{"id":6868,"date":"2019-03-06T16:32:39","date_gmt":"2019-03-06T16:32:39","guid":{"rendered":"http:\/\/circassiancenter.com\/tr\/?p=6868"},"modified":"2019-03-06T16:32:39","modified_gmt":"2019-03-06T16:32:39","slug":"ajda-pekkan-kimdir","status":"publish","type":"post","link":"https:\/\/www.circassiancenter.com\/tr\/ajda-pekkan-kimdir\/","title":{"rendered":"AJDA PEKKAN K\u0130MD\u0130R?"},"content":{"rendered":"

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Tam ad\u0131 Ay\u015fe Ajda Pekkan olan sanat\u00e7\u0131, 12 \u015eubat 1946’da \u0130stanbul’da d\u00fcnyaya geldi. Babas\u0131 R\u0131dvan Pekkan deniz binba\u015f\u0131s\u0131, annesi Nevin Dobruca ev han\u0131m\u0131yd\u0131. Babas\u0131n\u0131n g\u00f6revi dolay\u0131s\u0131yla \u00e7ocuklu\u011fu G\u00f6lc\u00fck’te, Amerikan askerlerinin ailelerinin aras\u0131nda ge\u00e7ti. Modern bir ortamda ancak ailevi sorunlar aras\u0131nda ge\u00e7irilen \u00e7ocukluk, Ajda Pekkan’\u0131n gen\u00e7li\u011fini etkileyen \u00f6nemli bir d\u00f6nem oldu.<\/p>\n

\u015eark\u0131c\u0131 olmak i\u00e7in b\u00fcy\u00fck heves ta\u015f\u0131yan \u00c7aml\u0131ca K\u0131z Lisesi \u00f6\u011frencisi Ajda Pekkan, karde\u015fi Semiramis’in de deste\u011fiyle 1962 y\u0131l\u0131nda d\u00f6nemin en pop\u00fcler gece kul\u00fcb\u00fc \u00c7at\u0131’n\u0131n sahibi olan \u0130lham Gencer’e ula\u015ft\u0131. \u0130lk olarak seslendirdi\u011fi Mina’n\u0131n “Il Cielo In Una Stanza” \u015fark\u0131s\u0131yla kendini kabul ettirdi\u011fi \u00c7at\u0131 gece kul\u00fcb\u00fcnde Los \u00c7atikos toplulu\u011fu e\u015fli\u011finde bir m\u00fcddet sahne \u00e7al\u0131\u015fmas\u0131 yapt\u0131. 1963 y\u0131l\u0131nda bir aile dostlar\u0131n\u0131n te\u015fvikiyle Ses dergisinin, sinemaya yeni y\u00fczler kazand\u0131rmak amac\u0131yla a\u00e7t\u0131\u011f\u0131 kapak y\u0131ld\u0131z\u0131 yar\u0131\u015fmas\u0131na kat\u0131ld\u0131. Ediz Hun’un erkekler dal\u0131nda birinci, H\u00fclya Ko\u00e7yi\u011fit’in bayanlar dal\u0131nda ikinci oldu\u011fu yar\u0131\u015fmada, birinci se\u00e7ilen Ajda Pekkan’\u0131n profesyonel kariyeri b\u00f6ylece ba\u015flam\u0131\u015f oldu.<\/p>\n

Avrupai g\u00f6r\u00fcn\u00fcm\u00fc ve c\u00fcretkar tav\u0131rlar\u0131yla Ye\u015fil\u00e7am’\u0131n g\u00f6zde sanat\u00e7\u0131lar\u0131ndan biri olan Ajda Pekkan, beyaz perdeden gelen teklifleri de\u011ferlendirmeye ba\u015flad\u0131 ve 1963 y\u0131l\u0131nda “Adanal\u0131 Tayfur” ile ilk kez \u00e7\u0131kt\u0131\u011f\u0131 kamera kar\u015f\u0131s\u0131nda, 1967 y\u0131l\u0131ndaki son filmi olan “Harun Re\u015fit’in G\u00f6zdesi”ne kadar ba\u015f rollerini Ayhan I\u015f\u0131k, C\u00fcneyt Ark\u0131n ve Tamer Yi\u011fit gibi sanat\u00e7\u0131larla payla\u015ft\u0131\u011f\u0131 47 film \u00e7evirdi. Ses kabiliyeti rol ald\u0131\u011f\u0131 filmlerdeki yap\u0131mc\u0131lar\u0131n da dikkatinden ka\u00e7mad\u0131 ve pek \u00e7ok filminde \u015fark\u0131c\u0131 rol\u00fc \u00fcstlendi ve \u00e7e\u015fitli \u015fark\u0131lar seslendirdi. \u0130lk filmi “Adanal\u0131 Tayfur”da seslendirdi\u011fi “G\u00f6z G\u00f6z De\u011fdi Bana” \u015fark\u0131s\u0131, arka y\u00fcz\u00fcnde \u00d6zt\u00fcrk Serengil’in seslendirdi\u011fi “Abidik Gubidik” \u015fark\u0131s\u0131yla birlikte 45’lik plak olarak yay\u0131nland\u0131.<\/p>\n

