{"id":7747,"date":"2019-03-08T19:30:59","date_gmt":"2019-03-08T19:30:59","guid":{"rendered":"http:\/\/circassiancenter.com\/tr\/?p=7747"},"modified":"2019-03-08T19:30:59","modified_gmt":"2019-03-08T19:30:59","slug":"tarihsel-sorunlar-ekseninde-kultur-sorunu","status":"publish","type":"post","link":"https:\/\/www.circassiancenter.com\/tr\/tarihsel-sorunlar-ekseninde-kultur-sorunu\/","title":{"rendered":"TAR\u0130HSEL SORUNLAR EKSEN\u0130NDE K\u00dcLT\u00dcR SORUNU"},"content":{"rendered":"

<\/p>\n

Kayseri \u0130\u015f\u00e7i K\u00fclt\u00fcr Evi
\n<\/b>Kaynak: Mamak 3. K\u00fclt\u00fcr-Sanat Festivali K\u00fclt\u00fcr SempozyumuTebli\u011fleri<\/p>\n

\u201cTarihsel Sorunlar Ekseninde K\u00fclt\u00fcr Sorunu\u201d ba\u015fl\u0131kl\u0131 tebli\u011fimizde, genel olarak devrimci-sosyalist k\u00fclt\u00fcr\u00fcn hangi k\u00fclt\u00fcrel miras temelinde y\u00fckseldi\u011fi, \u00f6zel olarak da Sovyetler Birli\u011fi deneyimi \u00fczerinde duraca\u011f\u0131z.<\/p>\n

1) <\/b>S\u0131n\u0131f devrimcileri, devrimci- sosyalist k\u00fclt\u00fcr\u00fc savunmak, dahas\u0131 geli\u015ftirmek zorundad\u0131rlar. Bu, onlar\u0131n tarihsel ve s\u0131n\u0131fsal misyonlar\u0131 ile kopmaz ba\u011f i\u00e7inde olan sorumluluklard\u0131r. Devrimci-sosyalist k\u00fclt\u00fcr\u00fcn temel kaynaklar\u0131 Marx, Engels ve Lenin\u2019in teorisi; s\u0131n\u0131f m\u00fccadelesi, devrim ve sosyalizmin deneyimleridir. Devrimci-sosyalist k\u00fclt\u00fcr enternasyonalisttir, i\u00e7erikte ve bi\u00e7imde devrimcidir<\/p>\n

Devrimci-sosyalist k\u00fclt\u00fcr, insanl\u0131\u011f\u0131n binlerce y\u0131lda yaratt\u0131\u011f\u0131 k\u00fclt\u00fcrel birikim temelinde y\u00fckselir. Ge\u00e7mi\u015f k\u00fclt\u00fcr miras\u0131nda yeni ve ileri olan\u0131 ele\u015ftirel bir bi\u00e7imde sahiplenir, geli\u015ftirir, kendi k\u00fclt\u00fcr\u00fcn\u00fcn par\u00e7as\u0131 haline getirir. Yine o, emek\u00e7i s\u0131n\u0131flar\u0131n k\u00fclt\u00fcr ve sanat \u00fcr\u00fcnlerine ele\u015ftirel bir bi\u00e7imde dayan\u0131r.<\/p>\n

2)<\/b> Sovyetler Birli\u011fi\u2019nin k\u00fclt\u00fcrel-sanat alan\u0131ndaki deneyiminin de\u011ferlendirilmesi k\u00fclt\u00fcrel miras ba\u011flam\u0131nda kilit \u00f6nemdedir.<\/p>\n

Rusya\u2019da Sosyalist Ekim Devrimi ile i\u015f\u00e7i s\u0131n\u0131f\u0131 siyasi iktidar\u0131 ele ge\u00e7irdi. 20. y\u00fczy\u0131l\u0131n tart\u0131\u015fmas\u0131z en \u00f6nemli olay\u0131 olan bu devrim, yeni bir \u00e7a\u011f\u0131, proleter devrimler \u00e7a\u011f\u0131n\u0131 ba\u015flatt\u0131. O, toplum ya\u015fam\u0131n\u0131n her alan\u0131nda oldu\u011fu gibi, k\u00fclt\u00fcr-sanat alan\u0131nda da b\u00fcy\u00fck bir at\u0131l\u0131m\u0131n yolunu a\u00e7t\u0131.<\/p>\n

