![\"\"](\"http:\/\/www.circassiancenter.com\/tr\/wp-content\/uploads\/2019\/03\/DIASPORADAKI-KULTUR-SANAT-ETKINLIKLERI-b.png\")
<\/p>\n<\/p>\n
Ahmet \u00d6zel<\/strong><\/p>\n Genellikle her y\u0131l 21 May\u0131s \u00f6ncesinde Kafkas k\u00fclt\u00fcr dernekleri ve vak\u0131flar\u0131nda k\u00fclt\u00fcr ve sanat etkinliklerinde bir yo\u011funla\u015fma ya\u015fan\u0131r. Bu y\u0131l da ge\u00e7en y\u0131llardan farkl\u0131 de\u011fil. Yurti\u00e7i, yurtd\u0131\u015f\u0131 resim sergileri, paneller, konferanslar ve anma etkinlikleri ile Kafkas toplumunun ya\u015fad\u0131\u011f\u0131 ac\u0131 olaylar unutturulmamas\u0131 ve buna dayal\u0131 bilincin tazelenmesi ama\u00e7lan\u0131r.<\/p>\n Diasporadaki Kafkas toplumlar\u0131n\u0131n k\u00fclt\u00fcr olu\u015fumlar\u0131n\u0131n kayna\u011f\u0131 tek ba\u015f\u0131na Kafkasya merkezli de\u011fil art\u0131k. Zorunlu g\u00f6\u00e7\u00fcn \u00fczerinden ge\u00e7en 143 y\u0131ldan sonra T\u00fcrkiye, Suriye, \u00dcrd\u00fcn gibi bir\u00e7ok \u00fclkede bir Kafkasl\u0131 gibi kalmaya \u00e7al\u0131\u015fan toplum do\u011fald\u0131r ki \u00fc\u00e7 ku\u015fa\u011f\u0131n ge\u00e7ti\u011fi topra\u011f\u0131n da etkilerini \u00fczerinde ta\u015f\u0131maya ba\u015fl\u0131yor. Kafkasyal\u0131 teriminden \u00e7ok Kafkasl\u0131 tan\u0131mlamas\u0131 belki daha do\u011fru bir tan\u0131mlama. T\u00fcrkiye\u2019de ya\u015fayan Kafkasl\u0131lar aras\u0131nda dillerini konu\u015fanlar bile art\u0131k bir T\u00fcrkiyeli gibi d\u00fc\u015f\u00fcn\u00fcyor. Bunu tek ba\u015f\u0131na asimilasyon s\u00fcreci ile tan\u0131mlamak yeterli de\u011fil. Bu de\u011fi\u015fim topra\u011f\u0131n, \u00a0\u00fczerinde ya\u015fayan insan\u0131 i\u015flemesiyle ilgili b\u00fcy\u00fck \u00f6l\u00e7\u00fcde. Hakim k\u00fclt\u00fcr ve onun siyasal erkinin bask\u0131lar\u0131 da bir araya geldi\u011finde \u00e7ok kimliklilik bar\u0131nd\u0131ran bir ki\u015filik kar\u015f\u0131m\u0131za \u00e7\u0131k\u0131yor. \u00a0Bu, toplum olarak ya\u015fanan siyas\u0131 bask\u0131lar\u0131n ku\u015faklar \u00fczerinde yaratt\u0131\u011f\u0131 etkilerle birlikte,\u00a0 anavatandan farkl\u0131 bir co\u011frafyaya her y\u00f6n\u00fcyle uyum \u00e7abalar\u0131yla a\u00e7\u0131klanabilir.<\/p>\n Diasporada olu\u015fan insan formu, anavatanda ya\u015fayan insan formundan olduk\u00e7a farkl\u0131la\u015ft\u0131. \u00a0Diaspora insan\u0131n i\u00e7inde, anavatanda ya\u015fayan karde\u015fi aras\u0131nda farkl\u0131 duyumlar, hayata farkl\u0131 bak\u0131\u015flar geli\u015fti ve i\u00e7inde ku\u015faklar boyu dinmeyen karma\u015falar var.<\/p>\n Konu\u015fmas\u0131nda, y\u00fcr\u00fcy\u00fc\u015f\u00fcnde, insan ili\u015fkilerinde, \u015fark\u0131s\u0131nda ve ya\u015famdaki t\u00fcm var olma u\u011fra\u015f\u0131s\u0131nda bu farkl\u0131l\u0131klar ve karma\u015falar izlenebilir. Bu farkl\u0131l\u0131\u011fa kar\u015f\u0131n<\/p>\n Kafkasya\u2019ya d\u00f6n\u00fck y\u00fcz\u00fcm\u00fcz anavatanla kucakla\u015fmada bize bir referans olabilir \u015f\u00fcphesiz. Ancak bu referans Kafkasya\u2019da ya\u015fayan insanlar\u0131m\u0131zla sorunsuz bir payla\u015f\u0131m ve kucakla\u015fma anlam\u0131na gelmiyor. O nedenle de bu kucakla\u015fmaya kendilerini haz\u0131rlayan insanlar\u0131m\u0131z aras\u0131nda bu farkl\u0131la\u015fmadan \u00a0kaynaklanan bir\u00e7ok sorun ya\u015fand\u0131 ve ya\u015fan\u0131yor. Kafkasya\u2019da, anavatanda ya\u015fayan insanlar\u0131m\u0131z ilk dalga d\u00f6n\u00fc\u015f\u00e7\u00fcler geldi\u011finde bunun bir \u00e7\u0131\u011f gibi artaca\u011f\u0131n\u0131 d\u00fc\u015f\u00fcnd\u00fcler. Gidenlerde hayal ettikleri cennete geldiklerini d\u00fc\u015f\u00fcnd\u00fcler \u00f6nceleri. Ya\u015fanan ancak ifade edilmeyen davran\u0131\u015f ve \u00fcslup farkl\u0131l\u0131klar\u0131 k\u0131sa zamanda ortaya \u00e7\u0131kt\u0131 ve bu durum iki taraf i\u00e7in de gizli hayal k\u0131r\u0131kl\u0131\u011f\u0131na d\u00f6n\u00fc\u015ft\u00fc. Hararetli kar\u015f\u0131lamalar yerini temkinli bir s\u00fcrece b\u0131rakt\u0131.