Sinemaya ba\u015flamadan \u00f6nce tan\u0131\u015f\u0131p \u015fark\u0131c\u0131l\u0131k yapabilmesi i\u00e7in yard\u0131m istedi\u011fi ve kabiliyetine ikna etti\u011fi Fecri Ebcio\u011flu, sinema y\u0131llar\u0131nda da Ajda Pekkan’la irtibat\u0131n\u0131 hi\u00e7 koparmad\u0131 ve 1965 y\u0131l\u0131nda kendine ait ilk pla\u011f\u0131 olan “Her Yerde Kar Var \/ 17 Ya\u015f\u0131nda” piyasaya s\u00fcr\u00fcld\u00fc. Fecri Ebcio\u011flu’nun yabanc\u0131 \u015fark\u0131lar \u00fczerine T\u00fcrk\u00e7e s\u00f6zler yazarak \u00fclkemize benimsetti\u011fi “aranjman” tarz\u0131n\u0131n en b\u00fcy\u00fck star\u0131, Adamo’nun \u00fcnl\u00fc \u015fark\u0131s\u0131n\u0131 yine Adamo gibi Frans\u0131z aksan\u0131yla s\u00f6yleyerek, yava\u015f yava\u015f ismini duyurmaya ba\u015flad\u0131. Sahnelerden sinemaya ge\u00e7en sanat\u00e7\u0131lar\u0131n aksine, sinemadan sahneye ge\u00e7en Ajda Pekkan, birka\u00e7 plak denemesinden sonra, 1968 y\u0131l\u0131nda \u00e7\u0131kard\u0131\u011f\u0131 “\u0130ki Yabanc\u0131” 45’li\u011fi ile aranjman dal\u0131nda onbinlerce plak satarak sat\u0131\u015f rekoru k\u0131rd\u0131. “D\u00fcnya D\u00f6n\u00fcyor”, “Saklanba\u00e7” ve “\u00dc\u00e7 Kalp” gibi \u00fcst\u00fcste \u00e7ok ba\u015far\u0131l\u0131 plaklar yapt\u0131.<\/p>\n

Bu y\u00fckselen trendin neticesinde yurtd\u0131\u015f\u0131ndan davetler ald\u0131 ve Atina’daki Uluslar<\/span>aras\u0131 Apollonia M\u00fczik Festivali’nde 1968 y\u0131l\u0131nda “\u00d6zleyi\u015f” ve 1969 y\u0131l\u0131nda “Perhaps One Day” \u015fark\u0131lar\u0131 ile \u00fcst \u00fcste iki kere d\u00f6rd\u00fcnc\u00fc olarak m\u00fczik piyasas\u0131ndaki yerini sa\u011flamla\u015ft\u0131rd\u0131. Barcelona’daki Akdeniz \u015eark\u0131lar\u0131 Festivali’nde “Ve Ben \u015eimdi” \u015fark\u0131s\u0131 ile T\u00fcrkiye’yi temsil etmesi ve \u015fark\u0131lar\u0131n\u0131n pek \u00e7ok filmde fon m\u00fczi\u011fi olarak kullan\u0131lmas\u0131, Ajda Pekkan’\u0131 t\u00fcm \u00fclkede tan\u0131n\u0131r hale getirdi\u011fi gibi, ilk olarak Zeki M\u00fcren’in alt kadrosunda yer ald\u0131\u011f\u0131 gazino sahnelerinin de aranan isimlerinden biri oldu.<\/p>\n