Proleter iktidar\u0131n \u00f6n\u00fcnde duran en temel g\u00f6revlerden biri, k\u00fclt\u00fcr ve sanat\u0131n k\u00fc\u00e7\u00fck bir az\u0131nl\u0131\u011f\u0131n i\u015fi olmaktan \u00e7\u0131kar\u0131l\u0131p, kitlelerin ola\u011fan toplumsal etkinli\u011fi haline gelebilmesine y\u00f6nelik \u00f6nlemler al\u0131nmas\u0131yd\u0131. Bunun i\u00e7in ola\u011fan\u00fcst\u00fc boyutlarda bir e\u011fitim seferberli\u011fi ba\u015flat\u0131ld\u0131. E\u011fitim dar bir elitin ayr\u0131cal\u0131\u011f\u0131 olmaktan \u00e7\u0131kar\u0131ld\u0131, t\u00fcm i\u015f\u00e7ilerin, kent ve k\u0131r emek\u00e7ilerinin hizmetine sunuldu. \u00c7arl\u0131k d\u00f6neminde b\u00fcy\u00fck \u00f6l\u00e7\u00fcde e\u011fitimin d\u0131\u015f\u0131nda tutulan kad\u0131nlar, kitleler halinde e\u011fitim i\u00e7ine \u00e7ekildiler. E\u011fitimin temelini, politeknik e\u011fitim olu\u015fturdu, b\u00f6ylece e\u011fitimde teori-pratik ili\u015fkisi kuruldu. Sovyetler Birli\u011fi, kitap ve gazete tiraj\u0131nda muazzam bir ilerleme kaydederek \u00e7ok k\u0131sa zamanda emperyalist \u00fclkelere yeti\u015fti ve onlar\u0131 ge\u00e7ti. \u00c7arl\u0131k d\u00f6neminde bask\u0131 alt\u0131nda tutulan dillerin geli\u015fmesi desteklendi.<\/p>\n

Sovyetler Birli\u011fi\u2019nde dikkat \u00e7eken y\u00f6nlerden biri; sanat\u0131n dar, i\u00e7ine kapan\u0131k, uzman sanat\u00e7\u0131 \u00e7evrelerin etkinli\u011fi olmaktan \u00e7\u0131kar\u0131l\u0131p kitleselle\u015ftirilmesi \u00e7abas\u0131d\u0131r. Kitlelere salt k\u00fclt\u00fcr ve sanat \u00fcr\u00fcnlerinin t\u00fcketicileri g\u00f6z\u00fc ile bak\u0131lmam\u0131\u015f, onlar bizzat \u00fcretici olarak k\u00fclt\u00fcrel etkinli\u011fin i\u00e7ine \u00e7ekilmeye \u00e7al\u0131\u015f\u0131lm\u0131\u015ft\u0131r.<\/p>\n

Ekim Devrimini izleyen y\u0131llarda Sovyetler Birli\u011fi\u2019nde e\u011fitim ve k\u00fclt\u00fcr alanlar\u0131nda k\u0131sa zamanda elde edilen ba\u015far\u0131lar, proleter iktidar\u0131n ve kamula\u015ft\u0131r\u0131lm\u0131\u015f planl\u0131 ekonominin muazzam ba\u015far\u0131lar\u0131yd\u0131. B\u00fct\u00fcn bunlar Bat\u0131\u2019daki bir\u00e7ok i\u015f\u00e7i ve ayd\u0131n\u0131 g\u00fc\u00e7l\u00fc bir \u015fekilde cezbetti.<\/p>\n

Sovyetler Birli\u011fi\u2019nde e\u011fitim ve k\u00fclt\u00fcr alan\u0131ndaki ba\u015f d\u00f6nd\u00fcr\u00fcc\u00fc ilerleme yaln\u0131zca uluslararas\u0131 i\u015f\u00e7i hareketi a\u00e7\u0131s\u0131ndan de\u011fil, Bat\u0131\u2019daki ayd\u0131nlar ve bilim insanlar\u0131 a\u00e7\u0131s\u0131ndan da bir referans noktas\u0131 olarak hizmet g\u00f6rd\u00fc. Bu geli\u015fmeler, b\u00fcrokratik deformasyona ra\u011fmen, ulusalla\u015ft\u0131r\u0131lm\u0131\u015f planl\u0131 ekonominin potansiyelini ortaya koydu.<\/p>\n

