{"id":5736,"date":"2023-01-04T19:02:14","date_gmt":"2023-01-05T01:02:14","guid":{"rendered":"http:\/\/circassiancenter.com\/tr\/?p=5736"},"modified":"2024-02-01T15:10:19","modified_gmt":"2024-02-01T21:10:19","slug":"kafkas-motifleri","status":"publish","type":"post","link":"https:\/\/www.circassiancenter.com\/tr\/kafkas-motifleri\/","title":{"rendered":"KAFKAS MOT\u0130FLER\u0130"},"content":{"rendered":"

\"\"<\/p>\n

Do\u00e7. Dr. Erol Y\u0131ld\u0131r<\/span><\/strong><\/p>\n

Bir toplum anavatan\u0131ndan s\u00fcr\u00fclerek ba\u015fka co\u011frafyalarda ya\u015famak zorunda b\u0131rak\u0131ld\u0131\u011f\u0131nda \u015f\u00fcphesiz ki bir \u00e7ok maddi ve manevi de\u011ferlerini de kaybetmek zorunda kal\u0131r. \u0130nsanl\u0131\u011f\u0131n binlerce y\u0131ll\u0131k ge\u00e7mi\u015finde y\u00fczlerce halk bu t\u00fcr y\u0131k\u0131mlarla kar\u015f\u0131la\u015fm\u0131\u015ft\u0131r. Kuzey Kafkas toplumu bu y\u0131k\u0131ma u\u011frayan ne ilk ne de son toplumdur. E\u011fer bir toplum ge\u00e7mi\u015finin k\u00fclt\u00fcrel b\u00fct\u00fcn maddi de\u011ferlerini ara\u015ft\u0131rma materyallerine sahip de\u011filse en b\u00fcy\u00fck y\u0131k\u0131ma u\u011fram\u0131\u015f demektir. Ki, vatanlar\u0131ndan kopar\u0131lm\u0131\u015f b\u00fct\u00fcn halklar\u0131n en b\u00fcy\u00fck sorunlar\u0131ndan biriside budur.<\/p>\n

Bu konuda en \u00e7arp\u0131c\u0131 \u00f6rneklerden birisinin ya\u015fand\u0131\u011f\u0131 Kuzey Kafkasya’da 1860’l\u0131 y\u0131llardan itibaren n\u00fcfusunun b\u00fcy\u00fck bir k\u0131sm\u0131 s\u00fcr\u00fclen \u00c7erkes topluluklar\u0131 gittikleri \u00fclkelerde ya\u015fama ve varl\u0131klar\u0131n\u0131 kimliklerini kaybetmeden s\u00fcrd\u00fcrme m\u00fccadelesi vermi\u015flerdir. B\u00fct\u00fcn zorluklara ra\u011fmen geleneksel el sanatlar\u0131n\u0131 \u00fcretmi\u015fler, g\u00fcn\u00fcm\u00fczde yap\u0131lan k\u00fc\u00e7\u00fck bir ara\u015ft\u0131rmada dahi y\u00fczlerce de\u011fi\u015fik \u00f6zg\u00fcn motifle kar\u015f\u0131m\u0131za \u00e7\u0131km\u0131\u015flard\u0131r.<\/p>\n

Halk\u0131m\u0131z a\u00e7\u0131s\u0131ndan bu y\u0131k\u0131m, b\u00fcy\u00fck g\u00f6\u00e7ten sonra Kuzey Kafkasya’da ya\u015fanm\u0131\u015ft\u0131r. 1944’de Stalin taraf\u0131ndan Sibirya\u2019ya s\u00fcr\u00fclen \u00c7e\u00e7en-\u0130ngu\u015flar y\u0131llar sonra anavatanlar\u0131na d\u00f6nd\u00fcklerinde geride b\u0131rakmak zorunda kald\u0131klar\u0131 bir \u00e7ok k\u00fclt\u00fcrel de\u011ferin koloni olarak yerle\u015fen Ruslar ve di\u011fer topluluklar taraf\u0131ndan imha edildi\u011fini g\u00f6rm\u00fc\u015flerdir. S\u00fcrg\u00fcnden d\u00f6nen \u00c7e\u00e7enler atalar\u0131n\u0131n imha edilen mezar ta\u015flar\u0131n\u0131 ait olduklar\u0131 yerlere yerle\u015ftirmek suretiyle ba\u015flatt\u0131klar\u0131 b\u00fcy\u00fck y\u0131k\u0131m\u0131n yaralar\u0131n\u0131 sarmaya bug\u00fcn de b\u00fct\u00fcn \u00e7abalar\u0131yla devam etmektedirler.<\/p>\n

