![\"\"](\"http:\/\/circassiancenter.com\/tr\/wp-content\/uploads\/2019\/03\/BIR-OLAY-BIR-PORTRE-cerkes-ozdenleri-b.jpg\")
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HA<\/span>\u011eUR Ahmet Mithat Her y\u0131l Mart ay\u0131n\u0131n 27’si D\u00fcnya Tiyatrolar G\u00fcn\u00fc olarak kutlan\u0131r. Bu tarih bize II.Me\u015frutiyet d\u00f6neminde Gedikpa\u015fa Tiyatrosu\u2019nun \u00c7erkes \u00d6zdenleri adl\u0131 oyun y\u00fcz\u00fcnden belediye zab\u0131talar\u0131 taraf\u0131ndan yak\u0131lmas\u0131n\u0131 an\u0131msatt\u0131.<\/p>\n \u00c7erkes \u00d6zdenleri, Ahmet Mithat HA\u011eUR’un \u00fc\u00e7 perdelik dram\u0131. \u00c7erkes ya\u015fay\u0131\u015f\u0131n\u0131, \u00c7erkeslerin soyluluk, onur, yi\u011fitlik gibi de\u011fer yarg\u0131lar\u0131n\u0131 konu edinen bu \u00fc\u00e7 romantik oyun, korkakl\u0131kla su\u00e7lanan Samurka\u015f adl\u0131 bir \u00c7erkes gencinin can\u0131na k\u0131ymas\u0131n\u0131, sevgili Aslang\u00f6z’\u00fcn de bu ac\u0131ya dayanamayarak kendini bir esirciye satt\u0131rmas\u0131n\u0131 anlat\u0131r.<\/p>\n Bu oyun Gedikpa\u015fa Tiyatrosu\u2019nda oynan\u0131rken, \u00c7erkeslerin h\u00fcrriyetlerinin ve ba\u011f\u0131ms\u0131zl\u0131klar\u0131n\u0131n savunmas\u0131 yap\u0131ld\u0131\u011f\u0131 yolunda ihbar edildi.<\/p>\n Saraydan verilen emirle Gedikpa\u015fa Tiyatrosu belediye \u00e7avu\u015flar\u0131nca ku\u015fat\u0131ld\u0131 ve bir gecede bina y\u0131kt\u0131r\u0131ld\u0131 (1884).<\/p>\n \u00c7erkes \u00d6zdenleri’ni yazan Ahmet Mithat HA\u011eUR Kuzey Kafkasyal\u0131 bir yazard\u0131. Yak\u0131n tarihimizin \u00fcnl\u00fc yazarlar\u0131ndan olan Ahmet Mithat, 1843 y\u0131l\u0131nda Kuzey Kafkasya\u2019da Karadeniz\u2019in do\u011fu k\u0131y\u0131s\u0131 Anapa’dan Osmanl\u0131\u2019ya g\u00f6\u00e7 etmi\u015f \u00c7erkeslerin \u015eaps\u0131\u011f boyundan HA\u011eUR ailesinden Hac\u0131 S\u00fcleyman a\u011fan\u0131n o\u011fludur.<\/p>\n 1844 y\u0131l\u0131nda \u0130stanbul\u2019da d\u00fcnyaya gelmi\u015ftir. Ahmet Mithat, Ni\u015f R\u00fc\u015ftiyesi\u2019nde (bug\u00fcnk\u00fc Yugoslavya) okudu. Okulu bitirdikten sonra Rus\u00e7uk \u0130l Okulu kalemi (\u00f6zel kalem) g\u00f6revinde bulundu. Bu y\u0131llarda Cankof adl\u0131 bir Bulgar\u2019dan Frans\u0131zca \u00f6\u011frendi.<\/p>\n Ad\u0131n\u0131 ald\u0131\u011f\u0131 Mithat Pa\u015fa\u2019n\u0131n Ba\u011fdat Valisi olmas\u0131 \u00fczerine, birlikte Ba\u011fdat’a gitti. Orada ile ba\u011fl\u0131 Z\u011fvra adl\u0131 gazetenin yay\u0131m\u0131n\u0131 s\u00fcrd\u00fcr\u00fcrken ilk yap\u0131tlar\u0131 olan Hace-i Evvel ile K\u0131ssadan Hisse’yi \u00e7\u0131kard\u0131 (1870). A\u011fabeyinin \u00f6l\u00fcm\u00fc \u00fczerine \u0130stanbul\u2019a d\u00f6nerek evinde k\u00fc\u00e7\u00fck bir bas\u0131mevi kurup gazetecili\u011fe ba\u015flad\u0131.