Ku\u015fkusuz bu ba\u015far\u0131lar bug\u00fcnk\u00fc tabloyla taban tabana z\u0131tt\u0131r. Sovyetler Birli\u011fi\u2019nin da\u011f\u0131l\u0131\u015f\u0131 ve \u00e7\u0131plak kapitalist bir \u00fclke haline geli\u015fi, \u00fcretici g\u00fc\u00e7lerin ve k\u00fclt\u00fcr\u00fcn korkun\u00e7 \u00e7\u00f6k\u00fc\u015f\u00fc sonucunu do\u011furdu. Buradan hareketle, Marksizm’e, sosyalizme ve genel olarak planl\u0131 ekonomi d\u00fc\u015f\u00fcncesine kar\u015f\u0131 uluslararas\u0131 \u00f6l\u00e7ekte muazzam bir ideolojik ve k\u00fclt\u00fcrel sald\u0131r\u0131ya giri\u015fildi. Sosyalizmin d\u00fc\u015fmanlar\u0131, Marksizm’i karalama \u00e7abalar\u0131nda, sosyalizmin \u00f6z\u00fcne kar\u015f\u0131t olan uygulamalar\u0131ndan sonuna dek yararland\u0131lar.<\/p>\n

Sovyetler Birli\u011fi\u2019ndeki b\u00fcrokratik deformasyon s\u00fcreci ve onun \u00fcr\u00fcn\u00fc b\u00fcrokratik kast\u0131n egemenli\u011fi birdenbire de\u011fil, bir dizi i\u00e7 ve d\u0131\u015f geli\u015fmelerin sonucu olarak ortaya \u00e7\u0131kt\u0131.<\/p>\n

Yeni bir \u00e7a\u011f\u0131, proleter devrimler \u00e7a\u011f\u0131n\u0131 ba\u015flatan Sosyalist Ekim Devrimi, Avrupa devrimlerine itilim kazand\u0131rmas\u0131na ra\u011fmen, bu Avrupa\u2019da proleter devrimlerin zafere ula\u015fmas\u0131na yetmedi. Avrupa\u2019da devrimci dalga \u00e7ok ge\u00e7meden k\u0131r\u0131l\u0131p \u00e7ekilince, Sovyetler Birli\u011fi b\u00fcy\u00fck bir yaln\u0131zl\u0131kla y\u00fczy\u00fcze kald\u0131.<\/p>\n

Ekim Devrimi\u2019nin a\u00e7maz\u0131, sadece tek bir \u00fclkede yaln\u0131zla\u015fmas\u0131 de\u011fil, yan\u0131 s\u0131ra asgari bir ekonomik ve k\u00fclt\u00fcrel geli\u015fme d\u00fczeyini kapitalist ku\u015fatma alt\u0131nda kendi s\u0131n\u0131rl\u0131 i\u00e7 olanaklar\u0131yla yaratma sorunuyla kar\u015f\u0131 kar\u015f\u0131ya kalmas\u0131yd\u0131. Bu iki etken bir arada, i\u00e7te ve d\u0131\u015fta girilen zorlamalar\u0131n, bu zorlamalar\u0131n besledi\u011fi yanl\u0131\u015flar\u0131n tarihsel zemini oldu. Bunlar\u0131n i\u00e7teki bedeli, b\u00fcrokratik deformasyondu. \u00d6nc\u00fc parti ve iktidar, i\u015f\u00e7i s\u0131n\u0131f\u0131 ve emek\u00e7i kitlelerden giderek koptu, uzakla\u015ft\u0131 ve yabanc\u0131la\u015ft\u0131, kitleler edilgenle\u015fti. D\u0131\u015ftaki bedeli ise, proleter enternasyonalizminden uzakla\u015f\u0131lmas\u0131 oldu. Sovyet devrimiyle d\u00fcnya devrimi aras\u0131ndaki ili\u015fkiler kopar\u0131ld\u0131. Sovyet devletinin \u00e7\u0131karlar\u0131n\u0131 ve gereksinimlerini temel alan bir \u00e7izgi giderek yerle\u015fti.<\/p>\n