Bug\u00fcn \u00c7e\u00e7en-\u0130ngu\u015f Cumhuriyeti\u2019nde \u00c7e\u00e7en halk\u0131n\u0131n k\u00fclt\u00fcrel de\u011ferlerini yans\u0131tan maddi materyaller daha \u00e7ok m\u00fczelerde mevcuttur. Halk\u0131n kendisinde ge\u00e7mi\u015ften kalan k\u00fclt\u00fcr de\u011feri el sanat\u0131 \u00f6rnekleri fazla mevcut de\u011fildir. Bir \u00f6rnek verecek olursak; bug\u00fcn T\u00fcrkiye’ de ya\u015fayan \u00c7e\u00e7enlerde mevcut olan y\u00fczden fazla motifli renkli b\u00fcy\u00fck duvar istingleri Kuzey Kafkasya’daki istinglerin toplam\u0131ndan daha fazla oldu\u011fu tahmin edilmektedir.<\/p>\n

Binlerce y\u0131ll\u0131k ge\u00e7mi\u015fiyle Kuzey Kafkasya, g\u00fcn\u00fcm\u00fcz sanat tarih\u00e7ileri i\u00e7in de gizemi hen\u00fcz \u00e7\u00f6z\u00fclememi\u015f yerlerden birisidir. Kuban havzas\u0131nda yap\u0131lan kaz\u0131larda (Myuekuape yak\u0131nlar\u0131ndaki kurganlarda) tarih \u00f6ncesine ait bir \u00e7ok eser ortaya \u00e7\u0131kart\u0131lm\u0131\u015ft\u0131r. Kafkas motiflerinin primitif \u00f6rneklerine de ilk kez bu eserlerde rastlanmaktad\u0131r.<\/p>\n

Kafkasya’ da erken metal \u00e7a\u011f\u0131 M.\u00d6. 3000 y\u0131llar\u0131nda ba\u015flam\u0131\u015ft\u0131r. Kuban havzas\u0131nda \u00e7\u0131kan arkeolojik buluntulardan Meot sanat\u0131na ait par\u00e7alar\u0131n \u00fczerindeki motifler ile g\u00fcn\u00fcm\u00fcz Kafkas motiflerinin bir \u00e7ok ortak noktas\u0131 vard\u0131r. \u00d6zellikle avadanl\u0131klar \u00fczerinde tesad\u00fcf edilen motiflerde g\u00fcn\u00fcm\u00fcz Kafkas motiflerinin bir \u00e7ok \u00f6zelli\u011fi mevcut bulunmaktad\u0131r. Tarih \u00f6ncesi d\u00f6nemlerden g\u00fcn\u00fcm\u00fcze kadar \u00fcretilen b\u00fct\u00fcn el sanat\u0131 eserler \u00fczerinde t\u00fcr ayr\u0131m\u0131 yap\u0131lmaks\u0131z\u0131n Kafkas motiflerinin genel \u00f6zelliklerini saptamam\u0131za imkan vermektedir. Kafkas motiflerinin temel \u00e7\u0131k\u0131\u015f noktas\u0131 bir \u00e7ok toplumda oldu\u011fu gibi tabiat ve g\u00f6rsel \u00e7evredir. \u00d6zellikle ilkel d\u00f6nemlerde bir \u00e7ok tabiat olay\u0131 \u00e7e\u015fitli anlamlarla y\u00fckl\u00fc mitolojik semboller halinde motiflere d\u00f6n\u00fc\u015ft\u00fcr\u00fclm\u00fc\u015ft\u00fcr.<\/p>\n

