0131 yaln\u0131zca te\u015fhir etmez; ona bi\u00e7im verir, anlamland\u0131r\u0131r, yeni bir g\u00f6rme, duyma ve d\u00fc\u015f\u00fcnme imk\u00e2n\u0131 yarat\u0131r. Adalet de i\u015fte b\u00f6yle \u00e7al\u0131\u015fmal\u0131d\u0131r: Haks\u0131zl\u0131\u011f\u0131 ink\u00e2r etmek de\u011fil, onu fark etmek, y\u00fczle\u015ftirmek ve d\u00f6n\u00fc\u015ft\u00fcrmek. Sanat\u0131n iki do\u011fumu gibi; ilki sanat\u00e7\u0131n\u0131n i\u00e7inde, ikincisi eseri deneyimleyenlerin zihin ve y\u00fcreklerinde. Adaletin de iki do\u011fumu vard\u0131r. \u0130lk do\u011fum, ilke ve ideal d\u00fczeyinde: \u201cAdil olmal\u0131y\u0131z.\u201d \u0130kincisi, ya\u015fama dokundu\u011fu anda: bir mahallenin bar\u0131\u015f i\u00e7inde \u00e7\u00f6z\u00fcm \u00fcretmeyi \u00f6\u011frenmesinde, bir kurumun \u015feffafla\u015fmas\u0131nda, bir yarg\u0131n\u0131n yaln\u0131zca yasa metnini de\u011fil, insan onurunu g\u00f6zeten \u00f6l\u00e7\u00fcl\u00fcl\u00fckle verilmesinde. Yaz\u0131l\u0131 ilke, ya\u015famsal prati\u011fe d\u00f6n\u00fc\u015fmedi\u011finde, t\u0131pk\u0131 payla\u015f\u0131lmayan bir eserin \u00f6lmesi gibi, adalet de k\u00e2\u011f\u0131t \u00fczerinde kal\u0131r ve solar.<\/p>\n Toplumun belle\u011fi burada belirleyicidir. Bir eserin kaderi nas\u0131l al\u0131c\u0131lar\u0131n elinde \u015fekilleniyorsa, adaletin kaderi de toplumun vicdan\u0131nda ve al\u0131\u015fkanl\u0131klar\u0131nda \u015fekillenir. Toplum bazen en k\u0131ymetli eseri soka\u011fa d\u00fc\u015f\u00fcrebilir, y\u00fczeyselle\u015ftirebilir, metala\u015ft\u0131rabilir; bazen de unutulmu\u015f bir eseri diriltip kendi ba\u015f tac\u0131 yapabilir. Adalet de bazen kal\u0131pla\u015fm\u0131\u015f bir s\u00f6ylem olarak \u201cher ta\u015f yerinde\u201d diyerek haks\u0131zl\u0131klar\u0131 \u00f6rter; bazen de bir ku\u015fa\u011f\u0131n \u0131srar\u0131yla yeniden anlam kazan\u0131r, nefes al\u0131r. Bu nedenle adalet, salt mahkeme duvarlar\u0131n\u0131n aras\u0131nda de\u011fil, g\u00fcndelik hayat\u0131n ince ayar\u0131nda<\/strong> kurulur: dilde, davran\u0131\u015fta, i\u015f b\u00f6l\u00fcm\u00fcnde, hak da\u011f\u0131l\u0131m\u0131nda, hatay\u0131 onarmada.<\/p>\n Umutla beslenen adalet, cezaland\u0131rmay\u0131 tek se\u00e7enek saymaz; onar\u0131m\u0131<\/strong> ve iyile\u015ftirmeyi<\/strong> de adaletin asli par\u00e7as\u0131 kabul eder. \u00c7\u00fcnk\u00fc umudun mant\u0131\u011f\u0131, y\u0131kmaktan \u00e7ok kurmakt\u0131r; kurarken de cezas\u0131zl\u0131\u011f\u0131 de\u011fil, sorumluluk almay\u0131 ve dengeyi hedefler. Bu, haks\u0131zl\u0131\u011f\u0131 aklamak anlam\u0131na gelmez; tam tersine, ona hakkaniyetli bir yan\u0131t vermek, tekrar\u0131n\u0131 \u00f6nlemek, ma\u011fdurun onurunu ve failin sorumlulu\u011funu birlikte ele almak demektir. Bu yakla\u015f\u0131m, adaletin \u201csanat\u201d taraf\u0131n\u0131 g\u00f6sterir: Her dosya biriciktir, her vaka kendi ba\u011flam\u0131nda \u00f6l\u00e7\u00fcl\u00fcr, ama ortak bir ilke \u00e7er\u00e7evesi asla terk edilmez.