B\u00fcrokratik deformasyon s\u00fcreci, her alanda oldu\u011fu gibi, k\u00fclt\u00fcr ve sanat alan\u0131nda da etkisini g\u00f6stermeye ba\u015flad\u0131. 1934\u2019te \u00e7e\u015fitli sanat ak\u0131mlar\u0131n aras\u0131nda s\u00fcren tart\u0131\u015fmalar sonu\u00e7land\u0131r\u0131ld\u0131 ve Sovyetler Birli\u011fi\u2019nin resmi sanat anlay\u0131\u015f\u0131 olarak \u201csosyalist ger\u00e7ek\u00e7ilik\u201d form\u00fcle edildi. Bu resmi sanat anlay\u0131\u015f\u0131na, 19. y\u00fczy\u0131l\u0131n \u00fc\u00e7\u00fcnc\u00fc \u00e7eyre\u011findeki ta\u015fra kli\u015feleri damgas\u0131n\u0131 vuruyordu. Bu anlay\u0131\u015f\u0131n \u201cger\u00e7ek\u00e7ili\u011fi\u201d, yer yer tahrif edilmi\u015f foto\u011fraf ve resimlerle, olmayan olaylar\u0131 olmu\u015f gibi g\u00f6stermesiyle g\u00f6lgeleniyordu. Bu d\u00f6nemde, resmi \u00e7izgiye uygun olmayan eserlere ya\u015fam hakk\u0131 tan\u0131mayarak \u201cger\u00e7ek\u201d darla\u015ft\u0131r\u0131lm\u0131\u015ft\u0131r. Yasak\u00e7\u0131 y\u00f6ntemler a\u011f\u0131r basm\u0131\u015f, \u201columsuz\u201da kar\u015f\u0131 m\u00fccadele i\u00e7inde olumlunun kavrat\u0131lmas\u0131 y\u00f6ntemi fazla kullan\u0131lmam\u0131\u015ft\u0131r. Lenin ve Stalin\u2019e sanat eserlerinde gere\u011finden fazla yer verilmi\u015f, ki\u015fi k\u00fclt\u00fcn\u00fcn \u00f6n\u00fc a\u00e7\u0131lm\u0131\u015ft\u0131r. Yine, geleneksel, klasikle\u015fmi\u015f stillerin d\u0131\u015f\u0131nda kalanlar, \u00e7o\u011fu kez \u201ckitlelerin bunlar\u0131 anlamad\u0131\u011f\u0131\u201d gerek\u00e7esi ile zararl\u0131 ilan edilerek \u201csosyalist ger\u00e7ek\u00e7ilik\u201d bi\u00e7imsel kal\u0131plar i\u00e7ine hapsedilmi\u015ftir.<\/p>\n

Oysa Ekim Devrimi\u2019nin canl\u0131 etkisini hen\u00fcz s\u00fcrd\u00fcrd\u00fc\u011f\u00fc bir evrede, Rusya Kom\u00fcnist Partisi\u2019nin 1 Temmuz 1925\u2019te kabul etti\u011fi karar \u015f\u00f6yledir:<\/p>\n

\u201cKom\u00fcnist ele\u015ftiri, kibirli, iddial\u0131, yar\u0131 bilgili ve kendi kendini tatmin eden kom\u00fcnist \u00fcst\u00fcnl\u00fck duygusundan kesinlikle kurtulmal\u0131d\u0131r\u2026 Parti, edebi ak\u0131mlar ve e\u011filimlerin \u00f6zg\u00fcrce yar\u0131\u015fmas\u0131ndan yanad\u0131r\u2026 Sorunlara ba\u015fka \u015fekilde \u00e7\u00f6z\u00fcm aramak formel ve b\u00fcrokratik olmakt\u0131r\u2026 Parti herhangi bir gruba edebi yay\u0131nc\u0131l\u0131kta tekelci hak tan\u0131maktan ka\u00e7\u0131n\u0131r. Parti, hi\u00e7bir gruba, fikirleri ile en proleter olanlara bile tekelci konum veremez: Bu, \u00f6ncelikle, proleter edebiyat\u0131n kendine zarar veren bir tutum olur. Parti, edebiyatla ilgili konularda kendini \u00fcst\u00fcn g\u00f6ren her t\u00fcrl\u00fc yetkisiz, idari m\u00fcdahale giri\u015fiminin, k\u00f6k\u00fcnden kurutulmas\u0131 gerekti\u011fini d\u00fc\u015f\u00fcnmektedir.\u201d<\/p>\n

