![\"\"](\"https:\/\/www.circassiancenter.com\/tr\/wp-content\/uploads\/2019\/03\/TIGUJ-MAHMUTUN-GORDUKLERI-PARMAKLARINDAN-DOKULUYORDU-b.png\")
<\/p>\n<\/p>\n
MAMIRIKO Nuriyet<\/strong> TI\u011eUJ Mahmut, Adige k\u00fclt\u00fcr\u00fcn\u00fc derleyip elinden geldi\u011fi oranda da ona bir \u015feyler katmak nasip olmu\u015f insanlar\u0131m\u0131zdan. Tehutem\u0131kuaye k\u00f6y\u00fcnde 1938 y\u0131l\u0131nda do\u011fdu. \u00c7ok iyi bir ressamd\u0131, t\u00fcm ya\u015fam\u0131 sanatla ilintiliydi.<\/strong><\/p>\n Adige Cumhuriyeti (AC) Onursal Ressam\u0131, grafiker, ya\u011fl\u0131 boya resim sanat\u00e7\u0131s\u0131 TI\u011eUJ Mahmut’un 2013 y\u0131l\u0131 75. do\u011fum y\u0131ld\u00f6n\u00fcm\u00fc. Ulusal sanat\u0131m\u0131z\u0131 \u00e7ok say\u0131da yapt\u0131\u011f\u0131 resimleri ile zenginle\u015ftiren b\u00fcy\u00fclten, Adige ya\u015fant\u0131s\u0131n\u0131 daima g\u00f6zlemleyen, g\u00f6zeten k\u00fclt\u00fcr insan\u0131n\u0131n ad\u0131n\u0131 anmam\u0131z \u00fczerimize d\u00fc\u015fen bir g\u00f6rev.<\/strong><\/p>\n Benim bak\u0131\u015f a\u00e7\u0131ma, yapt\u0131\u011f\u0131m de\u011ferlendirmeye g\u00f6re; TI\u011eUJ Mahmut kendi i\u015fi-uzmanl\u0131\u011f\u0131 \u00fczerinde yo\u011funla\u015fan, a\u011f\u0131rba\u015fl\u0131, ayd\u0131n, ba\u015flad\u0131\u011f\u0131 i\u015fi nihayetine ula\u015ft\u0131rmay\u0131 adet edinmi\u015f, kendisinden uzak olan \u015feylerden ayr\u0131 durmay\u0131 huy edinmi\u015f birisi. Ulusunu, onun tarihini, \u00f6yk\u00fcs\u00fcn\u00fc, do\u011fas\u0131n\u0131, \u00f6nder ki\u015filerini, e\u011fitimlilerini, ayd\u0131nlar\u0131n\u0131, yorulmak bilmeyen emek\u00e7ilerini sevdi\u011fine \u015f\u00fcphe yok. \u0130\u015fte bunlar, \u00e7ok erken, gencecik ya\u015f\u0131nda eline kalemi f\u0131r\u00e7ay\u0131 al\u0131p resim yapmas\u0131na vesile olan \u015feylerdi. Yarat\u0131l\u0131\u015ftan olmayan baz\u0131 \u015feyleri sonradan edinmenin m\u00fcmk\u00fcn olmad\u0131\u011f\u0131 durumlarda var, Mahmut\u2019ta da yarat\u0131l\u0131\u015ftan gelen bir yetenek, g\u00f6zlerinin g\u00f6rd\u00fc\u011f\u00fcn\u00fc parmaklar\u0131 ile, adeta d\u00f6k\u00fcl\u00fcrcesine, o an donmu\u015fcas\u0131na aktarma yetisi vard\u0131. Bu konuda yeteneklerinin a\u00e7\u0131ld\u0131\u011f\u0131 yer ise askere gitti\u011fi d\u00f6nemdi. Herkes kendi i\u00e7inde olan o cevheri bir \u015fekilde askerde daha da test etmiyor mu,\u00a0 kendisi de i\u015fte o d\u00f6nem bir \u015fey s\u00f6ylemeye gerek olmadan kalemini i\u015fletmeye ba\u015flam\u0131\u015ft\u0131. Bu konuda bir e\u011fitimi, okumu\u015flu\u011fu yoksa da o d\u00f6nem bu konuda kendisini test etmeyi becerdi.