{"id":8897,"date":"2019-03-11T20:45:17","date_gmt":"2019-03-11T20:45:17","guid":{"rendered":"http:\/\/circassiancenter.com\/tr\/?p=8897"},"modified":"2019-03-11T20:45:17","modified_gmt":"2019-03-11T20:45:17","slug":"abhaz-edebiyati","status":"publish","type":"post","link":"https:\/\/www.circassiancenter.com\/tr\/abhaz-edebiyati\/","title":{"rendered":"ABHAZ EDEB\u0130YATI"},"content":{"rendered":"

\"\"<\/p>\n

Not:<\/strong> A\u015fa\u011f\u0131daki makaleyi de\u011ferli okuyucumuz Mehmet Ali \u00c7a\u011flar yollam\u0131\u015ft\u0131r. Ancak yazar\u0131n\u0131 yazmam\u0131\u015f. E-mail adresinde san\u0131yoruz sorun var iletilerimizi geri d\u00f6n\u00fcyor. De\u011ferli okuyucumuzdan bu makalenin yazar\u0131n\u0131 bize bildirmesini rica ediyoruz. Sayg\u0131lar\u0131m\u0131zla. CC <\/span><\/p><\/blockquote>\n

Ahbaz Edebiyat\u0131’n\u0131n kurucusu ve ilk \u015fair – yazar\u0131 Dirmit (Ga\u00e7) Gulya’d\u0131r. Abhaz Dili ve Edebiyat\u0131 Gulya’ya \u00e7ok \u015fey bor\u00e7ludur. Ancak Gulya’dan \u00f6nce yaz\u0131lan baz\u0131 Abhazca metinler de vard\u0131r.<\/p>\n

Abhazca ilk yaz\u0131l\u0131 metinler, Baron Uslar’\u0131n 1862 y\u0131l\u0131nda, Bertomey’in 1865 y\u0131l\u0131nda kaleme ald\u0131\u011f\u0131 baz\u0131 yaz\u0131lard\u0131r. <\/span><\/p>\n

Sonraki y\u0131llarda Gulya devreye girer. Gulya’n\u0131n “Atas\u00f6zleri ve Bilmeceler” kitab\u0131 1907 y\u0131l\u0131nda, “\u00dc\u00e7 masal” adl\u0131 kitab\u0131 1909 y\u0131l\u0131nda bas\u0131l\u0131r.<\/p>\n

Daha sonraki y\u0131llarda Abz\u0131p B\u00f6lgesi’nden derlenen 100 kadar masal Petrograd’da bast\u0131r\u0131l\u0131r. Bu olay daha \u00e7ok gen\u00e7 olan Abhaz Edebiyat\u0131 i\u00e7in sevindirici bir geli\u015fmedir.<\/p>\n

\u0130lk folklor derlemesi ise Apsn\u0131 gazetesi’nin 1918 y\u0131l\u0131nda yay\u0131nlad\u0131\u011f\u0131 “Halk Poezyas\u0131”d\u0131r. Halk Poezyas\u0131 iki y\u0131l s\u00fcreyle yay\u0131nlanm\u0131\u015ft\u0131r.<\/p>\n

1935 y\u0131l\u0131nda Gulya Ara\u015ft\u0131rma Enstit\u00fcs\u00fc’n\u00fcn uzun s\u00fcren \u00e7al\u0131\u015fmalar\u0131yla “Abhaz Masallar\u0131” bast\u0131r\u0131ld\u0131.. Gulya ve B\u011fosba “Abhaz Halk\u0131n\u0131n Poezyas\u0131”n\u0131 1941 y\u0131l\u0131nda gelebilece\u011fi en iyi noktaya kadar geni\u015fletmi\u015flerdir. Fakat bilimsel nitelikte bir kitap haline getirilemedi. Derlenen bu \u00fcr\u00fcnleri ve “Abr\u0131tskil” motifinin halk aras\u0131nda unutulmak \u00fczere olan par\u00e7alar\u0131n\u0131 titizlikle birle\u015ftirerek g\u00fcn\u00fcm\u00fcze ula\u015ft\u0131ran Bagrat \u015einkuba’d\u0131r. Bagrat \u015einkuba “Abr\u0131tskil Destan\u0131”n\u0131 bilimsel bir anlay\u0131\u015fla d\u00fcnya edebiyat\u0131na kazand\u0131rm\u0131\u015ft\u0131r.<\/p>\n