Besbelli ki, s\u0131n\u0131f devrimcilerinin bug\u00fcn de sahiplenece\u011fi k\u00fclt\u00fcr-sanat alan\u0131ndaki devrimci-sosyalist se\u00e7enek budur.<\/p>\n

Ku\u015fkusuz, buradaki sanat\u00e7\u0131n\u0131n tam ba\u011f\u0131ms\u0131zl\u0131\u011f\u0131 ve \u00f6zg\u00fcrl\u00fc\u011f\u00fc istemi, salt Sovyetler Birli\u011fi\u2019ndeki b\u00fcrokrasiye de\u011fil; sanat\u00e7\u0131lar\u0131 gerek devlet bask\u0131s\u0131 alt\u0131na alan, gerekse paran\u0131n egemenli\u011fine mahk\u00fbm k\u0131lan burjuvaziye ve onun devletine kar\u015f\u0131 da y\u00f6neltilmektedir.<\/p>\n

Di\u011fer yandan, \u00f6zg\u00fcrl\u00fck ve nesnellik, Marksistler a\u00e7\u0131s\u0131ndan \u201ctarafs\u0131zl\u0131k\u201d \u015feklinde anla\u015f\u0131lamaz. Nitekim bu ba\u011flamda onlar, pek \u00e7ok edebi esere ele\u015ftirel yakla\u015fm\u0131\u015flard\u0131r. Do\u011fal olarak, ba\u015fka bir tutum samimiyetsizlik ve tutars\u0131zl\u0131k olurdu. Ba\u015fkalar\u0131 i\u00e7in d\u00fc\u015f\u00fcnce ve ele\u015ftiri \u00f6zg\u00fcrl\u00fc\u011f\u00fcn\u00fc savunan ki\u015finin ayn\u0131 zamanda kendisine farkl\u0131 davranmas\u0131 m\u00fcmk\u00fcn de\u011fildir. \u00d6zellikle de Marksist bir ele\u015ftirmenin edebiyat eserlerinin de\u011ferlendirilmesinde Marksist \u00f6l\u00e7\u00fctlerden vazge\u00e7mesi beklenemez.<\/p>\n

Sonu\u00e7
\n<\/b>
\n\u0130\u015f\u00e7i s\u0131n\u0131f\u0131 siyasal iktidar\u0131 ele ge\u00e7irip devrimi s\u00fcrekli k\u0131lmadan, k\u00fclt\u00fcr ve sanat dar bir elitin i\u015fi olmaktan \u00e7\u0131kar\u0131lamaz, kitlelerin ola\u011fan toplumsal etkinli\u011fi haline gelemez. Sovyetler Birli\u011fi\u2019nde k\u0131sa d\u00f6nemde k\u00fclt\u00fcr-sanat alan\u0131ndaki kazan\u0131mlar, sonraki b\u00fcrokratik deformasyon s\u00fcrecini bir yana b\u0131rak\u0131rsak, i\u015f\u00e7i s\u0131n\u0131f\u0131 iktidar\u0131 ko\u015fullar\u0131nda nelerin m\u00fcmk\u00fcn oldu\u011funu g\u00f6stermesi bak\u0131m\u0131ndan e\u015fsiz bir deneyimdir.<\/p>\n