<\/p>\n \u0130nsan\u0131n yerselli\u011fi, bu sanat\u0131n hem konusu hem ko\u015fuludur. \u0130nsan g\u00f6kten inmez, g\u00f6\u011fe \u00e7\u0131karak da insan olmaz; insan olmak, burada ve \u015fimdi m\u00fcmk\u00fcn olur. Bu y\u00fczden, adaleti g\u00f6\u011fe havale eden s\u00f6ylemler umutla \u00e7eli\u015fir; umut \u0131\u015f\u0131kt\u0131r ama \u201certeleyici\u201d de\u011fildir. Erteleme, umudu t\u00fckettik\u00e7e umutsuzlu\u011fa d\u00f6ner. Umut ise eylem<\/strong> gerektirir: \u201cburada\u201d kurmay\u0131, \u201c\u015fimdi\u201d ba\u015flatmay\u0131. K\u00fc\u00e7\u00fck bir s\u00f6z, k\u00fc\u00e7\u00fck bir onar\u0131m, k\u00fc\u00e7\u00fck bir \u015feffafl\u0131k hamlesi: birikti\u011finde b\u00fcy\u00fck bir adalet iklimi yarat\u0131r. Bilin\u00e7 katmanlar\u0131 bu iklimin psikolojik altyap\u0131s\u0131n\u0131 a\u00e7\u0131klar. Bilin\u00e7\u00fcst\u00fc, \u015fimdiki zamandaki fark\u0131ndal\u0131\u011f\u0131m\u0131zd\u0131r; bilin\u00e7alt\u0131, ge\u00e7mi\u015f ya\u015fant\u0131lar\u0131m\u0131z\u0131n tortusu; bilin\u00e7d\u0131\u015f\u0131 ise t\u00fcr olarak ta\u015f\u0131d\u0131\u011f\u0131m\u0131z karanl\u0131k yazg\u0131. G\u00f6ksel adalet fikrinin oradan y\u00fckselen bir f\u0131s\u0131lt\u0131 olmas\u0131 \u015fa\u015f\u0131rt\u0131c\u0131 de\u011fildir; \u00e7\u00fcnk\u00fc insanl\u0131k, y\u00fczy\u0131llar boyunca haks\u0131zl\u0131kla ba\u015f edemedi\u011finde, \u201c\u00f6te\u201dye s\u0131\u011f\u0131nm\u0131\u015ft\u0131r. Fakat ayn\u0131 bilin\u00e7d\u0131\u015f\u0131, umudun da ilksel k\u0131v\u0131lc\u0131m\u0131n\u0131 ta\u015f\u0131r: hayatta kalma, devam etme, yeniden ba\u015flama itkisi. G\u00f6reve d\u00fc\u015fen, o k\u0131v\u0131lc\u0131m\u0131 yere, ya\u015fama, ili\u015fkilere indirmek; umudu \u201cbekleyi\u015f\u201d olmaktan \u00e7\u0131kar\u0131p \u201ckurulu\u015f\u201da d\u00f6n\u00fc\u015ft\u00fcrmektir. Burada sanat\u0131n pratik bir rol\u00fc daha belirir: tan\u0131kl\u0131k<\/strong>.<\/strong> Sanat, adaletsizli\u011fe tan\u0131kl\u0131k ederken yaln\u0131zca belge \u00fcretmez; duyarl\u0131l\u0131\u011f\u0131 \u00f6rg\u00fctler, empatiyi derinle\u015ftirir, dili d\u00f6n\u00fc\u015ft\u00fcr\u00fcr. Dil de\u011fi\u015fti\u011finde, d\u00fcnya de\u011fi\u015fir: \u201cKurban\u201d dedi\u011fimizde bir t\u00fcr pasifle\u015ftirme \u00fcretiyorsak, \u201cya\u015fayan\/direnen\u201d dedi\u011fimizde \u00f6zneyi geri \u00e7a\u011f\u0131r\u0131r\u0131z. Adaletin dili de b\u00f6yledir; sadece h\u00fck\u00fcm c\u00fcmlelerinden de\u011fil, dinleyen<\/strong>, anlayan<\/strong>, onaran<\/strong> t\u00fcmcelerden \u00f6r\u00fclmelidir. Yarg\u0131 metninin diliyle g\u00fcndelik dil aras\u0131nda onar\u0131c\u0131 bir k\u00f6pr\u00fc kurulmad\u0131k\u00e7a, adalet soyut kal\u0131r.<\/p>\n \u201cAdalet bir sanatt\u0131r\u201d derken, bu sanat\u0131 icra edenin yaln\u0131zca yarg\u0131\u00e7lar ve yasama olmad\u0131\u011f\u0131n\u0131, esasen hepimiz oldu\u011funu unutmamak gerekir. Her insan, g\u00fcndelik hayat\u0131nda minyat\u00fcr bir adalet zanaatk\u00e2r\u0131d\u0131r: \u00e7ocukla kurdu\u011fu diyalogda, i\u015f yerindeki payla\u015f\u0131mda, trafikteki sab\u0131rda, kom\u015fusunun hakk\u0131n\u0131 g\u00f6zetmede\u2026 K\u00fc\u00e7\u00fck teraziler, b\u00fcy\u00fck adalet iklimini do\u011furur. Bu iklimin rengi ise umuttur<\/strong>: umudun \u0131\u015f\u0131\u011f\u0131 olmadan terazi terazilikten \u00e7\u0131kar; k\u00f6rle\u015fir, ta\u015f kesilir. Umut, teraziye g\u00f6z de\u011fil; g\u00f6rme<\/strong> kazand\u0131r\u0131r. \u0130nsan\u0131n umudu do\u011fu\u015ftand\u0131r; hepimiz ayn\u0131 \u0131\u015f\u0131kla do\u011far\u0131z. Fark, bu \u0131\u015f\u0131\u011f\u0131 nas\u0131l \u00f6\u011frendi\u011fimizdedir. I\u015f\u0131\u011f\u0131 b\u00fcy\u00fctmeyi, payla\u015fmay\u0131, korumay\u0131 \u00f6\u011frenebiliriz. \u0130ntihar, \u00e7o\u011fu zaman \u0131\u015f\u0131\u011f\u0131n g\u00f6r\u00fclmedi\u011fi u\u00e7urumdur; bu u\u00e7urumun e\u015fi\u011finde bile, bir elin uzanmas\u0131, bir s\u00f6z\u00fcn s\u00f6ylenmesi, bir kap\u0131n\u0131n aralanmas\u0131, yani umudun en k\u00fc\u00e7\u00fck k\u0131v\u0131lc\u0131m\u0131 hayat\u0131 geri \u00e7a\u011f\u0131rabilir. Adalet tam da bu \u00e7a\u011fr\u0131y\u0131 kurumsal ve toplumsal d\u00fczeyde \u00f6rg\u00fctleme sanat\u0131d\u0131r: yaln\u0131z b\u0131rakmamak, hakk\u0131 g\u00f6zetmek, yanl\u0131\u015f\u0131n hesab\u0131n\u0131 sorarken insan\u0131 yok etmemek.