{"id":5893,"date":"2020-03-05T14:15:04","date_gmt":"2020-03-05T20:15:04","guid":{"rendered":"http:\/\/circassiancenter.com\/tr\/?p=5893"},"modified":"2021-07-14T16:39:28","modified_gmt":"2021-07-14T21:39:28","slug":"adige-tiyatrosu","status":"publish","type":"post","link":"https:\/\/www.circassiancenter.com\/tr\/adige-tiyatrosu\/","title":{"rendered":"AD\u0130GE T\u0130YATROSU"},"content":{"rendered":"<p><img fetchpriority=\"high\" decoding=\"async\" class=\"alignnone size-full wp-image-15374\" src=\"http:\/\/circassiancenter.com\/tr\/wp-content\/uploads\/2019\/03\/ADiGE-TiYATROSU-b.jpg\" alt=\"\" width=\"541\" height=\"304\" srcset=\"https:\/\/www.circassiancenter.com\/tr\/wp-content\/uploads\/2019\/03\/ADiGE-TiYATROSU-b.jpg 541w, https:\/\/www.circassiancenter.com\/tr\/wp-content\/uploads\/2019\/03\/ADiGE-TiYATROSU-b-300x169.jpg 300w\" sizes=\"(max-width: 541px) 100vw, 541px\" \/><\/p>\n<p><span style=\"font-family: Arial;\"> <span lang=\"EN-AU\"><strong>P. J. \u015eevlokue<\/strong><br \/>\nKafda\u011f\u0131 Dergisi Nisan 1987<\/span><\/span><br \/>\n\u00c7ev: Erg\u00fcn Y\u0131ld\u0131z<\/p>\n<p>Tiyatro, dans, m\u00fczikal.<\/p>\n<p>Adigeler \u00e7ok uzun y\u0131llar yukar\u0131da sayd\u0131\u011f\u0131m\u0131z bu alanlarda ba\u015fka halklar\u0131n, uluslar\u0131n yazarlar\u0131na, artistlerine ve m\u00fczisyenlerine \u00f6zenerek ya\u015fayagelmi\u015flerdir.<\/p>\n<p>Oysa bu g\u00fcn 50 y\u0131l\u0131 a\u015fk\u0131n bir zamand\u0131r \u00e7al\u0131\u015fmalarda bulunan Kaberdey-Balkar dram tiyatrosu \u00f6v\u00fcn\u00e7 kaynaklar\u0131m\u0131zdan bir tanesidir. Adigelerin kendi operalar\u0131, baletleri, artistleri, Kabardinka gibi Nalmes gibi d\u00fcnyaca bilinen dans guruplar\u0131m\u0131z var bu g\u00fcn.<\/p>\n<p>Bunun yan\u0131s\u0131ra Kafkasya genelinde ve Rusya i\u00e7inde bilinen Terekli K\u0131zlar, Nartlar Meclisi, \u015eecem&#8217;i A\u015fanlar, Antla\u015fma, Mutluluk ve daha \u015fu an sayamad\u0131\u011f\u0131m irili ufakl\u0131 pek \u00e7ok opera, dans, tiyatro ve \u00e7e\u015fitli g\u00f6steri gruplar\u0131m\u0131z vard\u0131r.<\/p>\n<p>Ayr\u0131ca Baksan\u2019da bulunan Halk Tiyatrosu\u2019da Kaberdey\u2019de ve kom\u015fu halklarda bilinen sevilen bir amat\u00f6r tiyatro organizasyonudur. \u00d6zellikle Adige, Asetin ve Da\u011f\u0131stan yazarlar\u0131n\u0131n oyunlar\u0131n\u0131 sahneye koyan ve y\u00f6resel bir nitelik ta\u015f\u0131yan bu gurup s\u00fcrekli t\u00fcm Rusya genelinde yap\u0131lan g\u00f6sterilerde sahneledikleri oyunlarla pek \u00e7ok kez birincilik \u00f6d\u00fclleri kazanm\u0131\u015ft\u0131r.<\/p>\n<p>Bu sayd\u0131\u011f\u0131m\u0131z guruplar aras\u0131nda profesyonel tiyatro niteli\u011fi ta\u015f\u0131yanlar daha \u00e7ok yabanc\u0131 yazarlar ve klasikler konusunda yo\u011funla\u015fmaktad\u0131rlar.