<\/p>\n D\u00f6n\u00fc\u015f ve onun sorunlar\u0131na bir \u00e7ok pencereden bak\u0131labilir \u015f\u00fcphesiz. Objektif de\u011ferlendirmeler yapt\u0131\u011f\u0131m\u0131zda yeniden masif bir topluma d\u00f6n\u00fc\u015febilmek i\u00e7in belki en az iki ku\u015fa\u011fa ihtiyac\u0131m\u0131z var. Bizi biz yapacak ortak d\u00fc\u015f\u00fcnce ve akl\u0131n i\u00e7inde u\u00e7u\u015fan ve yakalanamayan bir\u00e7ok farkl\u0131 par\u00e7ac\u0131klar\u0131n oldu\u011fu ger\u00e7e\u011fini kabul etmeliyiz. Anavatan ve diasporan\u0131n ayn\u0131 temelden hareket etmesine kar\u015f\u0131n, art\u0131k farkl\u0131 k\u00fclt\u00fcrler bar\u0131nd\u0131ran iki ayr\u0131 yap\u0131lanma oldu\u011funu bilmeliyiz. Diasporadaki bizler, Kafkasya\u2019ya d\u00f6n\u00fck hasret \u015fark\u0131lar\u0131n\u0131n i\u00e7ine, ya\u015fad\u0131\u011f\u0131m\u0131z toplumun sava\u015f\u0131n\u0131 ve onun kurtulu\u015f m\u00fccadelesi de ilave ettik. Kayseri ve onun istasyonu bizim temel k\u00fclt\u00fcr motiflerimiz oldu. \u00c7anakkale Sava\u015flar\u0131\u2019nda \u015fehit olan Kafkasl\u0131lar art\u0131k yeni ve \u00e7o\u011fald\u0131klar\u0131 topraklar\u0131 i\u00e7in sava\u015ft\u0131lar. Askerleri, generalleri Kafkasya\u2019dan \u00e7ok uzaklarda \u00f6ld\u00fcler. Sanat\u00e7\u0131lar, \u00fczerinde ya\u015fad\u0131klar\u0131 topra\u011f\u0131n ger\u00e7eklerini, kendi ger\u00e7ekleri ile yo\u011furarak eser \u00fcrettiler.<\/p>\n Bug\u00fcnlerde d\u00fczenlenen etkinliklerde bu farkl\u0131l\u0131klar ve aynilikler bir yeni k\u00fclt\u00fcr formu olarak kar\u015f\u0131m\u0131za \u00e7\u0131k\u0131yor. Diaspora ve anavatan k\u00fclt\u00fcr\u00fc aras\u0131nda farkl\u0131l\u0131klar olmas\u0131 \u00e7ok do\u011fal. Bu ger\u00e7e\u011fi anlamak ve zaman i\u00e7inde ya\u015fanan k\u00fclt\u00fcr\u00fcn farkl\u0131l\u0131klar\u0131n\u0131n olu\u015fturaca\u011f\u0131 bile\u015fkeye zaman tan\u0131mak \u00e7ok \u00f6nemli. Ancak bu bak\u0131\u015fla, zamanla ortak d\u00fc\u015f\u00fcnce ve ortak davran\u0131\u015f geli\u015ftirme yetene\u011fi de kazan\u0131labilir. Bu konudaki aceleci tutum ve davran\u0131\u015flardan uzak durmam\u0131z gerekir.<\/p>\n Sanat ve k\u00fclt\u00fcr ki\u015fi ve toplumlar\u0131n zamanda iz b\u0131rakma, kendilerini ifade edebilme \u00a0m\u00fccadelesidir. Bu m\u00fccadelenin tek renkli ve tek sesli olmas\u0131 sanat\u0131n do\u011fas\u0131na ayk\u0131r\u0131d\u0131r. O a\u00e7\u0131dan gerek anavatanda gerekse diasporadaki t\u00fcm etkinlikler \u00f6nemli ve bu etkinliklere destek vermeliyiz.<\/p>\n T\u00fcm yarat\u0131mlar ve de\u011ferler, nerede \u00fcretilmi\u015flerse \u00fcretilsinler y\u00fcz\u00fc Kafkasya\u2019ya d\u00f6n\u00fck oldu\u011fu, ondan ilham ve g\u00fc\u00e7 ald\u0131\u011f\u0131 \u00f6l\u00e7\u00fcde bizim de\u011ferlerimizdir.<\/p>\n","protected":false},"excerpt":{"rendered":" Ahmet Özel Genellikle her yıl 21 Mayıs öncesinde Kafkas kültür dernekleri ve vakıflarında kültür ve sanat etkinliklerinde bir yoğunlaşma yaşanır. Bu yıl da geçen yıllardan farklı değil. Yurtiçi, yurtdışı resim sergileri, paneller, konferanslar ve anma etkinlikleri ile Kafkas toplumunun yaşadığı acı olaylar unutturulmaması ve buna dayalı bilincin tazelenmesi amaçlanır. Diasporadaki Kafkas toplumlarının kültür oluşumlarının kaynağı 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