Abhaz Edebiyat\u0131’n\u0131n en renkli simas\u0131 Dirmit Gulya’n\u0131n dinamik \u00e7al\u0131\u015fmalar\u0131n\u0131 biraz detayland\u0131rmadan ge\u00e7emeyiz. \u015eair ara\u015ft\u0131rmac\u0131, tiyatrocu, yazar, dilbilimci, e\u011fitmen, gazeteci, halk \u00f6nderi Gulya i\u00e7in yaz\u0131l\u0131 Abhaz Edebiyat\u0131’n\u0131n atas\u0131 diyebiliriz.<\/p>\n

1892 y\u0131l\u0131nda hen\u00fcz 17 ya\u015f\u0131ndayken K. Ma\u00e7avaryan ile birlikte, Abhaz alfabesini ve okuma kitab\u0131n\u0131 haz\u0131rlayarak G\u00fcrcistan’da yay\u0131nlanm\u0131\u015ft\u0131r. \u0130lk \u015fiirleri 1912 y\u0131l\u0131nda yine G\u00fcrcistan’da yay\u0131nlanm\u0131\u015ft\u0131r. 1918 y\u0131l\u0131nda yazd\u0131\u011f\u0131 “Yabanc\u0131 G\u00f6k Alt\u0131nda” adl\u0131 \u00f6yk\u00fcs\u00fc, ilk Abhazca d\u00fcz yaz\u0131 \u00f6rne\u011fidir. 1925 y\u0131l\u0131nda bast\u0131rd\u0131\u011f\u0131 “Abhaz Tarihi” ise \u00e7al\u0131\u015fmalar\u0131n\u0131 \u00f6l\u00fcms\u00fczle\u015ftirir. G\u00fcrcistan Bilimler Akedemisi’nin, Abhaz Dili – Edebiyat\u0131 Tarihi Enstit\u00fcs\u00fcnde, Abhaz Dili Akademisi Ba\u015fkanl\u0131\u011f\u0131 g\u00f6revini uzun y\u0131llar s\u00fcrd\u00fcrm\u00fc\u015ft\u00fcr. D. Gulya s\u00fcrg\u00fcnde ya\u015fayanlar\u0131 da unutmayarak “\u015eans\u0131 Yaver Gitmeyen insan” yaz\u0131s\u0131n\u0131 da yazm\u0131\u015f bu arada bir \u00e7ok G\u00fcrc\u00fc, Rus veOset yazarlar\u0131n yap\u0131tlar\u0131n\u0131 da Abhazca’ya kazand\u0131rm\u0131\u015ft\u0131r.. “Yap\u0131tlanm\u0131n hepsi ulusum \u00fczerinedir.” diyen Gulya dil, tarih, k\u00fclt\u00fcr, sanat \u00e7al\u0131\u015fmalar\u0131yla her alanda Abhaz halk\u0131n\u0131n \u00f6nderi olmu\u015ftur.<\/p>\n

Sert Ger\u00e7ek\u00e7i anlat\u0131m\u0131yla duygusall\u0131\u011f\u0131 ba\u011fr\u0131nda ya\u015fatan s\u00f6zl\u00fc Abhaz Edebiyat\u0131’n\u0131n bu yap\u0131s\u0131, yaz\u0131l\u0131 edebiyata da yans\u0131m\u0131\u015ft\u0131r. Bu \u00f6zelliklerinde son d\u00f6nem Modern Abhaz Edebiyat\u0131’na g\u00f6z att\u0131\u011f\u0131n\u0131zda ise Bagrat \u015einkuba’n\u0131n \u00f6nc\u00fcl\u00fc\u011f\u00fc ile yol al\u0131nd\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcyoruz. Lirik edebiyat\u00e7\u0131lar\u0131m\u0131z\u0131n ba\u015f\u0131nda gelen \u015einkuba, kendinden \u00f6nce D. Gulya, Samson \u00c7anba, Ko\u011fonya Y\u0131wa gibi isimlerin diriltti\u011fi Abhaz Edebiyat\u0131’n\u0131 kendi \u00fcn\u00fcyle birlikte s\u0131n\u0131rlar \u00f6tesine, uluslararas\u0131 bir d\u00fczeye \u00e7\u0131kartm\u0131\u015ft\u0131r.<\/p>\n

