{"id":6880,"date":"2019-03-06T16:38:43","date_gmt":"2019-03-06T16:38:43","guid":{"rendered":"http:\/\/circassiancenter.com\/tr\/?p=6880"},"modified":"2019-03-06T16:38:43","modified_gmt":"2019-03-06T16:38:43","slug":"abidin-elderoglu-kimdir","status":"publish","type":"post","link":"https:\/\/www.circassiancenter.com\/tr\/abidin-elderoglu-kimdir\/","title":{"rendered":"AB\u0130D\u0130N ELDERO\u011eLU K\u0130MD\u0130R?"},"content":{"rendered":"<p><img decoding=\"async\" src=\"http:\/\/www.circassiancenter.com\/cc-turkiye\/info\/unlu_cerkesler\/abidin_elderoglu.gif\" width=\"226\" height=\"205\" border=\"0\" \/><\/p>\n<p><span style=\"font-family: Arial; font-size: small;\"><b>Do\u011fum: <\/b>1901 Denizli<br \/>\n<b>\u00d6l\u00fcm: <\/b>1974 \u0130stanbul<\/p>\n<p>Ressam, 1926&#8217;da \u0130stanbul \u00d6\u011fretmen Okulu&#8217;nu bitirdi. 1930&#8217;da Paris&#8217;e gitti. Burada Andr\u00e9 Lhote ve Albert Laurens at\u00f6lyelerinde iki y\u0131l \u00e7al\u0131\u015ft\u0131. Yurda d\u00f6nd\u00fckten sonra bir s\u00fcre resim \u00f6\u011fretmenli\u011fi yapt\u0131. \u00d6nceleri peyzaj ve portre \u00fczerinde \u00e7al\u0131\u015fan Eldero\u011flu, 1940&#8217;larda resimlerinde lekeci bir anlat\u0131m \u015feklini kulland\u0131 ve 1950&#8217;lerde de resimlerinde soyut bir anlay\u0131\u015fla geleneksel T\u00fcrk motiflerini i\u015fledi.<\/p>\n<p>\u0130zmir Ressamlar Cemiyeti&#8217;nin etkin \u00fcyesi olarak, ba\u015fta devlet sergileri, \u00e7e\u015fitli karma sergi\u00adlere kat\u0131ld\u0131. 1932&#8217;den ba\u015flayarak yurt i\u00e7inde ve yurt d\u0131\u015f\u0131nda ki\u015fisel sergiler a\u00e7t\u0131, 1945&#8217;te \u0130zmir&#8217;de Ege Ressamlar\u0131 Sergisi&#8217;nde birincilik, 1963 Sao Paolo \u0130ki<span lang=\"en-us\"> Y<\/span>\u0131lda<span lang=\"en-us\"> B<\/span>ir Sergisi&#8217;nde (Brezilya) onur \u00f6d\u00fcl\u00fc, 1966 Tahran \u0130ki<span lang=\"en-us\"> Y<\/span>\u0131lda<span lang=\"en-us\"> B<\/span>ir Sergisi&#8217;nde \u00f6zel \u00f6d\u00fcl kazand\u0131. 1964&#8217;teki 25. Devlet Resim ve Heykel Sergisi&#8217;nde Ba\u015fka D\u00fcnya adl\u0131 tablosuyla ikincilik \u00f6d\u00fcl\u00fc ald\u0131.<\/p>\n<p><b>SANATI<br \/>\n<\/b><br \/>\nAbidin Eldero\u011flu&#8217;nun 1932-1942 y\u0131llar\u0131 aras\u0131ndaki d\u00f6nemi, b\u00fcy\u00fck boyutlu simgesel nitelikli tablolar ile klasik denebilecek peyzaj ve nat\u00fcrmortlar\u0131 i\u00e7erir. Do\u011faya ba\u011fl\u0131 renk\u00e7i bir anlay\u0131\u015f, bu d\u00f6nemini belirleyen \u00f6zelliklerin ba\u015f\u0131nda gelir; desenin do\u011fru anlamda renkle b\u00fct\u00fcnle\u015fen etkinli\u011fi, ciddi bir at\u00f6lye anlay\u0131\u015f\u0131ndan kaynaklan\u0131r. K\u00fcbist y\u00f6neli\u015fleri fazla abartmadan dozunda kulland\u0131\u011f\u0131 birka\u00e7 et\u00fcd\u00fc d\u0131\u015f\u0131nda, Fransa&#8217;da e\u011fitim g\u00f6rd\u00fc\u011f\u00fc Lhote esteti\u011fini benimsemedi\u011fi s\u00f6ylenebilir. 1950&#8217;lerden sonra \u00e7izgiyi, kaligrafik bir kompozisyon d\u00fczeni i\u00e7inde uyumlu kavisler, dolu ve bo\u015f bi\u00e7im\u00adlerle uygulad\u0131\u011f\u0131 bir dizi \u00e7al\u0131\u015fmas\u0131nda eski T\u00fcrk yaz\u0131s\u0131ndan esinlenen Abidin Eldero\u011flu, bu y\u00f6n\u00fcyle \u00e7a\u011fda\u015f T\u00fcrk resmindeki soyut e\u011filimlerin i\u00e7inde bulundu.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Do&#287;um: 1901 Denizli &Ouml;l&uuml;m: 1974 &#304;stanbul Ressam, 1926&rsquo;da &#304;stanbul &Ouml;&#287;retmen Okulu&rsquo;nu bitirdi. 1930&rsquo;da Paris&rsquo;e gitti. Burada Andr&eacute; Lhote ve Albert Laurens at&ouml;lyelerinde iki y&#305;l &ccedil;al&#305;&#351;t&#305;. Yurda d&ouml;nd&uuml;kten sonra bir s&uuml;re resim &ouml;&#287;retmenli&#287;i yapt&#305;. &Ouml;nceleri peyzaj ve portre &uuml;zerinde &ccedil;al&#305;&#351;an Eldero&#287;lu, 1940&rsquo;larda resimlerinde lekeci bir anlat&#305;m &#351;eklini kulland&#305; ve 1950&rsquo;lerde de resimlerinde soyut bir anlay&#305;&#351;la geleneksel 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