Her \u00fclkenin starlar\u0131n\u0131 b\u00fcnyesinde bar\u0131nd\u0131rmaya \u00f6zen g\u00f6steren Philips firmas\u0131, T\u00fcrkiye’den se\u00e7ti\u011fi Ajda Pekkan’\u0131 kanatlar\u0131n\u0131n alt\u0131na ald\u0131 ve kay\u0131tlar\u0131 Fransa’daki st\u00fcdyolarda ger\u00e7ekle\u015ftirilen, Fikret \u015eene\u015f’in s\u00f6zlerini yazd\u0131\u011f\u0131 \u015fark\u0131larla, Ajda Pekkan’\u0131n di\u011fer \u015fark\u0131c\u0131lardan bir ad\u0131m \u00f6ne f\u0131rlad\u0131\u011f\u0131 y\u0131llar ba\u015flad\u0131. \u00dcst \u00fcste gelen hit plaklarla Ajda Pekkan’\u0131n sesi t\u00fcm \u00fclkede keyifle dinlendi\u011fi gibi, \u015f\u0131k giyimi, s\u00fcrekli kendini yenileyen g\u00f6r\u00fcn\u00fcm\u00fc ve de\u011fi\u015fime a\u00e7\u0131k tavr\u0131yla sadece m\u00fczikte de\u011fil moda konusunda da hayranlar\u0131n\u0131 s\u00fcr\u00fckleyen bir ikon haline geldi.<\/p>\n

“Sensiz Y\u0131llarda”, “Yaln\u0131zl\u0131ktan Bezdim” gibi \u015fark\u0131larla f\u0131rt\u0131na gibi girdi\u011fi 70’lerin ortalar\u0131nda seslendirdi\u011fi “Tanr\u0131 Misafiri”, “Kimler Geldi Kimler Ge\u00e7ti”, “Ho\u015fg\u00f6r Sen”, “Sana Ne Kime Ne” gibi ileride birer Ajda Pekkan klasi\u011fi haline gelecek \u015fark\u0131lar\u0131yla T\u00fcrkiye s\u0131n\u0131rlar\u0131n\u0131 zorlamaya ba\u015flad\u0131. Bu \u00fcst\u00fcn performans\u0131n\u0131n sonucunda 1976 y\u0131l\u0131nda Paris’in \u00fcnl\u00fc Olympia m\u00fczikhol\u00fcnde, pek \u00e7ok \u015fark\u0131s\u0131n\u0131n T\u00fcrk\u00e7e versiyonlar\u0131n\u0131 seslendirdi\u011fi, d\u00f6nemin \u00fcnl\u00fc Cezayir as\u0131ll\u0131 Frans\u0131z \u015fark\u0131c\u0131s\u0131 Enrico Macias’la seri konserler verdi.<\/p>\n

Bir dost toplant\u0131s\u0131nda H\u00fcrriyet Gazetesi sahibi Erol Simavi’nin “Ajda Pekkan’a Star demek yetmez, ancak S\u00fcperstar dersek yerini bulur.” s\u00f6z\u00fcyle birlikte \u00f6nce sanat \u00e7evrelerinde, sonra hayranlar\u0131n\u0131n aras\u0131nda, daha sonra da t\u00fcm \u00fclkede “S\u00fcperstar” \u00fcnvan\u0131yla an\u0131l\u0131r oldu. 1977 y\u0131l\u0131nda bu \u00fcnvan\u0131n\u0131 ilk kez resmile\u015ftiren, o g\u00fcne kadar benzeri g\u00f6r\u00fclmemi\u015f bir kapak dizayn\u0131 ve prod\u00fcksiyonla piyasaya sunulan, “Kim Ne Derse Desin”, “Hanc\u0131” gibi \u015fark\u0131lar\u0131n yer ald\u0131\u011f\u0131 alb\u00fcm\u00fc “S\u00fcperstar”\u0131 haz\u0131rlad\u0131.<\/p>\n

Ayn\u0131 y\u0131l Tokyo’daki Yamaha M\u00fczik Festivali’nde “A Mes Amours” \u015fark\u0131s\u0131yla elde etti\u011fi ba\u015far\u0131l\u0131 netice, -70’lerin ba\u015f\u0131nda yurtd\u0131\u015f\u0131nda ilk olarak bir Almanca ve daha sonra birka\u00e7 Frans\u0131zca pla\u011f\u0131 sat\u0131\u015fa sunulan- Ajda Pekkan’\u0131n 1977 ve 1978 y\u0131llar\u0131nda Fransa’da ses getiren 45’lik \u00e7al\u0131\u015fmalar\u0131 yapmas\u0131na ve sonunda “Pour Lui” isimli Frans\u0131zca alb\u00fcm\u00fcn\u00fc haz\u0131rlamas\u0131na \u00f6n ayak oldu.<\/p>\n