\u015einkuba’n\u0131n ilk yaz\u0131lar\u0131 1938 y\u0131l\u0131nda “\u0130lk Sat\u0131rlar” adl\u0131 bir kitapta yay\u0131nland\u0131. 1939 y\u0131l\u0131nda G\u00fcrcistan Bilimler Akademisi Filoloji Enstst\u00fcs\u00fc’nde s\u00fcrd\u00fcrd\u00fc. En \u00f6nemli yap\u0131tlar\u0131ndan biri olan “Abhaz \u015eiirinin Yap\u0131s\u0131”n\u0131 burada tamamlad\u0131. \u00d6zellikle sava\u015f y\u0131llar\u0131nda verdi\u011fi yap\u0131tlarda vatan sevgisi a\u011f\u0131r basmaktad\u0131r. Dramatik motifleri kat\u0131 ger\u00e7ek\u00e7ili\u011fi ve lirizmi i\u00e7 i\u00e7e ya\u015fatarak sunman\u0131n en \u00e7arp\u0131c\u0131 \u00f6rne\u011fini, sava\u015f y\u0131llar\u0131nda yay\u0131nlad\u0131\u011f\u0131 “Ab (baba)” adl\u0131 yap\u0131t\u0131nda g\u00f6rmekteyiz.1943 y\u0131l\u0131nda yazd\u0131\u011f\u0131 “G\u00fczel Gunda” ise, yine ayn\u0131 \u00f6zellikleri kapsam\u0131\u015ft\u0131r. Nart Destanlar\u0131’n\u0131n yurtseverlik i\u00e7eri\u011fini g\u00fcn\u00fcm\u00fcz anlay\u0131\u015f\u0131yla b\u00fct\u00fcnle\u015ftirmi\u015ftir. Sava\u015f sonras\u0131nda “Ritsa” \u00c7ocuk”, “Fl\u00fct” adl\u0131 yap\u0131tlar\u0131 ve yazd\u0131\u011f\u0131 ilk Abhaz naz\u0131m roman\u0131 yay\u0131nlanm\u0131\u015ft\u0131r. Yine bu d\u00f6nemde Abhaz halk\u0131n\u0131n ya\u015fam\u0131n\u0131 \u015fiirsel bir dille yazm\u0131\u015ft\u0131r. Son y\u0131llar\u0131nda yazd\u0131\u011f\u0131 \u015fiirler genellikle felsefi temalar\u0131 i\u00e7erir. Yazar, bunu oldunluk \u00e7a\u011f\u0131 olarak nitelendirmektedir. Bagrat \u015einkuba’n\u0131n en \u00e7ok okunan kitab\u0131 Son Ub\u0131h, konusu ve anlat\u0131m\u0131yla Abhaz Edebiyat\u0131na adeta bir \u00e7\u0131\u011f\u0131r a\u00e7m\u0131\u015ft\u0131r. Kitab\u0131n \u00fcn\u00fc Sovyetler Birli\u011fi s\u0131n\u0131rlar\u0131 d\u0131\u015f\u0131na ta\u015far. Son Ub\u0131h, s\u00fcrg\u00fcnde ya\u015fayan halklara ders verircesine bir halk\u0131n yok olu\u015funun trajedisini anlat\u0131r. Bir a\u011f\u0131tt\u0131r. Rus\u00e7aya, \u0130ngilizceye, Almancaya, Belorus\u00e7aya, G\u00fcrc\u00fcceye. Arap\u00e7aya, son olarak da Khamokua Hamid taraf\u0131ndan Kabardeyce, Hayri Ersoy taraf\u0131ndan T\u00fcrk\u00e7eye \u00e7evrilmi\u015ftir.<\/p>\n