<\/p>\n Askerli\u011fin ard\u0131ndan Krasnodar \u00d6\u011fretmen Enstit\u00fcs\u00fc Sanat Fak\u00fcltesi\u2019ne girerek buradan mezun oldu. 1969 y\u0131l\u0131ndan itibaren M\u0131yekuape’ye gelerek Adigey ressamlar\u0131 aras\u0131nda \u00e7al\u0131\u015fmaya ba\u015flad\u0131. \u0130lk defa 1977 y\u0131l\u0131nda Moskova’da d\u00fczenlenen \u2018\u2019B\u00fcy\u00fck Ekim\u2019in 60. Y\u0131l\u0131\u2019\u2019 ve \u2018\u2019Her Zaman Haz\u0131r\u2019\u2019 isimli Sovyetler Birli\u011fi genelindeki sanat\u00e7\u0131lar\u0131n kat\u0131ld\u0131\u011f\u0131 sergilere i\u015ftirak etti. Bu etkinlikler neticesinde SSCB Ressamlar Birli\u011fi\u2019ne \u00fcye yap\u0131ld\u0131.<\/p>\n Bu tarihten sonra T\u0131\u011fuj \u00e7ok sevdi\u011fi resim yapmaya b\u0131kmadan devam etti. Pek \u00e7ok resim yapt\u0131. Eserleri kitaplarda, katologlarda ba\u015fka ba\u015fka bas\u0131lm\u0131\u015f eserlerde yay\u0131nland\u0131. Yorulmak bilmeyen ressam\u0131n yetenekleri grafik alan\u0131nda iyice geli\u015fti, ayn\u0131 zamanda, ayn\u0131 \u015fekilde ya\u011fl\u0131boyayada olan yetene\u011fi yapt\u0131\u011f\u0131 nat\u00fcrmort eserlerde a\u00e7\u0131\u011fa \u00e7\u0131kt\u0131.<\/p>\n TI\u011eUJ Mahmut’un grafik eserlerindeki s\u00fcjetler her zaman \u00fclke ve ulusal tarihle ilintili, Nart eposu ve folklorla alakal\u0131yd\u0131. Halbuki ilk gen\u00e7lik d\u00f6nemlerindeki eserleri daha ziyadesi ile ya\u011fl\u0131boyaya y\u00f6nelikti, kendisi de o d\u00f6nemlerde grafi\u011fe olan yetene\u011finin \u00e7ok fark\u0131nda de\u011fildi. Fakat ‘Ustaya karanl\u0131k olmaz’ dedikleri gibi \u00fczerinde \u00e7al\u0131\u015facak olursan, emek sarfedersen pek \u00e7ok konuda ba\u015far\u0131l\u0131 olabilirsin.<\/p>\n T\u0131\u011fuj’\u0131n grafik eserleri ya\u015fam\u0131 ince ayr\u0131nt\u0131s\u0131na kadar g\u00f6zlemledi\u011finin kavrad\u0131\u011f\u0131n belirteci olarak \u00f6n\u00fcm\u00fcze \u00e7\u0131k\u0131yor. Ulusal halk danslar\u0131ndan esinlenerek Zefak’u, Cegu,\u00a0 D\u00fc\u011f\u00fcnde Atyar\u0131\u015f\u0131, K\u00f6yde Sabah, Ad\u0131yif’in \u015eark\u0131s\u0131, \u00c7obanlar ve benzeri eserlerini yapt\u0131. Sanat\u00e7\u0131n\u0131n ilk d\u00f6nem eserleri ard\u0131ndan \u00e7izdi\u011fi \u2018\u2019Ufak \u00c7ocuk Oyunlar\u0131\u2019\u2019 serisindeki yap\u0131tlar\u0131 ile daha\u00a0 \u00e7ok \u00f6nem-de\u011fer verilen eserleri ortaya \u00e7\u0131kt\u0131.\u00a0 Y\u00fcre\u011finde hissettiklerini kalemi ilede g\u00f6sterebilmenin kolayl\u0131klar\u0131n\u0131 elde etti\u011fi ‘\u043d\u044d\u0448\u044a\u0443\u0443\u043fI\u044b\u0446I’, ‘\u041f\u044dI\u043e\u043aI\u0430\u0434\u0437’, ‘\u0428\u044b\u0443\u0434\u0436\u044d\u0433\u0443’ adl\u0131 say\u0131s\u0131 onu ge\u00e7en ayn\u0131 temaya sahip eserinde g\u00f6steriyor.<\/p>\n 1980-90’l\u0131 y\u0131llar Mahmut\u2019un en bereketli, en \u00e7ok eseri ortaya koydu\u011fu y\u0131llard\u0131. Sonbahar, harman, \u00fcr\u00fcnlerin hasad\u0131 gibi \u015feyleri resmediyordu.