{"id":6033,"date":"2019-03-05T17:37:06","date_gmt":"2019-03-05T17:37:06","guid":{"rendered":"http:\/\/circassiancenter.com\/tr\/?p=6033"},"modified":"2019-03-05T17:37:06","modified_gmt":"2019-03-05T17:37:06","slug":"kafkas-halk-danslarinin-genel-yapisi","status":"publish","type":"post","link":"https:\/\/www.circassiancenter.com\/tr\/kafkas-halk-danslarinin-genel-yapisi\/","title":{"rendered":"KAFKAS HALK DANSLARININ GENEL YAPISI"},"content":{"rendered":"

\"\"<\/p>\n

GHUNEKHO Savs\u0131r \u00d6zbay<\/span><\/strong><\/p>\n

Kafkas halk danslar\u0131nda beden dik bir duru\u015fta tutulur. B\u00fct\u00fcn danslarda bu diklili\u011fin sakl\u0131 tutulas\u0131 ile s\u00fcrd\u00fcr\u00fcl\u00fcr. Kol ve ayak tart\u0131m\u0131 korur ve hareketli\u011fin bozulmamas\u0131n\u0131 sa\u011flar. El kol hareketleri erkek ve kad\u0131na g\u00f6re ay\u0131r\u0131m g\u00f6sterir. Toplu oyunlarda erkek kollar\u0131n\u0131 kartal gibi kullan\u0131r. Bu hareketiyle gelecek k\u00f6t\u00fc \u015feylerden kad\u0131n\u0131 koruyaca\u011f\u0131n\u0131 ve kendi kendine g\u00fcvenini de a\u00e7\u0131klam\u0131\u015f olur. Tekli oyunlarda eller yumruk gibi s\u0131k\u0131l\u0131p, bilekten i\u00e7 ve d\u0131\u015fa e\u011fik bir bi\u00e7imde tutulurken kollar oynat\u0131l\u0131r. Toplu oyunlarda erkek kad\u0131n\u0131 \u00e7o\u011fu kez sa\u011f kolunun i\u00e7ine al\u0131r ve bir aral\u0131kta b\u0131rakarak kendisi sol d\u0131\u015fta kal\u0131r. Sa\u011f el ile g\u00f6k y\u00fcz\u00fcn\u00fc, sol el ise kad\u0131n\u0131 g\u00f6sterecek \u015fekilde tutulur. Yani kad\u0131na d\u00f6n\u00fckt\u00fcr. Ayaklar sert ve ani d\u00f6n\u00fc\u015f g\u00f6sterir. Bacaklar ani olu\u015fan hareketle kullan\u0131l\u0131r. K\u0131zlar ayaklar\u0131n\u0131n ba\u015f ucunda buz pateninde oldu\u011fu gibi y\u00fcr\u00fcr. Erkeklerde diz \u00fczerine ani a\u011f\u0131rl\u0131k y\u0131k\u0131lmas\u0131 ile d\u00f6nmek ve atlamak, ani d\u00fc\u015fmek, sald\u0131r\u0131 hareketleri sanki bir sava\u015f ve kavgan\u0131n yans\u0131t\u0131lmas\u0131 ve korkutma eylemlerini simgelercesine bir duygu yaratmaktad\u0131r.<\/p>\n

Erkek ani d\u00f6n\u00fc\u015fler d\u0131\u015f\u0131nda kesinlikle kad\u0131na s\u0131rt\u0131n\u0131 \u00e7evirmez. Kad\u0131nlarda kollar \u00e7ok a\u011f\u0131r ve yumu\u015fak kullan\u0131l\u0131r. Bir heykel gibi durur ve hi\u00e7 bi\u00e7im de\u011fi\u015ftirmeden y\u00fcr\u00fcr. Ad\u0131m at\u0131\u015flar\u0131 yok denecek kadar k\u00fc\u00e7\u00fckt\u00fcr. Parmak ve ellerde karteli oynamalar ve d\u00f6nmeler g\u00f6r\u00fcn\u00fc\u015f\u00fc bozmayacak bir \u015fekilde yap\u0131lmaktad\u0131r. S\u0131\u00e7rama, atlama ve ko\u015fma hareketleri kesinlikle yoktur.<\/p>\n

Kafkas halk danslar\u0131nda kad\u0131na ger\u00e7ek de\u011ferin verildi\u011fi g\u00f6r\u00fcl\u00fcr. Kad\u0131n\u0131n s\u00f6z\u00fc ve iste\u011fi her \u015feyin \u00fcst\u00fcnde tutulur. Toplu oyunlarda erkek kad\u0131nla el tutu\u015flar\u0131nda, kad\u0131na g\u00fcne\u015fle k\u0131yaslanabilecek bir de\u011ferin verildi\u011fi g\u00f6r\u00fcl\u00fcr. Yine oyunlarda k\u0131z\u0131n e\u015farb\u0131n\u0131 atmas\u0131, \u00e7eki\u015fme ve h\u0131r\u00e7\u0131nl\u0131klar\u0131n bulmas\u0131na, ay\u0131p olmas\u0131na ra\u011fmen noktalan\u0131r. Bunda da kad\u0131na verilen de\u011fer a\u00e7\u0131k olarak g\u00f6r\u00fclmektedir. Yani kad\u0131n\u0131n istemedi\u011fi bir \u015feyi s\u00fcrd\u00fcrmenin hi\u00e7 bir de\u011ferinin olmad\u0131\u011f\u0131 g\u00f6r\u00fcl\u00fcr. Erke\u011fin kad\u0131na verdi\u011fi de\u011fer oyunlarda kad\u0131na ayr\u0131 bir g\u00fczellik ve ki\u015filik kazand\u0131rmaktad\u0131r.<\/p>\n

Danslarda erke\u011fin kad\u0131n\u0131 az\u0131c\u0131k geriden u\u00e7ar gibi izlemesi “Kartal\u0131n s\u00fcl\u00fcn\u00fc g\u00f6kte kovalamas\u0131” bi\u00e7iminde yorumlan\u0131r. Bundan ba\u015fka oyunlarda g\u00fcne\u015fe tapma, ilk din kal\u0131nt\u0131lar\u0131ndaki gibi kad\u0131na tapma gibi izler g\u00f6r\u00fclmektedir.<\/p>\n

Kafkas halk danslar\u0131n\u0131n bu \u00f6zellikleri her oyuna g\u00f6re baz\u0131 de\u011fi\u015fiklikler g\u00f6sterse de temel olgu ayn\u0131d\u0131r. Bu anlamda bir atas\u00f6z\u00fcm\u00fcz: “Khashorxer xabzem kh\u0131xech\u0131-Danslar adetlerin i\u00e7inden \u00e7\u0131kar.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

GHUNEKHO Savsır Özbay Kafkas halk danslarında beden dik bir duruşta tutulur. Bütün danslarda bu dikliliğin saklı tutulası ile sürdürülür. Kol ve ayak tartımı korur ve hareketliğin bozulmamasını sağlar. El kol hareketleri erkek ve kadına göre ayırım gösterir. Toplu oyunlarda erkek kollarını kartal gibi kullanır. Bu hareketiyle gelecek kötü şeylerden kadını koruyacağını ve kendi kendine güvenini 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