{"id":9035,"date":"2019-03-11T22:30:28","date_gmt":"2019-03-11T22:30:28","guid":{"rendered":"http:\/\/circassiancenter.com\/tr\/?p=9035"},"modified":"2019-03-11T22:30:28","modified_gmt":"2019-03-11T22:30:28","slug":"yasamin-icinde-kalan-eserler-ve-tlevusten-yusif","status":"publish","type":"post","link":"https:\/\/www.circassiancenter.com\/tr\/yasamin-icinde-kalan-eserler-ve-tlevusten-yusif\/","title":{"rendered":"YA\u015eAMIN \u0130\u00c7\u0130NDE KALAN ESERLER ve TLEVUSTEN YUSIF"},"content":{"rendered":"

<\/p>\n

Prof. Dr. MAMIY Ruslan
\n<\/span><\/span><\/span><\/b> Filoloji Bilimdal\u0131n
\nAdige Mak Gazetesi, Nisan 2013
\n\u00c7eviri A\u00c7UMIJ Hilmi<\/span><\/span><\/p>\n

TLEVUSTEN Yus\u0131f, 70 y\u0131l s\u00fcren sanat ya\u015fam\u0131nda Adige edebiyat\u0131 ve k\u00fclt\u00fcr\u00fcnde kaybolmayacak bir yol a\u00e7t\u0131. Eserlerine de\u011fer verenler de bu yap\u0131tlar\u0131ndan dolay\u0131 pek \u00e7ok iyi s\u0131fat\u0131 ona lay\u0131k g\u00f6renler de \u00e7ok say\u0131dalar. B\u00fct\u00fcn bunlar \u00fczerinede az say\u0131lmayacak derecede konu\u015ftuk-yazd\u0131k. Bu g\u00fcn \u00fczerinde duraca\u011f\u0131m\u0131z husus ise bu \u00f6vg\u00fcleri kazanmas\u0131na vesile olan edebi eserleri.<\/p>\n

Bu konuda ilk en b\u00fcy\u00fck ad\u0131m\u0131n\u0131 ‘Aminet<\/strong>‘ isimli ayr\u0131 bir kitap olarak 1936 y\u0131l\u0131nda bas\u0131lan hikayesi ile atm\u0131\u015ft\u0131r. Bu \u00f6yk\u00fc gen\u00e7 yazar\u0131n kavrama yetisinin, d\u00fc\u015f\u00fcncelerinin sa\u011flam zemine oturmas\u0131n\u0131n, ya\u015fam\u0131n getirdi\u011fi olaylar\u0131-olgular\u0131 yorumlamas\u0131n\u0131n ve b\u00fct\u00fcn bunlar\u0131 uygun estetik normlara sokabilmesinin bir kan\u0131t\u0131d\u0131r. 1938 y\u0131l\u0131nda Rus\u00e7a\u2019ya \u00e7evrilerek Rostov-na-Donu kentinde bas\u0131lmas\u0131, ‘Ogonek’ dergisinde yay\u0131nlanmas\u0131 da bununla ilintilidir. B\u00f6ylece gen\u00e7 yazar\u0131n ilk d\u00fczyaz\u0131 eseri b\u00fct\u00fcn Sovyetler Birli\u011fi okuyucular\u0131na ula\u015ft\u0131.<\/p>\n

Bu eseri 1938 y\u0131l\u0131nda yay\u0131nlanan ‘Yol A\u00e7\u0131k -\u011eogur Uh\u0131\u011f<\/strong>‘ isimli uzun \u00f6yk\u00fc takip etti. Edebiyat\u00e7\u0131lar bu yap\u0131t\u0131 \u0130kinci D\u00fcnya Sava\u015f\u0131 \u00f6ncesi Adige edebiyat\u0131nda \u00f6ne \u00e7\u0131kan eserler aras\u0131nda say\u0131yorlar. Yap\u0131tta, insan\u0131n d\u00fcnyas\u0131 iki par\u00e7aya ayr\u0131lm\u0131\u015f durumda, yeni ve eskinin birbiri ile tezatla\u015farak \u00e7arp\u0131\u015ft\u0131klar\u0131 pek \u00e7ok olay, sava\u015flar\u0131n-\u00e7at\u0131\u015fmalar\u0131n oldu\u011fu 1917 y\u0131l\u0131 merkezde yer al\u0131yor. Bunlar\u0131 g\u00f6stermek i\u00e7in se\u00e7ti\u011fi \u015fey ise Adige k\u00f6y\u00fcn\u00fcn sosyal, ahlaki ya\u015fam\u0131, farkl\u0131 insanlar\u0131 ve bunlar aras\u0131nda yer alan gen\u00e7 delikanl\u0131 P\u015eIVU\u00c7 Aslan (\u00e7n. Bey\u00f6ld\u00fcren\u00a0 Aslan), onun ya\u015fam yolu, nasibi… Bu uzun \u00f6yk\u00fc yazar\u0131n tecr\u00fcbesinin artmaya ba\u015flad\u0131\u011f\u0131n\u0131n, kulland\u0131\u011f\u0131 sanatsal imkanlar\u0131n geni\u015fledi\u011finin kan\u0131t\u0131yd\u0131.<\/p>\n