Cumhuriyetteki ele\u015ftirmen ve yay\u0131mc\u0131 V.G. Bel\u0131nski’nin dedi\u011fi gibi, “Edebiyat literat\u00fcr\u00fc, halk\u0131n bilin\u00e7 d\u00fczeyinin bir g\u00f6stergesidir” D.Y. Gulya’n\u0131n “Ahbaz Edebiyat\u0131”, di\u011fer halklar\u0131n edebiyatlar\u0131 aras\u0131nda lay\u0131k oldu\u011fu yeri alm\u0131\u015ft\u0131r. D.Y. Gulya’dan sonra bu kutsal g\u00f6revi \u00fcstlenenler S. \u00c7anba Y. Ko\u011fonya, L. Ku\u00e7niya, L. labahua, M. Lak\u0131rba, K. Aaumaa, V. Ag\u0131rba, S. Ku\u00e7berya, A. La\u015fariya, K. \u00c7a\u00e7halya, \u00c7. Conua vb. yazarlard\u0131r.<\/p>\n

G\u00fcn\u00fcm\u00fcz Abhaz Edebiyat\u0131 yazarlar\u0131 ise, Y. Ppaskir, B. \u015einkuba, \u015e. T\u00fccba, Y. Tarbua, A. Tonya, K. Lomya, A.A\u00e7ba gibi yazarlard\u0131r. Bug\u00fcn Abhazya Yazarlar Birli\u011fi’nin 150’den \u00e7ok \u00fcyesi vard\u0131r. Bunlar\u0131n Y\u00fczde 65’i ayn\u0131 zamanda Sovyet Yazarlar Birli\u011fi \u00fcyesidir. Edebiyatla u\u011fra\u015fanlar aras\u0131nda; \u015fairler, romanc\u0131lar, tiyatro yazarlar\u0131, ele\u015ftirmenler, edebiyat ara\u015ft\u0131rmac\u0131lar\u0131 vb. vard\u0131r.<\/p>\n

De\u011fi\u015fik Sovyet halklar\u0131n\u0131n dillerinden \u00e7evrilen romanlar\u0131n Abhazca okunmas\u0131, edebiyat\u0131n geli\u015fimini belgelemektedir. \u00d6rnek verirsek Rus\u00e7a, G\u00fcrc\u00fcce, Ukranca gibi Sovyetler Birli\u011fi’nde ya\u015fayan halklar\u0131n dillerinin yan\u0131nda; Sovyetler Birli\u011fi d\u0131\u015f\u0131ndaki halklar\u0131n dilinden edebiyat eserleri Abhazca’ya \u00e7evrilmektedir. Abhaz okurlar\u0131, A. Puskin, M. Lermontov , L. Tolstoy, A. Gorki, W.Shakespeare, J. Ondahn, \u015e. Rustaveli, T. \u015eev\u00e7enko, N. Ostrovski, G.H. Anderson’un eserlerini Abhazca \u00e7evirilerinden okuyabilmektedirler.<\/p>\n

Son y\u0131llarda Abhaz Edebiyat\u0131 b\u00fcy\u00fck geli\u015fmeler kaydetmi\u015ftir. Bunun bir kan\u0131t\u0131 da D. Y. Gulya Edebiyat \u00d6d\u00fcl\u00fc’n\u00fcn sahibi olan \u0130.Papaskir. B. \u015einkuba, Y. Tarba, \u00c7. Conua. G. Gabliya, A. Gogua gibi de\u011ferli yazarlard\u0131r.<\/p>\n