<\/p>\n<p>Kaberdey Dram Tiyatrosu\u2019da bu konuda \u00f6d\u00fcller kazanm\u0131\u015f bir ba\u015fka gurubumuzdur.<\/p>\n<p>Ancak benim unutamad\u0131\u011f\u0131m olaylardan bir tanesi Baksan Halk Tiyatrosu\u2019nun profesyonel tiyatrolarla boy \u00f6l\u00e7\u00fc\u015febilecek bir ba\u015far\u0131 ile Moliere&#8217;in oyunlar\u0131n\u0131 sahneleme ba\u015far\u0131s\u0131n\u0131 g\u00f6stermesiydi. Pek \u00e7ok kimsenin ve hatta kendilerinin de ummad\u0131\u011f\u0131 bir ba\u015far\u0131 ile ilk oyunlar\u0131n\u0131 sahnelediklerinde rejis\u00f6r Beykald\u0131 Battal&#8217;\u0131n g\u00f6zlerindeki mutluluk bu g\u00fcn gibi akl\u0131mdad\u0131r hala.<\/p>\n<p>Tiyatro guruplar\u0131m\u0131z\u0131n en \u00f6nemli yard\u0131mc\u0131s\u0131 olan Nal\u00e7ik\u2019teki Halk Sanatevi\u2019nden s\u00f6z etmeden ge\u00e7emeyece\u011fim burada.<\/p>\n<p>Tiyatro ve g\u00f6steri guruplar\u0131m\u0131z\u0131n her t\u00fcrl\u00fc dekor, giysi ve sahne d\u00fczeni gibi gereksinmelerinde en b\u00fcy\u00fck destekleyici olarak her oyunda mutlak emek sahibi bir di\u011fer organizasyonumuz da onlard\u0131r ve bu kurumun samimi \u00e7abalar\u0131n\u0131 ve sahne sanatlar\u0131na verdi\u011fi deste\u011fi unutmamak gerekir.<\/p>\n<p>Halk k\u00fclt\u00fcr\u00fcm\u00fcz\u00fcn katetti\u011fi yoldan ve g\u00f6sterdi\u011fi ba\u015far\u0131lardan s\u00f6zedince bu alanda hizmeti ge\u00e7en fedakar insanlar\u0131m\u0131z\u0131n hepsini tek tek an\u0131msamak bir vefa borcudur elbette. D\u0131\u015fek Muhamet, Ueh\u0131ute Abdullah, Khuehu Tsutse, Baht\u0131r \u0130smail gibi yazarlar\u0131; Bahue Betal,Kabarde Musa, \u011euk\u0131e Ai\u015fet, Merem\u0131kue Fatimet gibi artistleri ve elbette burada sayamad\u0131\u011f\u0131m\u0131z bu ki\u015filer gibi onlarca emektar\u0131.<\/p>\n<p>Ancak burada asla k\u0131sada olsa s\u00f6zetmeden ge\u00e7emeyece\u011fimiz bir isim daha var ki, o da Kaberdey Halk Tiyatrosunun kurucular\u0131ndan birisi olan \u015eeriy Azrum\u2019dur.<\/p>\n<p>\u015eeriy Azrum sava\u015fta ge\u00e7en d\u00f6rt y\u0131l\u0131 bir kenara koyarsak gen\u00e7li\u011finden ba\u015flayarak t\u00fcm ya\u015fam\u0131n\u0131 Adige tiyatrosuna vermi\u015f, gen\u00e7 ya\u015fta g\u00f6n\u00fcl verdi\u011fi tiyatro \u00fczerine \u00fcniversite e\u011fitimini Moskova\u2019da tamamlay\u0131p vatan\u0131na d\u00f6nerek 26 A\u011fustos 1940 y\u0131l\u0131nda a\u00e7\u0131lan Kaberdey-Balkar Tiyatrosu\u2019nun kurulu\u015funda \u00f6nemli rol \u00fcstlenmi\u015ftir. 20 y\u0131l\u0131n\u0131 verdi\u011fi tiyatrodan, gen\u00e7 ya\u015fta \u00f6l\u00fcm\u00fc kopartabilmi\u015ftir onu<\/p>\n<p>Bu s\u00fcre i\u00e7erisinde oynad\u0131\u011f\u0131 roller ve tiyatroya verdi\u011fi emek ile Adige tiyatro tarihine ad\u0131n\u0131 yazd\u0131rm\u0131\u015f, Adige tiyatrosunun ayr\u0131lamaz bir par\u00e7as\u0131 durumuna gelmi\u015ftir.