1939 y\u0131l\u0131nda folkl\u00f6r\u00fc k\u00f6k\u00fcne yerle\u015ftirdi\u011fi \u00e7al\u0131\u015fmalar\u0131ndan derleme ‘Adige Novellalar\u0131 (\u00f6yk\u00fcleri)’ <\/strong>isimli eseri bas\u0131l\u0131r.<\/p>\n


\nTLEVUSTEN Yus\u0131f<\/p>\n

1940 y\u0131l\u0131nda kaleme ald\u0131\u011f\u0131 ‘Nalmes’ <\/strong>isimli dramas\u0131nda da Adige Novelalar\u0131nda yer alan d\u00fc\u015f\u00fcnceler geni\u015f yer tutar. Bu t\u00fcr yap\u0131tlar\u0131n genel \u00f6zelliklerinden oldu\u011fu gibi bak\u0131\u015f a\u00e7\u0131lar\u0131, yakla\u015f\u0131mlar, hal-tav\u0131rlar daha belirgin ve birbirleri ile \u00e7arp\u0131\u015f\u0131r niteliklerdeler. Eserin kahramanlar\u0131ndan gen\u00e7 bir k\u0131z olan Nalmes ile dedesi Tl’\u0131hur ilgi \u00e7ekici ve derinli\u011fe sahip i\u015flenmi\u015f, insanc\u0131ll\u0131k, hak \u00f6zg\u00fcrl\u00fck sevdal\u0131s\u0131, adaletin dirayetli m\u00fccadelecileri Hapa\u00e7’e ve Ahmet karakterleri kendilerine insan\u0131 \u00e7ekiyorlar.<\/p>\n

TLEVUSTEN Yus\u0131f \u0130kinci D\u00fcnya Sava\u015f\u0131’n\u0131n ba\u015flang\u0131c\u0131ndan sonuna kadar sava\u015fa kat\u0131ld\u0131. Sava\u015ftan sonra ise Adige Bilimsel Ara\u015ft\u0131rma Enstit\u00fcs\u00fc’nde, s\u00f6ylence-destanlar\u0131n toplanmas\u0131 derlenmesi bas\u0131lmas\u0131 konusunda bazen di\u011fer ara\u015ft\u0131rmac\u0131larla bazen de yaln\u0131z ba\u015f\u0131na \u00e7al\u0131\u015fmalar ortaya koydu. Otonom b\u00f6lge gazetesinde de uzun y\u0131llar \u00e7al\u0131\u015ft\u0131. Oblast Yazarlar Birli\u011fi ba\u015fkanl\u0131\u011f\u0131 da yapt\u0131. B\u00fct\u00fcn bu \u00e7al\u0131\u015fmalar\u0131n\u0131n yan\u0131nda edebiyatla olan ba\u011f\u0131n\u0131 \u00e7al\u0131\u015fmalar\u0131n\u0131 sekteye u\u011fratmad\u0131. Herkesce bilinen tan\u0131nan ‘Da\u011f Ayd\u0131nlan\u0131yor<\/strong>‘ adl\u0131 roman\u0131n\u0131 1949 y\u0131l\u0131nda yay\u0131nlad\u0131. Bu eser ikinci d\u00fcnya sava\u015f\u0131na y\u00f6nelik ilk b\u00fcy\u00fck yap\u0131tt\u0131. Bu eseri kaleme almas\u0131n\u0131n ard\u0131ndan ge\u00e7en k\u0131rk y\u0131l sonras\u0131nda ikinci d\u00fcnya sava\u015f\u0131na y\u00f6nelik ikinci roman\u0131 olan ‘Nas\u0131p Nal<\/strong>‘ yay\u0131nland\u0131.<\/p>\n