Abhaz yazarlar\u0131n eserleri sinemaya da aktar\u0131lmaktad\u0131r. \u00d6rne\u011fin Bagrat \u015einkuba’n\u0131n roman\u0131 “Akhra A\u015f\u00f6a -Yar \u015eark\u0131s\u0131” senaryola\u015ft\u0131r\u0131lm\u0131\u015f, N. Dovjenko’nun ad\u0131n\u0131 Kiev’deki sinema st\u00fcdyosunda “Beyaz Ba\u015fl\u0131k” ad\u0131yla filme al\u0131nm\u0131\u015ft\u0131r. Ayr\u0131ca, N. Tarba’n\u0131n senaryosu ile “Gurizya Film’1 st\u00fcdyosunda \u00e7ekilen “At E\u011ferleyen” fim vb. \u00f6rnekler vard\u0131r.
\nAklif okuyucular\u0131 olmayan edebiyatlar geli\u015femez. Bu bak\u0131\u015f a\u00e7\u0131s\u0131yla de\u011ferlendirdi\u011fimizde, Abhaz edebiyat\u0131 dikkate de\u011fer \u00f6zelliklere sahiptir. Ayd\u0131nlar, \u00f6\u011frenciler, bilim adamlar\u0131, i\u015f\u00e7iler, k\u00f6yl\u00fcler; toplumun her kesiminden, her ya\u015fta insan ana dili olan Abhazca yaz\u0131lan her t\u00fcrl\u00fc yay\u0131n\u0131 yak\u0131ndan izlemektedir. Bu s\u00f6ylediklerimizi do\u011frulayan bir \u00f6rnek verelim: Aatz\u0131 k\u00f6y\u00fcnden, 70 ya\u015f\u0131n\u0131 a\u015fm\u0131\u015f T. A\u00f6yzba, Abhaz ulusal \u015fair ve romanc\u0131s\u0131 Bagrat \u015einkuba’n\u0131n “K\u0131\u015f elmalar\u0131” adl\u0131 roman\u0131” Ala\u015fara” dergisi’de yay\u0131nlanmaya ba\u015flay\u0131nca, hi\u00e7 aksatmadan okudu\u011fu gibi ya\u015f\u0131tlar\u0131na hararetli bir \u015fekilde yorumluyordu. Ya\u015f\u0131tlar\u0131 ise onu ilgi ve hayranl\u0131kla izliyorlar hatta ona gizli k\u0131skan\u00e7l\u0131k duyuyorlard\u0131. Ayn\u0131 roman kitap haline getirildi\u011finde, T. A\u00f6yzba tekrar okumu\u015ftur. Bug\u00fcn bu t\u00fcrden \u00f6rneklere s\u0131k s\u0131k rastlamaktay\u0131z. Son 12-15 y\u0131ld\u0131r anadille yaz\u0131lan yay\u0131nlar\u0131 izlemek gelenek haline gelmi\u015ftir.<\/p>\n

Ayr\u0131ca, dernek gibi k\u00fclt\u00fcr kurumlar\u0131n\u0131n toplant\u0131lar\u0131 \u00f6zellikle anadille yap\u0131lmaktad\u0131r. Bu t\u00fcrden edebiyat dernekleri, bug\u00fcn Abhazya’n\u0131n bir \u00e7ok k\u00f6y\u00fcnde \u00e7al\u0131\u015fmalar\u0131n\u0131 s\u00fcrd\u00fcrmektedir. \u00d6rnek verirsek \u00c7\u0131lou, Kutol, Khuap, Aatz\u0131 gibi bir \u00e7ok k\u00f6y bu edebiyat derneklerine sahiptir. Yazarlar, k\u00f6yleri dola\u015f\u0131p eserlerini bizzat kendileri halka okumaktad\u0131rlar. 1964 y\u0131l\u0131nda, Kulan\u0131rkhua k\u00f6y\u00fcnde, yazarlarla okurlar\u0131n sohbetine tan\u0131k olan Avustralyal\u0131 yazar Alan Marshall \u015f\u00f6yle anlat\u0131yor: “(…) Ozanlar i\u00e7ki masas\u0131n\u0131n ba\u015f\u0131ndayd\u0131. \u015eiirlerini b\u00fcy\u00fck bir co\u015fku ile okuyorlard\u0131. Dizelerinde vatan\u0131n\u0131 g\u00f6n\u00fclden sevenlerin anlat\u0131m\u0131 vard\u0131. Ve o halk; ya\u015fl\u0131s\u0131- genci, kad\u0131n\u0131 -erke\u011fi, her \u015fiirin okunmas\u0131ndan sonra, \u015fairini alk\u0131\u015f ya\u011fmuruna tutuyorlard\u0131. B\u00f6ylesine muhte\u015fem bir tablo i\u00e7inde yer almaktan b\u00fcy\u00fck mutluluk duydu\u011fumu s\u00f6ylemek isterim…”<\/p>\n