<\/p>\n

Mitolojik semboller halindeki motifler tek tanr\u0131l\u0131 dine ge\u00e7i\u015fle birlikte eski mana ve \u00f6nemini yitirerek g\u00f6rsel bir be\u011feni sonucu yap\u0131lan s\u00fcsleme unsurlar\u0131na d\u00f6n\u00fc\u015fm\u00fc\u015ft\u00fcr. Ayr\u0131ca eski \u00e7a\u011flardan beri Kafkasyal\u0131larda gelenek halinde g\u00fcn\u00fcm\u00fcze ula\u015fan aile armalar\u0131 bu t\u00fcr motifler i\u00e7inde say\u0131lmaktad\u0131r.<\/p>\n


\nKafkas Aile Armalar\u0131ndan \u00d6rnekler<\/p>\n

Ayr\u0131ca bu t\u00fcr arma veya motiflerin eskiden kullan\u0131lan bir t\u00fcr alfabenin g\u00fcn\u00fcm\u00fcze ula\u015fan kal\u0131nt\u0131lar\u0131 oldu\u011fu g\u00f6r\u00fc\u015f\u00fc baz\u0131 tarih\u00e7iler taraf\u0131ndan ileri s\u00fcr\u00fclmektedir. Baz\u0131 motiflere verilen dini veya totemik manalar\u0131n sonucunda bu motifler boy veya kabile damgalar\u0131 olan psiktogramlara (Basitle\u015ftirilmi\u015f resimler) d\u00f6n\u00fc\u015fm\u00fc\u015f oldu\u011fu d\u00fc\u015f\u00fcn\u00fclmektedir. (Psiktogramla\u015fm\u0131\u015f \u015fekillerin daha sonra fonogram hatta yaz\u0131 harfi \u015fekline girebildi\u011fi bilinmektedir.)<\/p>\n

KAFKAS MOT\u0130FLER\u0130N\u0130N ORTAK \u00d6ZELL\u0130KLER\u0130<\/strong><\/p>\n

1) <\/strong>Kafkas motifleri tabiat \u00e7\u0131k\u0131\u015fl\u0131d\u0131r. Bunun sonucu baz\u0131 \u00f6zellikler b\u00fct\u00fcn motiflerde ortak noktalar olarak kar\u015f\u0131m\u0131za \u00e7\u0131kar. Baz\u0131 motifler hayvansal, baz\u0131 motifler bitkisel, baz\u0131 motifler ise insan simgeleri halinde ve daha \u00e7ok nonfig\u00fcratif anlay\u0131\u015fla yap\u0131lm\u0131\u015ft\u0131r.<\/p>\n


\nKafkas “Adige” Motifleri<\/p>\n

\u00dcnl\u00fc ara\u015ft\u0131rmac\u0131 Rostovzeff\u2019in ilk kez “hayvan \u00fcslubu” olarak adland\u0131rd\u0131\u011f\u0131 simetrik karakterli hayvan fig\u00fcrleri Kafkas motiflerinde kar\u015f\u0131m\u0131za \u00e7\u0131kar.<\/p>\n

2) <\/strong>Motifler olarak simetrik \u00e7e\u015fitlemelerle yap\u0131lm\u0131\u015ft\u0131r. Simetrik uygulamalar tarih \u00f6ncesi \u00e7a\u011flardan itibaren bir \u00e7ok uygarl\u0131k\u00e7a motiflerde kullan\u0131lan bir \u00f6zelliktir.<\/p>\n