Da\u011f ayd\u0131nlan\u0131yor roman\u0131n\u0131n ard\u0131ndan \u00f6yk\u00fc, r\u00f6portaj, tiyatro t\u00fcr\u00fcnde pek \u00e7ok eser yazd\u0131. \u00a0T\u00fcm bu \u00e7al\u0131\u015fmalar\u0131n\u0131n neticesinde, onlardan edindi\u011fi tecr\u00fcbe ile epik bir \u00f6ze sahip olan b\u00fcy\u00fck roman\u0131 ‘Vojuban\u0131kolar<\/strong>‘ (1962) ortaya \u00e7\u0131kt\u0131. O d\u00f6nem t\u00fcm SSCB’de yayg\u0131n\u00a0 ve geni\u015f bir alan\u0131 kaplayan ‘kolhoz roman\u0131’ t\u00fcr\u00fcn\u00fcn t\u00fcm \u00f6zelliklerini bu eserinde g\u00f6r\u00fcyoruz. Adige k\u00f6y\u00fcn\u00fcn tarihte kar\u015f\u0131la\u015ft\u0131\u011f\u0131 \u015feyleri, \u00e7if\u00e7i ailesinin ya\u015fam\u0131n\u0131da \u00e7if\u00e7ili\u011fi de bilen bir aile i\u00e7erisinde yeti\u015fmi\u015f olan yazar k\u00f6y sakinlerini, sahilinde oturduklar\u0131 akarsuyu, ovalar\u0131n\u0131, sokaklar\u0131n\u0131 \u00e7ok s\u0131cak kalplilikle dile getiriyor. Eserde insanlar\u0131n g\u00f6r\u00fcn\u00fc\u015fleri, karakterleri, davran\u0131\u015f \u015fekilleri b\u00fcy\u00fck yer tutuyor. Yazar\u0131n en belirgin \u00f6zelli\u011fi halini alm\u0131\u015f olan adaletperverlik, insani niteliklerin muhafazas\u0131, insanlar\u0131n topluma kar\u015f\u0131 olan sorumluluklar\u0131n\u0131 eda edi\u015fleri gibi konular\u0131 di\u011fer eserlerinde oldu\u011fu gibi bu roman\u0131nda da ele ald\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcyoruz. B\u00fct\u00fcn bu \u00f6zellikler roman\u0131n kahramanlar\u0131 olan Vojuban\u0131ko ailesinin fertlerinde \u00f6zellikle ailenin resisi Osman ve o\u011flu Ashad’da iyi i\u015flenmi\u015ftir.<\/p>\n

Bu roman\u0131n ard\u0131ndan gelen d\u00f6nemde ba\u015fka \u00e7al\u0131\u015fmalarla yo\u011fundur. Kitaplar\u0131n\u0131n Rusca’ya \u00e7evrilmesi ile de me\u015fgul olur. Gazete dergi vb. yay\u0131nlarda r\u00f6portajlar\u0131, \u00e7al\u0131\u015fmalar\u0131 yay\u0131nlan\u0131r. T\u00fcm bu zaman i\u00e7erisinde ise ‘Yol A\u00e7\u0131k<\/strong>‘ adl\u0131 eserinin canland\u0131rd\u0131\u011f\u0131 sanatsal d\u00fc\u015f\u00fcnceler \u00fczerine yo\u011funla\u015fm\u0131\u015ft\u0131r. Nitekim bunun neticesinde ‘K\u0131zlar\u0131n \u015eafa\u011f\u0131<\/strong>‘ (1970) isimli roman\u0131n\u0131 kaleme al\u0131r. Bu yo\u011fun d\u00f6nemin s\u00fczgeci ard\u0131ndan temaya geri d\u00f6n\u00fcp ele ald\u0131\u011f\u0131nda \u00fczerine en \u00e7ok e\u011fildi\u011fi husus daha \u00f6nceleri e\u011fitim \u00f6\u011fretim olana\u011f\u0131na sahip olmayan Adigelerin bunu elde etmeleri, okullar\u0131n a\u00e7\u0131l\u0131\u015f s\u00fcreci, \u00f6\u011fretmenlerin yeti\u015ftirilme evresi ve t\u00fcm bunlar\u0131n merkezinde Adige gen\u00e7 k\u0131z\u0131n\u0131, bayan\u0131n\u0131 ele alarak Adige ayd\u0131n s\u0131n\u0131f\u0131n\u0131n do\u011fu\u015f s\u00fcreci ve k\u00fclt\u00fcre dair yap\u0131lan yeni \u00e7al\u0131\u015fmalar\u0131 eserinde anlat\u0131r. T\u00fcm bunlar ayn\u0131 zamanda aile i\u00e7erisindeki ili\u015fkiler, gelenek-g\u00f6renekler, kad\u0131n-erkek ili\u015fkileri ilede \u00f6r\u00fclm\u00fc\u015ft\u00fcr. Eserde b\u00fcy\u00fck yer kaplayan konulardan birisi de Tanr\u0131 inanc\u0131 ve insan\u0131n d\u00fcnyaya bak\u0131\u015f a\u00e7\u0131s\u0131n\u0131, d\u00fc\u015f\u00fcncesini, fikirlerini \u015fekillendiren di\u011fer inan\u00e7lard\u0131r.\u00a0 Yazar her zaman yapt\u0131\u011f\u0131 gibi bunlar\u0131 bir Adige k\u00f6y\u00fcn\u00fc canland\u0131rarak ortaya koyar. \u0130lk romanlar\u0131 ile ‘K\u0131zlar\u0131n \u015eafa\u011f\u0131<\/strong>‘ k\u0131yasland\u0131\u011f\u0131nda bu eserinde yazar\u0131n sosyal ya\u015fam\u0131n derinliklerine daha vak\u0131f olaran \u00e7\u00f6z\u00fcmlemeler yapt\u0131\u011f\u0131na, dilinin daha ak\u0131c\u0131la\u015ft\u0131\u011f\u0131na, derinle\u015fti\u011fine \u015fahit oluyoruz. Bu eser i\u00e7erisinde en \u00e7ok BER\u00c7ET Kaytmes ile e\u015fi Hacet aras\u0131ndaki ili\u015fki, onlar\u0131n ya\u015fant\u0131s\u0131, K\u00f6ye \u00f6\u011fretmen olarak g\u00f6nderilen MAMRIKO Davut, gen\u00e7 k\u0131z kahramanlar Kulizar, Kunats, Susan’da g\u00f6r\u00fcyoruz. \u0130mam olmak \u00fczere e\u011fitim almaya ba\u015flay\u0131p yar\u0131m b\u0131rkam\u0131\u015f olan Ad\u015fes’in daha sonra \u00f6\u011fretmen olmaya uzanan yolu ilgimizi \u00e7ok \u00e7ekiyor.<\/p>\n