<\/p>\n \u00d6zetle \u015funu vurgulama isterim; adaleti ve umudu g\u00f6klere g\u00f6ndermek, insan\u0131n yersel do\u011fas\u0131na yabanc\u0131d\u0131r. Ger\u00e7ek, yerde aran\u0131r.<\/strong> \u00c7\u00fcnk\u00fc insan\u0131n g\u00f6bek ba\u011f\u0131 yerdedir, g\u00f6kte de\u011fil. Adalet, bu yery\u00fcz\u00fcn\u00fcn terazisinde; umut, bu yery\u00fcz\u00fcn\u00fcn nefesinde m\u00fcmk\u00fcnd\u00fcr. Sanat ise, bu ikisinin hem dili hem tekni\u011fi: ac\u0131y\u0131 d\u00f6n\u00fc\u015ft\u00fcrmenin, hakikati g\u00f6r\u00fcn\u00fcr k\u0131lman\u0131n, umudu \u00f6rg\u00fctlemenin yolu. Adalet sanat oldu\u011funda, umudu kendi rengi k\u0131ld\u0131\u011f\u0131nda, insan\u0131n ve toplumun y\u00fcz\u00fc de\u011fi\u015fir. G\u00f6kten beklenen, yerde kurulur; \u00f6teden umulan, bug\u00fcnde k\u00f6k salar. Ve o zaman, teselli de\u011fil, denge<\/strong> gelir; avuntu de\u011fil, hak<\/strong>; erteleme de\u011fil, kurulu\u015f<\/strong>.<\/p>\n \u0130nsan, g\u00f6\u011fe bakarak de\u011fil, yere basarak insan olur. Adalet de umut da bu bas\u0131\u015f\u0131n ritminde, bu topra\u011f\u0131n s\u0131cakl\u0131\u011f\u0131nda filizlenir. Geriye kalan, hepimizin o filizi i\u015fleme becerisidir: incelikle, \u00f6l\u00e7\u00fcyle, merhametle; t\u0131pk\u0131 iyi bir ustan\u0131n elleri gibi.<\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" Ayşe Nart 17\/08\/2025 İnsanlık tarihi boyunca adalet, çoğu zaman göklere havale edilmiştir. Haksızlıkların, zulümlerin, eşitsizliklerin hüküm sürdüğü dünyada, insana “gerçek öte dünyadadır” denmiş, teselli gökte aranmıştır. Fakat aslında insan gökte değil, yerde doğar; insan için gökte bir doğum yoktur, göbek bağı bu toprağa bağlıdır. Bu yüzden insanın adaleti de yeryüzünde araması gerekir. Göklerde vaat edilen […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"0","ocean_second_sidebar":"0","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"0","ocean_custom_header_template":"0","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"0","ocean_menu_typo_font_family":"0","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"0","ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"on","ocean_gallery_id":[],"footnotes":""},"categories":[62],"tags":[],"class_list":["post-48036","post","type-post","status-publish","format-standard","hentry","category-ayse-nart","entry"],"_links":{"self":[{"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/posts\/48036","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/comments?post=48036"}],"version-history":[{"count":1,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/posts\/48036\/revisions"}],"predecessor-version":[{"id":48039,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/posts\/48036\/revisions\/48039"}],"wp:attachment":[{"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/media?parent=48036"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/categories?post=48036"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/tags?post=48036"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n<\/strong>17\/08\/2025<\/p>\n