3) <\/strong>B\u00fct\u00fcn Kafkas motifleri k\u0131vrak ve yumu\u015fak e\u011frilerden olu\u015fur. K\u00f6\u015feli motiflere rastlanmaz. (Ge\u00e7mi\u015fi bir \u00e7ok ac\u0131 m\u00fccadelelerle ge\u00e7en Kafkas insan\u0131n\u0131n motiflerinin yumu\u015fak, k\u0131vrak \u00e7izgilerden olu\u015fmas\u0131, sert ve kesin hatlardan sak\u0131n\u0131lmas\u0131 \u00e7eli\u015fki gibi g\u00f6r\u00fcnse de Kafkas insan\u0131n\u0131n ince be\u011feni ve ruhunu yans\u0131t\u0131r.)<\/p>\n


\nKe\u00e7e motifi Uzunyayla Y.H\u00fcy\u00fck 19.YY.<\/p>\n

4)<\/strong> Renkli motiflerde kontrast (z\u0131t) renkler bir arada kullan\u0131larak y\u00fczeylere canl\u0131 bir ifade kazand\u0131r\u0131l\u0131r. Tarih \u00f6ncesinden g\u00fcn\u00fcm\u00fcze bu sayd\u0131\u011f\u0131m\u0131z ortak \u00f6zellikleri koruyarak ula\u015fan Kafkas motifleri baz\u0131 k\u00fclt\u00fcrel etkile\u015fimlerle konular\u0131n\u0131 daha \u00e7e\u015fitli hale getirmi\u015ftir. \u00d6rnek verecek olursak 8.yy’dan 18.yy.’a uzanan bin y\u0131ll\u0131k \u0130slamla\u015fma s\u00fcreci ile birlikte hilal-y\u0131ld\u0131z motifi yayg\u0131n olarak kullan\u0131lmaya ba\u015flanm\u0131\u015ft\u0131r.<\/p>\n

<\/p>\n\n\n\n
Kuzey Kafkasya, Dusheti. IO.5-6.YY: Hayvan motifli kemer motifleri<\/td>\nYakla\u015f\u0131k 19. YY: sonlar\u0131
\nT\u00fcrkiye\u2019de yap\u0131lm\u0131\u015f ke\u00e7e motifi<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Kuzey Kafkas metal sanat\u0131nda g\u00f6r\u00fclen \u00fc\u00e7 temel s\u00fcs unsuru olan; Markhari t\u00fcr\u00fc kar\u0131\u015f\u0131k dalgal\u0131 dalgalardan olu\u015fan bitkisel bezemelerde, Tutta t\u00fcr\u00fc simetrik aral\u0131kl\u0131 dallardan olu\u015fan bitkisel bezemelerde ve Tavga T\u00fcr\u00fc bezemelerde de simetrik d\u00fczenlemeler temel unsur olarak kar\u015f\u0131m\u0131za \u00e7\u0131kar. Kuba\u00e7i’deki bir \u00e7ok ev ve mabet kap\u0131lar\u0131nda pencere \u00fczerlerinde ta\u015fa oyulmu\u015f \u00e7e\u015fitli fig\u00fcr ve motifleri Kuba\u00e7ililer Albanlar\u0131n Kafkasya’y\u0131 idare etti\u011fi devirlerden beri s\u00fcre geldi\u011fini belirtirler.<\/p>\n

Anadolu’ da yap\u0131lan ara\u015ft\u0131rmalarda hala baz\u0131 evlerin duvarlar\u0131nda geleneksel Kafkas motiflerinin \u00e7izilmi\u015f oldu\u011fu g\u00f6r\u00fcl\u00fcr. (G\u00f6ksun’un Korkmaz k\u00f6y\u00fcnde ve \u00c7ardak nahiyesinde, Kangal’\u0131n Yukar\u0131 H\u00fcy\u00fck k\u00f6y\u00fcnde oldu\u011fu gibi.) Ayr\u0131ca Mezar ta\u015flar\u0131 ve ah\u015fap oyma i\u015flerindeki bu motifler g\u00fcn\u00fcm\u00fcz ara\u015ft\u0131rmac\u0131lar\u0131n\u0131n ilgi alan\u0131na girmeyi beklemektedir.<\/p>\n

