![\"\"](\"http:\/\/www.circassiancenter.com\/tr\/wp-content\/uploads\/2022\/08\/BIR-SANATCININ-BIR-HEYKELTIRASIN-RUYASI-b.png\")
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CC K\u00fclt\u00fcr Sanat Departman\u0131<\/span><\/strong><\/p>\n Karadeniz’in bu yakas\u0131ndaki \u201cSon Wub\u0131h\u201c an\u0131t\u0131ndan Karadeniz’in \u00f6te yakas\u0131na uzanan \u201c\u0130lk Ad\u0131m Kefken\u201d 21 May\u0131s s\u00fcrg\u00fcn an\u0131t\u0131na!<\/p>\n Gushapsha Arsen, <\/strong>1962 Nal\u00e7ik-Kenje do\u011fumludur.\u00a0 Nal\u00e7ik Sanat Okulunu 9. s\u0131n\u0131fa kadar okumu\u015f, ard\u0131ndan 3 y\u0131l Moskova\u2019da orta sanat okuluna devam etmi\u015ftir. Daha sonra Moskova Devlet \u00dcniversitesi Resim Sanatlar\u0131 Enstit\u00fcs\u00fc, Heykelt\u0131ra\u015fl\u0131k Fak\u00fcltesinde 6 y\u0131l e\u011fitim alm\u0131\u015ft\u0131r.\u00a0 Diploma \u00e7al\u0131\u015fmas\u0131 (tezi) olarak yapm\u0131\u015f oldu\u011fu \u201cSusam\u0131\u015f Adam\u201d eseri,\u00a0 SSCB Sanat Akademisi alt\u0131n madalyas\u0131 ile \u00f6d\u00fcllendirilmi\u015ftir. Alm\u0131\u015f oldu\u011fu bu \u00f6d\u00fcl sayesinde 1991 y\u0131l\u0131nda \u0130talya\u2019da staj yapma olana\u011f\u0131 bulmu\u015ftur.<\/p>\n Gushapsa Arsen \u00e7al\u0131\u015fmalar\u0131na daha sonra Kabardey-Balkar\u2019da devam ederek,\u00a0 hem Cumhuriyet b\u00fcnyesinde hem de RF \u2018nun de\u011fi\u015fik b\u00f6lgelerinde ve ba\u015fkent Moskova\u2019da bir \u00e7ok karma sergiye kat\u0131lm\u0131\u015ft\u0131r. T\u00fcrkiye\u2019de ise Kayseri\u2019de d\u00fczenlenmi\u015f olan Adige Festivali b\u00fcnyesindeki sergiye,\u00a0 Yalova Belediyesinin organize etti\u011fi sanat festivaline\u00a0 ve Makedonya\u2019daki bir sergiye yerinde \u00fcretti\u011fi eserlerle kat\u0131lm\u0131\u015ft\u0131r.<\/p>\n Sanat\u00e7\u0131n\u0131n Nal\u00e7ik\u2019te bulunan baz\u0131 eserleri\u00a0 \u015funlard\u0131r;<\/p>\n Hayat A\u011fac\u0131: Bilinen ad\u0131 ile 21 May\u0131s An\u0131t\u0131<\/strong>, Rus-Kafkas sava\u015flar\u0131nda ya\u015fam\u0131n\u0131 yitiren insanlar\u0131m\u0131z\u0131n an\u0131s\u0131na yap\u0131lm\u0131\u015f olan an\u0131t.<\/p>\n Mihail Lermontov\u2019un an\u0131s\u0131na yap\u0131lm\u0131\u015f olan \u201cLermontov \u201c<\/strong> an\u0131t\u0131.<\/p>\n Gushapsha Arsen, prestroyka (yeniden yap\u0131lanma) d\u00f6neminin ilk zamanlar\u0131nda \u00e7al\u0131\u015fmaya ba\u015flad\u0131\u011f\u0131 i\u00e7in sistem de\u011fi\u015fikli\u011finin aras\u0131nda kald\u0131 ve o d\u00f6nemi \u201csanat\u0131 kimsenin umursamad\u0131\u011f\u0131\u201c bir d\u00f6nem olarak tan\u0131mlamaktad\u0131r.