TLEVUSTEN Yus\u0131f’\u0131n romanlar\u0131da dahil olmak \u00fczere t\u00fcm yap\u0131tlar\u0131nda, b\u00fct\u00fcn yazd\u0131klar\u0131nda en belirgin \u00f6zelli\u011fi, yer alan konular\u0131n ki\u015filerin ger\u00e7ek ya\u015famdan k\u00f6k bulmas\u0131 ger\u00e7ekten ya\u015fam\u0131\u015f insanlar\u0131 canland\u0131rarak ele almas\u0131d\u0131r. Eserlerinde zaman zaman g\u00f6r\u00fclen gazete yaz\u0131m stilinin, r\u00f6portajvari pasajlar\u0131n buna ba\u011fl\u0131 olmad\u0131\u011f\u0131n\u0131 s\u00f6ylemekte zor. Romanlar\u0131nda ger\u00e7ekten ya\u015fam\u0131\u015f insanlar\u0131n ya\u015fam\u0131n\u0131 canland\u0131rarak sanatsal yaz\u0131n\u0131n\u0131 \u015fekillendirmesi yan\u0131s\u0131ra di\u011fer yaz\u0131 t\u00fcrlerinde \u00f6rne\u011fin o\u00e7erklerde ele ald\u0131\u011f\u0131 ger\u00e7ek ki\u015fileri sanatsal n\u00fcvelerle kaleme almas\u0131da ilgi \u00e7ekicidir. Bu konuda Sosyalist Emek Kahraman\u0131 olan \u00c7UAMIKO Aslan\u00e7eri ve YANEKO \u0130shak hakk\u0131nda kaleme ald\u0131\u011f\u0131 uzun \u00f6yk\u00fcde dikkat \u00e7ekicidir. Bir ba\u015fka eseri olan ‘\u0130yili\u011fe yol a\u00e7anlar’ isimli yap\u0131t\u0131nda yer alan o\u00e7erkelerde ya\u015fama etkisi olmu\u015f farkl\u0131 insanlar\u0131 \u00e7ok g\u00fczel dile getirdi. K\u00f6y\u00fcn \u00e7al\u0131\u015fkan sakinini sevdiren, tembel insanlardan y\u00fcre\u011fimizin so\u011fumas\u0131na vesile olan, onlar\u0131 komik g\u00f6rmemizi sa\u011flayan yaz\u0131n ortaya koymu\u015ftur. Zaten k\u00f6yle alakal\u0131 yaz\u0131lan eserlerin \u00e7o\u011funda da ele al\u0131nmak istenen \u015fey buydu.<\/p>\n