Kafkas motiflerinin g\u00fcn\u00fcm\u00fcz Anadolu\u2019sunda \u00f6zellikle Uzunyayla ve G\u00f6ksun y\u00f6resindeki hem\u015fehrilerimizce yo\u011fun olarak el sanatlar\u0131nda kullan\u0131lmaya devam edildi\u011fi g\u00f6zlemlenmi\u015ftir. \u00c7ardak’ta baz\u0131 \u00c7e\u00e7en evlerinde duvarlar ve pe\u015fler (ocak) \u00fczerinde g\u00f6r\u00fclen BUSTUM denilen duvar motifleri geleneksel Kafkas motiflerinin e\u015fsiz \u00f6rneklerindendir.<\/p>\n

KAFKAS MOT\u0130FLER\u0130NE ORNEKLER<\/strong><\/p>\n


\n\u00c7e\u00e7en Bustum \u00f6rnekleri<\/p>\n


\nKafkas Ke\u00e7e Motifleri * Kayseri P\u0131narba\u015f\u0131 Dikilita\u015f k\u00f6y\u00fcnden derlenmi\u015f Kabardey Vupcha motifleri (Anadolu’ da tespit edilen ender Kabardey Ke\u00e7elerinden birka\u00e7\u0131n\u0131n bulundu\u011fu Uzunyayla’ da yak\u0131n bir tarihe kadar \u00e7ok \u00e7e\u015fitli \u00f6rneklerin bulundu\u011fu bilinmektedir.)<\/p>\n


\nKafkas seccade ke\u00e7e motifi (Uzunyayla’ dan) Kabardey ke\u00e7e motifleri
\nKayseri – P\u0131narba\u015f\u0131 Dikilita\u015f k\u00f6y\u00fcnden<\/p>\n


\nKafkas ke\u00e7e motiflerinden
\n(G\u00f6ksun y\u00f6resi \u00c7e\u00e7en motifi (\u00fcstte), Uzunyayla y\u00f6resi Kabardey motifi (altta)<\/p>\n


\nKafkas ah\u015fap oyma motifleri:
\n\u00c7ardak’tan \u00c7e\u00e7en bustumlar\u0131 – camii ve minber balkonundan)<\/p>\n


\n\u00c7e\u00e7en ke\u00e7e motifleri (\u00c7ardak buca\u011f\u0131ndan)<\/p>\n


\n\u00c7e\u00e7en bustumlari (ah\u015fap oyma ve ke\u00e7e motifi)
\nG\u00fcc\u00fcksu k\u00f6y\u00fcnden<\/p>\n


\nKafkas ke\u00e7e motifi
\nG\u00f6ksun y\u00f6resi G\u00fcc\u00fcksu k\u00f6y\u00fcnden<\/p>\n

<\/p>\n


\n\u00c7e\u00e7en Bustumlar\u0131 ah\u015fap oyma ve ke\u00e7e motifleri (\u00c7ardak Buca\u011f\u0131ndan)<\/p>\n


\nKafkas yast\u0131k k\u0131l\u0131f\u0131 i\u015fleme motifi
\nG\u00f6ksun, Ortatepe k\u00f6y\u00fc (Ma’arul – Avar)<\/p>\n","protected":false},"excerpt":{"rendered":"

Doç. Dr. Erol Yıldır Bir toplum anavatanından sürülerek başka coğrafyalarda yaşamak zorunda bırakıldığında şüphesiz ki bir çok maddi ve manevi değerlerini de kaybetmek zorunda kalır. İnsanlığın binlerce yıllık geçmişinde yüzlerce halk bu tür yıkımlarla karşılaşmıştır. Kuzey Kafkas toplumu bu yıkıma uğrayan ne ilk ne de son toplumdur. Eğer bir toplum geçmişinin kültürel bütün maddi değerlerini 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