\u00a0 E\u011fitim ald\u0131\u011f\u0131 zamanlardaki bask\u0131n ak\u0131m\u0131n \u201crealizm\u201d<\/strong> oldu\u011funu, heykelt\u0131ra\u015fl\u0131kta ise\u00a0 realizmin insan heykeli anlam\u0131na geldi\u011fini vurgulamaktad\u0131r. Oysa realizm sanat\u00e7\u0131n\u0131n eserlerinde sergilemek istedi\u011fi duygu ve d\u00fc\u015f\u00fcncelerden uzakla\u015fmas\u0131, abstrakt d\u00fc\u015f\u00fcnce ile eser \u00fcretememesi\u00a0 demektir, diyor Arsen.<\/p>\n Ayr\u0131ca belli bir sanat ak\u0131m\u0131na da angaje olmad\u0131\u011f\u0131n\u0131, esere g\u00f6re veya i\u015fe g\u00f6re uygun g\u00f6rd\u00fc\u011f\u00fc ak\u0131mla \u00e7al\u0131\u015fmay\u0131 tercih etti\u011fini \u00f6zellikle vurgulamaktad\u0131r. Ancak etkisi alt\u0131nda kald\u0131\u011f\u0131 \u00a0ve \u00f6nc\u00fc olarak g\u00f6rd\u00fc\u011f\u00fc Tsrym Ruslan gibi de\u011ferli sanat\u00e7\u0131lar\u0131n metodolojileri (re-sept\u00fcalizm serisi gibi) ile de \u00e7al\u0131\u015fm\u0131\u015ft\u0131r.<\/p>\n Sanat\u00e7\u0131 en yak\u0131n zamandaki ki\u015fisel sergisini 2008 y\u0131l\u0131nda Nal\u00e7ik\u2019te a\u00e7m\u0131\u015ft\u0131r. Bu sergide, re-sept\u00fcalizm<\/strong> ak\u0131m\u0131nda olu\u015fturdu\u011fu \u201cHayat A\u011fac\u0131, G\u00fcne\u015f ve Ku\u015f\u201d <\/strong>temalar\u0131n\u0131 seri olarak sunmu\u015ftur. Bu temalar\u0131n her biri bir \u00e7ok materyal ile \u00e7al\u0131\u015f\u0131lm\u0131\u015f. Tema ayn\u0131 olmas\u0131na ra\u011fmen materyal farkl\u0131l\u0131\u011f\u0131 g\u00f6rsel bir \u015f\u00f6lene d\u00f6n\u00fc\u015fm\u00fc\u015ft\u00fcr.<\/p>\n Sanat\u00e7\u0131ya g\u00f6re,\u00a0 eserde kullan\u0131lan her bir materyalin, (metal, cam, ka\u011f\u0131t,\u00a0 beton,\u00a0 has\u0131r gibi) bir dili,\u00a0 bir sesi vard\u0131r ve eser meydana getirilirken bu sese kulak vermek gerekmektedir.\u00a0 Ayr\u0131ca sanat eserleri, insanlar anlar m\u0131! kayg\u0131s\u0131 ile yap\u0131lmamal\u0131d\u0131r. \u0130nsanlar anlam veremedikleri pek \u00e7ok \u015feyi kullanmakta, t\u00fcketmektedirler. Eserime bakan insan, akl\u0131n\u0131 kullanarak \u201cbu ne anlatmak istemi\u015f\u201d diye eserin verdi\u011fi enerji ile kendi d\u00fc\u015f\u00fcncesini b\u00fct\u00fcnle\u015ftirebiliyorsa benim i\u00e7in \u00f6nemli olan odur, diyor sanat\u00e7\u0131.<\/p>\n Gushapsa Arsen\u2019in\u00a0yapmay\u0131 ger\u00e7ekten \u00e7ok istedi\u011fi ve \u00fczerinde \u00f6zveriyle \u00e7al\u0131\u015fmaya haz\u0131r oldu\u011fu iki proje var.