\u0130\u015f\u00e7i s\u0131n\u0131f\u0131 iktidar\u0131, k\u00fclt\u00fcr ve sanat eserleriyle ilgili olarak yasaklar\u0131 de\u011fil, ideolojik ve k\u00fclt\u00fcrel m\u00fccadeleyi temel almal\u0131d\u0131r. \u0130\u015f\u00e7i s\u0131n\u0131f\u0131 ve emek\u00e7ilerin sosyalist-enternasyonalist bilinci ve inisiyatifi, i\u015f\u00e7i s\u0131n\u0131f\u0131 iktidar\u0131na a\u00e7\u0131k veya \u00f6rt\u00fcl\u00fc sald\u0131ran sanat eserlerine kar\u015f\u0131 en temel g\u00fcvence ve panzehirdir.<\/p>\n

Devrimci-sosyalist k\u00fclt\u00fcr, ki\u015fi k\u00fclt\u00fcn\u00fc ve feti\u015fizmini k\u00f6r\u00fckleyici bi\u00e7imde kullan\u0131lamaz.<\/p>\n

Devrimci-sosyalist k\u00fclt\u00fcr-sanat s\u00fcrekli daha iyiyi, daha g\u00fczeli arar. O statik de\u011fil dinamiktir, devrimcidir. Kendini, kesintisiz geli\u015fen ve de\u011fi\u015fen toplumla birlikte geli\u015ftirip de\u011fi\u015ftirir. O, kom\u00fcnizmi kuracak yeni ku\u015faklar\u0131n e\u011fitilmesinde ve yeti\u015ftirilmesinin temel bir arac\u0131d\u0131r.<\/p>\n

Devrimci-sosyalist k\u00fclt\u00fcr; insanl\u0131\u011f\u0131n ilerici, demokratik ve sosyalist k\u00fclt\u00fcr\u00fcn miras\u0131n\u0131 sahiplenir. O, emek\u00e7i s\u0131n\u0131flar\u0131n k\u00fclt\u00fcr ve sanat \u00fcretimlerinden ele\u015ftirel bir bi\u00e7imde beslenir.<\/p>\n

Devrimci-sosyalist k\u00fclt\u00fcr-sanata bi\u00e7imde s\u0131n\u0131r koymaz, ona eksiksiz bir \u00f6zg\u00fcrl\u00fck tan\u0131r. Unutmamal\u0131 ki, do\u011fru bir i\u00e7eri\u011fi estetiksel bir bi\u00e7imde ifade etmenin y\u00fczlerce, binlerce yolu vard\u0131r. Bunlar\u0131n her biri emek\u00e7i kitlelerin be\u011fenisini kazanabilmek i\u00e7in yar\u0131\u015fabilmelidir. Ku\u015fkusuz ki, bu yar\u0131\u015ftan s\u0131n\u0131fs\u0131z toplum y\u00f6n\u00fcnde ilerleyen i\u015f\u00e7i s\u0131n\u0131f\u0131 iktidar\u0131 kazan\u00e7l\u0131 \u00e7\u0131kacakt\u0131r. <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Kayseri İşçi Kültür Evi Kaynak: Mamak 3. Kültür-Sanat Festivali Kültür SempozyumuTebliğleri “Tarihsel Sorunlar Ekseninde Kültür Sorunu” başlıklı tebliğimizde, genel olarak devrimci-sosyalist kültürün hangi kültürel miras temelinde yükseldiği, özel olarak da Sovyetler Birliği deneyimi üzerinde duracağız. 1) Sınıf devrimcileri, devrimci- sosyalist kültürü savunmak, dahası geliştirmek zorundadırlar. Bu, onların tarihsel ve sınıfsal misyonları ile kopmaz bağ içinde […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"0","ocean_second_sidebar":"0","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"0","ocean_custom_header_template":"0","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"0","ocean_menu_typo_font_family":"0","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"0","ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"off","ocean_gallery_id":[],"footnotes":""},"categories":[45],"tags":[],"class_list":["post-7747","post","type-post","status-publish","format-standard","hentry","category-kultur-ana-sayfa","entry"],"_links":{"self":[{"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/posts\/7747","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/comments?post=7747"}],"version-history":[{"count":1,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/posts\/7747\/revisions"}],"predecessor-version":[{"id":7749,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/posts\/7747\/revisions\/7749"}],"wp:attachment":[{"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/media?parent=7747"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/categories?post=7747"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/tags?post=7747"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}