<\/p>\n<p>\u015eeriy Azrum ile ba\u015flayan bu d\u00f6nem, J\u0131gun Time, Tok\u0131uy Huseyin, Sibe\u00e7 B\u0131hue gibi genelde t\u00fcm Sovyetlerde tan\u0131nan d\u00fcnya klasiklerinde rahatl\u0131kla rol alan ve \u00f6zelde \u015eorten Askerbiy gibi, Aks\u0131re Zelimhan gibi, Hamzatov gibi yazarlar\u0131n eserlerinden uyarlanan oyunlarla da kendi halk\u0131na y\u00fcz\u00fcn\u00fc d\u00f6nm\u00fc\u015f profesyonel sanat\u00e7\u0131lar\u0131n fedakar \u00e7abalar\u0131 ile bu g\u00fcnlere gelmi\u015ftir.<\/p>\n<p>Bu g\u00fcn Adige tiyatrosu &#8220;k\u00fclt\u00fcr yaratmak&#8221; anlam\u0131nda \u00e7ok k\u0131sa bir zaman say\u0131labilecek bir s\u00fcrede burada k\u0131saca de\u011finme\u011fe \u00e7al\u0131\u015ft\u0131\u011f\u0131m\u0131zdan \u00e7ok daha \u00f6te ve k\u0131van\u00e7 duyabilece\u011fimiz bir yerdedir.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>P. J. &#350;evlokue Kafda&#287;&#305; Dergisi Nisan 1987 &Ccedil;ev: Erg&uuml;n Y&#305;ld&#305;z Tiyatro, dans, m&uuml;zikal. Adigeler &ccedil;ok uzun y&#305;llar yukar&#305;da sayd&#305;&#287;&#305;m&#305;z bu alanlarda ba&#351;ka halklar&#305;n, uluslar&#305;n yazarlar&#305;na, artistlerine ve m&uuml;zisyenlerine &ouml;zenerek ya&#351;ayagelmi&#351;lerdir. Oysa bu g&uuml;n 50 y&#305;l&#305; a&#351;k&#305;n bir zamand&#305;r &ccedil;al&#305;&#351;malarda bulunan Kaberdey-Balkar dram tiyatrosu &ouml;v&uuml;n&ccedil; kaynaklar&#305;m&#305;zdan bir tanesidir. Adigelerin kendi operalar&#305;, baletleri, artistleri, Kabardinka gibi Nalmes [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"0","ocean_second_sidebar":"0","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"0","ocean_custom_header_template":"0","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"0","ocean_menu_typo_font_family":"0","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"0","ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"off","ocean_gallery_id":[],"footnotes":""},"categories":[55],"tags":[],"class_list":["post-5893","post","type-post","status-publish","format-standard","hentry","category-tiyatro","entry"],"_links":{"self":[{"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/posts\/5893","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/comments?post=5893"}],"version-history":[{"count":2,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/posts\/5893\/revisions"}],"predecessor-version":[{"id":15376,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/posts\/5893\/revisions\/15376"}],"wp:attachment":[{"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/media?parent=5893"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/categories?post=5893"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/tags?post=5893"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}