<\/p>\n Bunlardan bir tanesi; 1779 <\/strong>y\u0131l\u0131nda Ps\u0131xurey k\u00f6y\u00fc yak\u0131n\u0131nda meydana gelmi\u015f olan ve \u201cKeytugo Tuaje\u201d<\/strong> ad\u0131 verilen kanl\u0131 sava\u015fta,\u00a0 bir gecede,\u00a0 \u00e7o\u011fu zaman\u0131n p\u015f\u0131 ve worklerinden olu\u015fan binlerce insan\u0131m\u0131z katledilmi\u015f ve bundan sonra Kabardey\u2019de ciddi olarak g\u00fc\u00e7 kayb\u0131 ya\u015fanm\u0131\u015ft\u0131r. \u0130\u015fte sanat\u00e7\u0131 bu olay\u0131n an\u0131s\u0131na bir eser yapmak istemektedir (Keytugo Tuaje An\u0131t\u0131).<\/p>\n Ger\u00e7ekle\u015ftirmek istedi\u011fi hatta Arsen\u2019in r\u00fcyas\u0131<\/strong> diyebilece\u011fimiz di\u011fer projesi ise; hem Karadeniz’in bu k\u0131y\u0131s\u0131nda \u201cSon Wubix\u201d<\/strong> temal\u0131 , hem de kar\u015f\u0131 k\u0131y\u0131da yani \u201c\u0130lk ad\u0131m Kefken\u201d<\/strong> 21 May\u0131s s\u00fcrg\u00fcn temal\u0131 birbiriyle anlam b\u00fct\u00fcnl\u00fc\u011f\u00fc olu\u015fturacak projelerdir. Bu projelerin maketlerini kamuoyu olu\u015fmas\u0131 d\u00fc\u015f\u00fcncesi ile sunmaktay\u0131z. Asl\u0131nda bu konuyu daha \u00f6nce sanat\u00e7\u0131 Ahmet \u00d6zel g\u00fcndeme getirmi\u015f ve bildi\u011fimiz kadar\u0131yla baz\u0131 giri\u015fimlerde de bulunmu\u015ftur. Umar\u0131z en k\u0131sa zamanda bu giri\u015fimler sonu\u00e7 verir ve Arsen\u2019in r\u00fcyas\u0131 da hepimiz i\u00e7in ger\u00e7ekle\u015fmi\u015f olsun.<\/p>\n (\u0130lgilenenler i\u00e7in sanat\u00e7\u0131n\u0131n web site adresi\u00a0 www. arsengu. com<\/a>, e- mail adresi\u00a0 gu. ars@mail. ru<\/a>)<\/p>\n De\u011ferli Sanat\u00e7\u0131m\u0131z\u0131n Yap\u0131tlar\u0131: https:\/\/www.saatchiart.com\/account\/artworks\/1332239<\/p>\n CC Kültür Sanat Departmanı Karadeniz’in bu yakasındaki “Son Wubıh“ anıtından Karadeniz’in öte yakasına uzanan “İlk Adım Kefken” 21 Mayıs sürgün anıtına! Gushapsha Arsen, 1962 Nalçik-Kenje doğumludur. Nalçik Sanat Okulunu 9. sınıfa kadar okumuş, ardından 3 yıl Moskova’da orta sanat okuluna devam etmiştir. Daha sonra Moskova Devlet Üniversitesi Resim Sanatları Enstitüsü, Heykeltıraşlık Fakültesinde 6 yıl eğitim 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<\/p>\n![\"\"](\"https:\/\/sk-news.ru\/upload\/iblock\/76a\/2011200809090008_2.jpg\")
<\/p>\n![\"Arsen](\"https:\/\/images.saatchiart.com\/saatchi\/1332239\/art\/7221139\/6290365-HSC00001-6.jpg\")
<\/p>\n![\"\u0418\u0441\u043a\u0440\u0435\u043d\u043d\u043e\u0441\u0442\u044c](\"https:\/\/i.ytimg.com\/vi\/jMBbyWbwVGk\/hqdefault.jpg\")
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