<\/p>\n Daha sonra, s\u0131ras\u0131yla 1871’de Cerid-i Askeriyye’ye ba\u015fyazar oldu, 24 Nisan 1871 Basiret gazatesinde yaz\u0131lar\u0131 yay\u0131mlanmaya ba\u015flad\u0131. Devir ve Bedir (1872) adl\u0131 gazeteleri \u00e7\u0131kartt\u0131. Gazeteler kapat\u0131l\u0131nca Da\u011farc\u0131k (1872) ve K\u0131rkamar (1873) dergilerini kurdu. Bu dergilerde \u00e7\u0131kan bir yaz\u0131s\u0131 nedeni ile Nam\u0131k Kemal ve Eb\u00fczziya ile birlikte Rodos’a s\u00fcr\u00fcld\u00fc (1873).<\/p>\n Abd\u00fclhamit d\u00f6neminde \u0130ttihat dergisini ve gazeteilik tarihinde \u00f6nemli bir yeri olan Terc\u00fcman-\u0131 Hakikat’\u0131 kurdu.<\/p>\n Ahmet Mithat ayn\u0131 zamanda tiyatro yazar\u0131d\u0131r. \u00c7evirdi\u011fi ve yazd\u0131\u011f\u0131 oyunlar\u0131n \u00e7o\u011fu Gedikpa\u015fa Tiyatrosu\u2019nda oynanm\u0131\u015ft\u0131r.\u00a0 Eyvah (1872), A\u00e7\u0131k Ba\u015f (1873), Ahz-\u0131 Sar (1875), H\u00fckmi Dil (1885), \u00c7engi (1885), \u00c7erkes \u00d6zdenleri (1885), Siyavu\u015f (1885) oyunlar\u0131ndan baz\u0131lar\u0131d\u0131r.<\/p>\n Ahmet Mithat’\u0131n Kafkasyal\u0131lar hakk\u0131ndaki Kafkas Roman\u0131 ve \u00c7erkes \u00d6zdenleri adl\u0131 yap\u0131tlar\u0131 Fasulyac\u0131yan \u0130daresi\u2019nde oynanm\u0131\u015ft\u0131. Bu yap\u0131tlar “\u00c7erkesler h\u00fcrriyetlerini kazanma\u011fa \u00e7al\u0131\u015f\u0131yorlar” \u015feklinde yorumlanm\u0131\u015f ve Gedikpa\u015fa Tiyatrosu bir gecede yerle bir edilmi\u015fti.<\/p>\n Olayl\u0131 oyunun akt\u00f6rlerinden Fehmi bey \u015f\u00f6yle anlat\u0131yordu daha sonra: “…bu k\u00fc\u00e7\u00fck sanat yuvas\u0131nda ge\u00e7ecek olaylar\u0131 bekliyorduk. Nihayet i\u015fittikki sultan Abd\u00fclhamit bir vehmi (yersiz korkusu) y\u00fcz\u00fcnden tiyatroyu yerle bir ettirmi\u015ftir….Ah oras\u0131n\u0131 y\u0131kan hay\u0131rs\u0131z eller…Bilmiyorla ki y\u0131kt\u0131klar\u0131 T\u00fcrk Tiyatrosunun ilk mescididir”<\/p>\n Tiyatromuzun bir daha b\u00f6yle karanl\u0131k g\u00fcnler ya\u015famams\u0131 dile\u011fi ile Ahmet Mithat HA\u011eUR’u sayg\u0131 ve rahmetle an\u0131yoruz.<\/p>\n","protected":false},"excerpt":{"rendered":" HAĞUR Ahmet Mithat Kafdağı Dergisi, Nisan 1987 Her yıl Mart ayının 27’si Dünya Tiyatrolar Günü olarak kutlanır. Bu tarih bize II.Meşrutiyet döneminde Gedikpaşa Tiyatrosu’nun Çerkes Özdenleri adlı oyun yüzünden belediye zabıtaları tarafından yakılmasını anımsattı. Çerkes Özdenleri, Ahmet Mithat HAĞUR’un üç perdelik dramı. Çerkes yaşayışını, Çerkeslerin soyluluk, onur, yiğitlik gibi değer yargılarını konu edinen bu üç 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\n<\/span><\/strong>Kafda\u011f\u0131 Dergisi, Nisan 1987<\/span><\/span><\/p>\n