Halk konserleri, sahne \u00e7al\u0131\u015fmalar\u0131 ve konuk sanat\u00e7\u0131 olarak kat\u0131ld\u0131\u011f\u0131 uluslararas\u0131 organizasyonlar ile ba\u015far\u0131s\u0131n\u0131 peki\u015ftiren Ajda Pekkan, 1979 y\u0131l\u0131nda “Bamba\u015fka Biri”, “Hayk\u0131racak Nefesim” gibi \u015fark\u0131lar\u0131n yer ald\u0131\u011f\u0131 S\u00fcperstar serisinin ikinci alb\u00fcm\u00fc “S\u00fcperstar 2″de kariyerinin doru\u011funa \u00e7\u0131kt\u0131. 70’li y\u0131llarda defalarca y\u0131l\u0131n sanat\u00e7\u0131s\u0131 se\u00e7ildi\u011fi gibi \u015fark\u0131lar\u0131 da liste ba\u015flar\u0131ndan inmedi, \u00e7e\u015fitli \u00f6d\u00fcller kazand\u0131.<\/p>\n

O seneye kadar, T\u00fcrkiye’yi temsil etme g\u00f6revinin, eleme usul\u00fcyle belirlendi\u011fi Eurovision \u015fark\u0131 yar\u0131\u015fmas\u0131na 1980 y\u0131l\u0131nda atama yoluyla Ajda Pekkan se\u00e7ildi. \u0130lk \u00f6nce tespit edilen 5 bestecinin \u015fark\u0131lar\u0131n\u0131n j\u00fcri taraf\u0131ndan 3’e d\u00fc\u015f\u00fcr\u00fclmesiyle, “Bir D\u00fcnya Ver Bana”, “Olsam” ve “Pet’r oil” ile Tv ekranlar\u0131nda boy g\u00f6sterdi. “Pet’r oil”\u0131n T\u00fcrkiye’yi temsil etmesine karar verilen gece sonunda, \u00fclkemizde hi\u00e7 olmam\u0131\u015f bir\u015fey oldu ve hen\u00fcz pla\u011f\u0131 sat\u0131\u015fa sunulmam\u0131\u015f bir \u015fark\u0131 t\u00fcm halk taraf\u0131ndan ezbere s\u00f6ylenir oldu. Kulis faaliyetlerinin yetersizli\u011fi, \u015fark\u0131n\u0131n siyasi hicivli yap\u0131s\u0131 ve yar\u0131\u015fma gecesindeki organizasyon bozukluklar\u0131 neticesinde Ajda Pekkan bu yar\u0131\u015fmada hayal k\u0131r\u0131kl\u0131\u011f\u0131 yaratan bir derece ald\u0131. S\u00fcperstar’\u0131 bir hayli k\u00fcst\u00fcren bu yar\u0131\u015fmadan sonra bir s\u00fcre dinlenme karar\u0131 al\u0131p A.B.D.’ye yerle\u015fti.<\/p>\n

70’lerin sona ermesiyle birlikte pop m\u00fczi\u011fin cazibesini yitirip, alaturka ve arabeske y\u00f6nelindi\u011fi y\u0131llarda “Sen Mutlu Ol” ve “Sevdim Seni” isminde hafif m\u00fczik ve alaturka sentezi iki alb\u00fcm yapt\u0131. Ancak S\u00fcperstar’\u0131n bir t\u00fcrl\u00fc i\u00e7ine sinmeyen ve kendi iste\u011fi do\u011frultusunda ger\u00e7ekle\u015fmeyen, \u0131smarlama olarak haz\u0131rlanan bu alb\u00fcmler Ajda Pekkan hayranlar\u0131n\u0131n bekledi\u011fi renkten ve k\u0131vamdan uzakt\u0131. Yerli bestecilerle \u00e7al\u0131\u015fmaktan bekledi\u011fi verimi alamayan Ajda Pekkan, 70’lerde kendi \u00f6nderli\u011finde y\u00fckselen aranjman ak\u0131m\u0131na geri d\u00f6nd\u00fc. “S\u00fcperstar 83 Show”uyla sahnelerde f\u0131rt\u0131na gibi eserken, en ba\u015far\u0131l\u0131 \u00e7al\u0131\u015fmalar\u0131nda yan\u0131nda olan Fikret \u015eene\u015f’le birlikte \u00e7al\u0131\u015ft\u0131\u011f\u0131 “Uykusuz Her Gece”, “Son Yolcu” gibi \u015fark\u0131lar\u0131n yer ald\u0131\u011f\u0131 “S\u00fcperstar 83” alb\u00fcm\u00fcyle yeniden g\u00f6n\u00fclleri fethetti.<\/p>\n