Sohum Devlet Tiyatrosu’nda tan\u0131nm\u0131\u015f eski yazarlar\u0131n yan\u0131nda yeni yazarlar\u0131n eserlerine de yer verilmektedir. Bu yazarlar \u015e. \u00c7kedya, N. Tarpha, Q. Gubliya, A. Gogua, R. Copua, C. A\u00f6hba vb. Devlet Tiyatrosu’nun repertuarlar\u0131n\u0131 da Abhaz yazarlar\u0131ndan ba\u015fka, Rus ve d\u00fcnya klasiklerinden \u00f6rnekler de vard\u0131r. Abhazya Devlet Tiyatrosu, her y\u0131l Abhazya’daki yerle\u015fim birimlerini dola\u015farak \u00e7e\u015fitli oyunlar sergiler.
\nAbhazya d\u0131\u015f\u0131nda da eserler veren yazarlar az da olsa vard\u0131r. \u00d6rne\u011fin Faz\u0131l \u0130skender d\u00fcnya \u00e7ap\u0131nda \u00fcne sahip olan bir Abhaz yazard\u0131r. Eserlerini Rus\u00e7a yazmas\u0131na kar\u015f\u0131n konular\u0131n\u0131 hep Abhazya ve Abhazyal\u0131lardan se\u00e7mektedir. Toplumsal olaylar\u0131 hicvetmesiyle \u00fcnlenmi\u015ftir. T\u00fcrk\u00e7e’ye \u00e7evrilen eserleri vard\u0131r. Bunlardan baz\u0131lar\u0131 “Sandro Day\u0131 (Cem Yay\u0131nevi – \u00e7eviren Mehmet \u00d6zg\u00fcl), “\u00d6yk\u00fcler – (Cem Yay\u0131nevi – \u00c7 ev. Mehmet \u00d6zg\u00fcl) ke\u00e7i \u00d6k\u00fcz Y\u0131ld\u0131z\u0131 (H\u00fcrriyet Yay\u0131nlar\u0131), G\u00fcne\u015fi Yiyen Ke\u00e7i (bilgi yay\u0131nevi)dir.
\nT\u00fcrkiye’de de Abhazca yazanlar vard\u0131r. Ancak T\u00fcrkiye’de yazanlar, geli\u015ftirilmi\u015f bir Abhaz Latin Alfabesi olmad\u0131\u011f\u0131 i\u00e7in Abhazya’da kullan\u0131lan Kiril Alfabesi’ni kullanmak zorunda kalm\u0131\u015flar. Dolay\u0131s\u0131yla bu eserlerin matbu hale gelme \u015fans\u0131 olmam\u0131\u015ft\u0131r. Yaln\u0131zca \u00d6mer B\u00fcy\u00fcka’n\u0131n bir \u015fiir kitab\u0131 Abhazya’ya g\u00f6nderilerek orada bas\u0131labilmi\u015ftir. (1991)<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Not: Aşağıdaki makaleyi değerli okuyucumuz Mehmet Ali Çağlar yollamıştır. Ancak yazarını yazmamış. E-mail adresinde sanıyoruz sorun var iletilerimizi geri dönüyor. Değerli okuyucumuzdan bu makalenin yazarını bize bildirmesini rica ediyoruz. Saygılarımızla. CC Ahbaz Edebiyatı’nın kurucusu ve ilk şair – yazarı Dirmit (Gaç) Gulya’dır. Abhaz Dili ve Edebiyatı Gulya’ya çok şey borçludur. Ancak Gulya’dan önce yazılan bazı […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"0","ocean_second_sidebar":"0","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"0","ocean_custom_header_template":"0","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"0","ocean_menu_typo_font_family":"0","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"0","ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"off","ocean_gallery_id":[],"footnotes":""},"categories":[31],"tags":[],"class_list":["post-8897","post","type-post","status-publish","format-standard","hentry","category-edebiyat-genel-konular","entry"],"_links":{"self":[{"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/posts\/8897","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/comments?post=8897"}],"version-history":[{"count":1,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/posts\/8897\/revisions"}],"predecessor-version":[{"id":8899,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/posts\/8897\/revisions\/8899"}],"wp:attachment":[{"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/media?parent=8897"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/categories?post=8897"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/tags?post=8897"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}