<\/p>\n Ressam\u0131n\u00a0 \u00fczerinde en \u00e7ok u\u011fra\u015f verdi\u011fi resim serisi ise be\u015f b\u00fcy\u00fck tablodan olu\u015fan ‘1941- 1945 zorlu y\u0131llar’ isimli eserlerdir.<\/p>\n Mahmut\u2019un b\u00fct\u00fcn resimlerinde, eserlerinin her birinde ustan\u0131n ustal\u0131\u011f\u0131, i\u00e7 d\u00fcnyas\u0131nda olan bitenleri, ya\u015fam\u0131n her zaman i\u00e7inde oldu\u011funu, onunla uyumlu yap\u0131tlar ortaya koydu\u011funu g\u00f6zlemliyoruz.<\/p>\n Mahmut\u2019un \u0414\u0436\u044d\u0433\u0443 \u041c\u044d\u043a\u044a\u0430\u043c\u044d\u0445\u044d\u0440 ad\u0131n\u0131 verdi\u011fi tablo serisinde yer alan \u0414\u0436\u044d\u0433\u0443\u0430\u043aI\u043e\u0445\u044d\u0440, \u041d\u044b\u0431\u0436\u044c\u044b\u043aI\u044d\u0445\u044d\u043c \u0430\u043f\u0430\u0435 \u0445\u044a\u043e\u0445\u044a\u0443, \u041d\u044b\u0441\u044d\u0438\u0449, \u0414\u0436\u044d\u0433\u0443 \u043a\u044a\u0430\u0448\u044a\u0443, \u041d\u0430\u0445\u044c\u044b\u0436\u044a\u0445\u044d\u0440 isimli tablolar\u0131nda ulusuna ait gelenek-g\u00f6renekleri tablola\u015ft\u0131rd\u0131.<\/p>\n TI\u011eUJ Mahmut bunlar\u0131n yan\u0131s\u0131ra ulusumuzn yeti\u015ftirdi\u011fi, ayd\u0131n, ileri g\u00f6r\u00fc\u015fl\u00fc, tan\u0131nm\u0131\u015f, e\u011fitimli, ak\u0131ll\u0131 insanlar\u0131m\u0131zn baz\u0131lar\u0131n\u0131n portrelerinide yapt\u0131. Bunlar aras\u0131nda ulusal a\u015f\u0131\u011f\u0131m\u0131z-ozan\u0131m\u0131z TEV\u00c7OJ Ts\u0131\u011fo, \u00fcnl\u00fc tarih\u00e7imiz NEGUME \u015eore, ilk b\u00fcy\u00fck devrimcimiz HAHURATE \u015e., Sovyet sisteminin kurulu\u015funda b\u00fcy\u00fck m\u00fccadeleler veren \u015eOVCEN Mos ve e\u015fi Go\u015fevunay, \u00fcnl\u00fc ulusal yazar\u0131m\u0131z \u00c7ERA\u015eE Tembot yer al\u0131yor.<\/p>\n Mahmut’un nat\u00fcrmort eserleride ayr\u0131ca ilgi \u00e7ekiciler. Onlar sadece \u00f6ylesine resimler de\u011filler, eserlerinde g\u00f6rd\u00fc\u011f\u00fcn\u00fcz her bir nesnenin adeta canl\u0131 imi\u015f gibi sizde izlenim b\u0131rakt\u0131\u011f\u0131 sanat\u00e7\u0131n\u0131n yetene\u011finin kan\u0131tland\u0131\u011f\u0131 yap\u0131tlar. Kuru \u00c7i\u00e7ekler, At\u00f6lyede, G\u00fc\u011f\u00fcmler gibi eserleri insan\u0131n adeta y\u00fcre\u011finde yer ediyor, g\u00f6nl\u00fcne dokunuyormu\u015f hissini veriyor.<\/p>\n T\u0131\u011fuj’un b\u00fcy\u00fck bir grafik sanat\u00e7\u0131s\u0131 oldu\u011funu g\u00f6zlemlemek i\u00e7in Nart Eposu\u2019nu konu edinen ‘Tlep\u015f’\u0131n Demirhanesi’, ‘Savs\u0131r\u0131ko ile Setenay’in Bulu\u015fmas\u0131’, ‘Anlat\u0131c\u0131’ adl\u0131 eserlerine g\u00f6z atmak yeterli.