Reklam filmleri, Tv programlar\u0131, sahne \u00e7al\u0131\u015fmalar\u0131yla ikinci bahar\u0131n\u0131 ya\u015fayan S\u00fcperstar, 1984 y\u0131l\u0131n\u0131n sonlar\u0131nda yap\u0131mc\u0131lar\u0131n\u0131n ve yak\u0131n \u00e7evresinin \u0131srar\u0131yla d\u00f6nemin pop\u00fcler gruplar\u0131ndan Be\u015f Y\u0131l \u00d6nce 10 Y\u0131l Sonra ile bir alb\u00fcm haz\u0131rlad\u0131. “O Benim D\u00fcnyam” \u015fark\u0131s\u0131yla yeniden \u00e7\u0131k\u0131\u015f yakalayan Ajda Pekkan, \u015fark\u0131 yorumlar\u0131ndaki \u00fcst\u00fcn bir performans\u0131na ra\u011fmen \u015fark\u0131lar\u0131n \u00f6zensizli\u011fi ve zorlama bir alb\u00fcm olmas\u0131ndan dolay\u0131, yeni ekibiyle bekledi\u011fi s\u00fckseyi yapamad\u0131. 1987 y\u0131l\u0131nda \u00dclk\u00fc Aker ve Fikret \u015eene\u015f’in s\u00f6zlerini yazd\u0131\u011f\u0131 “Kim Olsa Anlat\u0131r”, “Yaln\u0131zl\u0131k Yolcusu” gibi \u015fark\u0131larla, \u00f6zel hayranlar\u0131 i\u00e7in e\u015fsiz olarak nitelenen ancak hit \u015fark\u0131 eksikli\u011fi nedeniyle, fazla tutulmayan “S\u00fcperstar 4” alb\u00fcm\u00fcn\u00fc haz\u0131rlad\u0131. Sonras\u0131nda yapt\u0131\u011f\u0131 evlilik nedeniyle ald\u0131\u011f\u0131 m\u00fczi\u011fi b\u0131rakma karar\u0131 t\u00fcm m\u00fczik severleri \u00fczse de, m\u00fczikten ayr\u0131 ge\u00e7en g\u00fcnlerinde ya\u015fad\u0131\u011f\u0131 bo\u015fluk hissi neticesinde yeniden m\u00fczi\u011fe d\u00f6n\u00fc\u015f karar\u0131 verdi\u011fi s\u0131ralarda evlili\u011fi de sona erdi.<\/p>\n

1989 y\u0131l\u0131n\u0131n son g\u00fcnlerinde “Ajda ’90” alb\u00fcm\u00fcn\u00fc piyasaya s\u00fcrd\u00fc. Pop m\u00fczi\u011fin \u00e7\u0131kmaza girdi\u011fi, hatta unutuldu\u011fu g\u00fcnlerde “Yaz Yaz Yaz” ile ortal\u0131\u011f\u0131 kas\u0131p kavurdu. Yar\u0131s\u0131 yerli beste, yar\u0131s\u0131 aranjman olan bu alb\u00fcm, Ajda Pekkan’\u0131n muhte\u015fem d\u00f6n\u00fc\u015f\u00fcn\u00fcn bir i\u015faretiydi adeta. Pe\u015fi s\u0131ra ba\u015flayan Rumelihisar\u0131 konserleriyle S\u00fcperstar, sevenlerini kald\u0131\u011f\u0131 yerden b\u00fcy\u00fclemeye devam etti. 1991, 1993 ve 1996 y\u0131llar\u0131nda \u00e7o\u011funlukla yerli bestecilerle \u00e7al\u0131\u015ft\u0131\u011f\u0131 alb\u00fcmleri, sivrilen bir ka\u00e7 \u015fark\u0131 d\u0131\u015f\u0131nda beklenen ilgiyi g\u00f6rmedi. 90’lar\u0131n ortalar\u0131na kadarki 30 senelik m\u00fczikal kariyerinde hi\u00e7 toplama alb\u00fcm yapmayan Ajda Pekkan’\u0131n, hayranlar\u0131n\u0131 \u00e7ok memnun etse de kendi r\u0131zas\u0131 d\u0131\u015f\u0131nda yay\u0131nlanan “Ho\u015f G\u00f6rsen” ve “Unutulmayanlar” alb\u00fcmleri piyasaya \u00e7\u0131kt\u0131.<\/p>\n

\u00c7e\u015fitli sahne \u00e7al\u0131\u015fmalar\u0131na devam ederken 1998 y\u0131l\u0131nda eski \u015fark\u0131lar\u0131n\u0131n yeni d\u00fczenlemelerini seslendirdi\u011fi “Best Of” alb\u00fcm\u00fc m\u00fczik marketlerdeki yerini ald\u0131. Y\u00fcksek sat\u0131\u015f grafi\u011fi yakalayan bu alb\u00fcm\u00fcn devam\u0131 niteli\u011finde, 2000 y\u0131l\u0131nda 2 CD’den olu\u015fan “Diva” alb\u00fcm\u00fc piyasaya \u00e7\u0131kt\u0131. Bu alb\u00fcmde Ajda Pekkan’\u0131n eski \u015fark\u0131lar\u0131n\u0131n yeni yorumlar\u0131n\u0131n yan\u0131 s\u0131ra, “Mutlu B\u00fct\u00fcn \u015eark\u0131lar” ve “A\u015fka \u0130nanma” gibi iki yeni \u015fark\u0131 ve karde\u015fi Semiramis Pekkan’\u0131n eski \u015fark\u0131lar\u0131ndan “Dert Orta\u011f\u0131m” ile “Bu Ne Bi\u00e7im Hayat”\u0131n da Ajda Pekkan yorumlar\u0131 yer ald\u0131.<\/p>\n

B\u00fcy\u00fck ba\u015far\u0131 elde eden bu alb\u00fcm\u00fcn \u015fark\u0131lar\u0131ndan “Bir G\u00fcnah Gibi”, d\u00fcnyaca \u00fcnl\u00fc DJ Claude Challe’nin “Buddha Bar” serisinde yer ald\u0131. 2000 y\u0131l\u0131nda Monaco’da Monte Carlo Sporting D’\u00e9t\u00e9 m\u00fczikhol\u00fc’nde d\u00fcnyaca \u00fcnl\u00fc sanat\u00e7\u0131larla birlikte sahne alan S\u00fcperstar, bir de “Prestige de la Turquie avec Ajda Pekkan” isminde videoklip haz\u0131rlad\u0131.<\/p>\n

60, 70 ve 80’li y\u0131llarda pek \u00e7ok filmde fon m\u00fczi\u011fi olarak kullan\u0131lan Ajda Pekkan \u015fark\u0131lar\u0131ndan sonra Ajda Pekkan’\u0131n sesi, 2001 y\u0131l\u0131 i\u00e7erisinde sinemalarda g\u00f6sterime giren “Cahil Periler” filminde “Bamba\u015fka Biri” ve Meksika’da yay\u0131nlanan bir pembe dizide de “Bir G\u00fcnah Gibi” \u015fark\u0131lar\u0131 ile yer ald\u0131\u011f\u0131 filmlere renk katt\u0131.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Tam adı Ayşe Ajda Pekkan olan sanatçı, 12 Şubat 1946’da İstanbul’da dünyaya geldi. Babası Rıdvan Pekkan deniz binbaşısı, annesi Nevin Dobruca ev hanımıydı. Babasının görevi dolayısıyla çocukluğu Gölcük’te, Amerikan askerlerinin ailelerinin arasında geçti. Modern bir ortamda ancak ailevi sorunlar arasında geçirilen çocukluk, Ajda Pekkan’ın gençliğini etkileyen önemli bir dönem oldu. Şarkıcı olmak için büyük heves […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"0","ocean_second_sidebar":"0","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"0","ocean_custom_header_template":"0","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"0","ocean_menu_typo_font_family":"0","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"0","ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"off","ocean_gallery_id":[],"footnotes":""},"categories":[48],"tags":[],"class_list":["post-6868","post","type-post","status-publish","format-standard","hentry","category-degerlerimiz","entry"],"_links":{"self":[{"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/posts\/6868","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/comments?post=6868"}],"version-history":[{"count":1,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/posts\/6868\/revisions"}],"predecessor-version":[{"id":6869,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/posts\/6868\/revisions\/6869"}],"wp:attachment":[{"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/media?parent=6868"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/categories?post=6868"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/tags?post=6868"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}