<\/p>\n ‘M\u0131yekuape Manzaralar\u0131’ isimli tablo serisinde ise ba\u015fkentimizi bir daha g\u00f6zler \u00f6n\u00fcne sermenin yan\u0131s\u0131ra onun de\u011ferini artt\u0131r\u0131c\u0131 niteliklerde ayn\u0131 zamanda sanat\u00e7\u0131n\u0131n ne kadar derin bir g\u00f6zlem yetene\u011fine sahip oldu\u011funu ve bu g\u00f6zlemlerini ola\u011fan\u00fcst\u00fc derinlikte i\u015fledi\u011finin kan\u0131t\u0131.<\/p>\n TI\u011eUJ Mahmut onlarca y\u0131l boyunca \u00e7ok say\u0131da eser ortaya koydu.\u00a0 Grafik tarz\u0131nda yapt\u0131\u011f\u0131 eserleri kadar ya\u011fl\u0131boya yap\u0131tlar\u0131da \u00e7ok say\u0131da. Bunlar daha ziyadesi ile do\u011fan\u0131n, tabiat\u0131n i\u00e7inde yapt\u0131\u011f\u0131 eserleri, y\u00fcre\u011finden \u015fu koca d\u00fcnyaya olan dostlu\u011fu, da\u011f, tepe, nehir, ovas\u0131 ile kurdu\u011fu yak\u0131nl\u0131\u011f\u0131, canl\u0131 ya\u015fayan d\u00fcnyay\u0131 eksiksiz bir \u015fekilde adeta donmu\u015fcas\u0131na tablolar\u0131na aktar\u0131\u015f\u0131 ona olan sevgisinin d\u0131\u015favurumuydu. T\u00fcm bunlar sanat\u00e7\u0131n\u0131n sanatsal g\u00fcc\u00fcn\u00fcnde belirteci, \u00f6rnekleriydi.<\/p>\n TI\u011eUJ Mahmut ya\u015fad\u0131\u011f\u0131 d\u00f6nem boyunca eserlerini defalarca sergiledi. 1971- 1983 y\u0131llar\u0131 aras\u0131nda defalarca otonom b\u00f6lge, Krasnodar eyaletinde d\u00fczenlenen yar\u0131\u015fmalara kat\u0131ld\u0131 dereceler ald\u0131.<\/p>\n ‘Adigey’in Grafi\u011fi’ isimli sergisi Leningrad, Orconikidze, Krasnodar gibi kentlerde defalarca sergilendi.<\/p>\n Sovyetlerin G\u00fcneyi\u00a0 Sanatsal Sergisi\u2019nde, Moskova\u2019da d\u00fczenlenen B\u00fcy\u00fck Zaferin 60. y\u0131l\u0131,\u00a0 Rusya \u0130kinci Estamp Sergisi gibi sergilerde eserleri g\u00f6sterime sunuldu.<\/p>\n Adige Cumhuriyeti Onursal Ressam\u0131 TI\u011eUJ Mahmut\u00a0 ulusal sanat\u0131m\u0131zda yeni bir yol a\u00e7t\u0131 ard\u0131ndan silinmeyecek derin izler b\u0131rakt\u0131. E\u011fer ya\u015f\u0131yor olsayd\u0131 bu y\u0131l 75 ya\u015f\u0131na girecekti. Mahmut\u2019un t\u00fcm eserlerinde s\u0131n\u0131rs\u0131z bir \u015fekilde ya\u015fam\u0131, insanlar\u0131 sevdi\u011fini g\u00f6r\u00fcyor bunlar\u0131da hem \u00f6z olarak hem betimleme olarak dolgun ve zengin bir \u015fekilde\u00a0 yap\u0131tlar\u0131na i\u015fledi\u011fine \u015fahitlik ediyoruz.<\/p>\n","protected":false},"excerpt":{"rendered":" MAMIRIKO Nuriyet Adige Mak Gazetesi, Temmuz 2012 Çeviri: AÇUMIJ Hilmi TIĞUJ Mahmut, Adige kültürünü derleyip elinden geldiği oranda da ona bir şeyler katmak nasip olmuş insanlarımızdan. Tehutemıkuaye köyünde 1938 yılında doğdu. Çok iyi bir ressamdı, tüm yaşamı sanatla ilintiliydi. Adige Cumhuriyeti (AC) Onursal Ressamı, grafiker, yağlı boya resim sanatçısı TIĞUJ Mahmut’un 2013 yılı 75. doğum 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\n<\/span> Adige Mak Gazetesi, <\/span>Temmuz 2012<\/span>
\n\u00c7eviri: A\u00c7UMIJ Hilmi<\/p>\n