‘Do\u011fu\u015fu B\u00f6yleydi<\/strong>‘ (1979) isimli an\u0131lar\u0131n\u0131n bak\u0131\u015f a\u00e7\u0131lar\u0131n\u0131n yer ald\u0131\u011f\u0131 eserde de ayn\u0131 \u015feyleri g\u00f6r\u00fcyoruz. Bu eserde yazar\u0131n kendi ya\u015fam\u0131ndan pek \u00e7ok kesit yer al\u0131yor. \u00c7ocukluk, gen\u00e7lik, okul y\u0131llar\u0131 edebiyata at\u0131lmas\u0131, sava\u015fa kat\u0131lmas\u0131, sava\u015f ard\u0131ndan yazarlar birli\u011finin kurulmas\u0131 \u00e7al\u0131\u015fmalar\u0131na i\u015ftiraki, Otonom b\u00f6lge gazetesinde g\u00f6rd\u00fckleri, destan-\u00f6yk\u00fclerin derlemesi \u00e7al\u0131\u015fmalar\u0131na kat\u0131lmas\u0131 vs. pek \u00e7ok \u015fey g\u00f6r\u00fcyoruz. Bunlar i\u00e7erisinde en \u00e7ok dikkat \u00e7ekici olanlar\u0131 ise ilk Adige edebiyat\u00e7\u0131lar\u0131na dair olanlar\u0131, ilk edebiyat eserlerinin nas\u0131l bas\u0131ld\u0131\u011f\u0131, \u00c7ERA\u015eE Tembot, HATKO Ahmed, TSEY \u0130brahim’le alakal\u0131 an\u0131lar\u0131d\u0131r. Yazar\u0131n do\u011fdu\u011fu k\u00fc\u00e7\u00fck Adige k\u00f6y\u00fc \u015e\u0131han\u00e7erihable hakk\u0131nda yazd\u0131klar\u0131 da atlan\u0131las\u0131 de\u011fil. ‘Benim do\u011fdu\u011fum ancak seksen hane kadar olan k\u00fc\u015f\u00fck \u015e\u0131hane\u00e7erihable k\u00f6y\u00fc Psekups nehrinin sahilinde uzan\u0131yordu’ diye ba\u015flay\u0131p k\u00f6y\u00fcn bulundu\u011fu tabiat\u0131 tasvir eden sat\u0131rlar…<\/p>\n

Bu kadar y\u00fcrekten sevdi\u011fi, s\u0131tma,veba, sava\u015f k\u0131tl\u0131k g\u00f6rm\u00fc\u015f ama y\u0131k\u0131lmam\u0131\u015f di\u011fer Bjedu\u011f k\u00f6yleri gibi yap\u0131lan baraj g\u00f6l\u00fcn\u00fcn alt\u0131nda kal\u0131p d\u00fcnya \u00fczerinden silinmesinin verdi\u011fi y\u00fcrek s\u0131z\u0131s\u0131n\u0131 yans\u0131t\u0131yor. TLEVUSTEN Yus\u0131f daha sonraki y\u0131llarda da k\u00f6y\u00fcn\u00fcn eskiden bulundu\u011fu yere s\u0131k s\u0131k gidiyordu. Suni g\u00f6l\u00fcn alt\u0131nda kalan baraj\u0131n getirdi\u011fi \u00e7amurlara bulanm\u0131\u015f, art\u0131k batakl\u0131k halini alm\u0131\u015f yerleri g\u00f6rd\u00fck\u00e7e \u00fcz\u00fcl\u00fcp y\u00fcre\u011fi s\u0131k\u0131l\u0131p geri d\u00f6nd\u00fc\u011f\u00fcnde oturup akl\u0131nda kalan hat\u0131ralar\u0131nda yer etmi\u015f, hi\u00e7 unutmad\u0131\u011f\u0131 yerleri yaz\u0131yor tasvir ediyordu.<\/p>\n

Bu son kitab\u0131 olan ‘\u015eevo\u00e7as’\u0131n Havadisleri<\/strong>‘ isimli eserinde \u00f6n plana \u00e7\u0131km\u0131\u015ft\u0131r. Eseri bir b\u00fct\u00fcn olarak ele ald\u0131\u011f\u0131m\u0131zda TLEVUSTEN’in sanatsal ki\u015fili\u011finin yetene\u011finin yans\u0131malar\u0131n\u0131 g\u00f6r\u00fcr\u00fcz. Bu yap\u0131t ne roman ne de \u00f6yk\u00fc, ger\u00e7ekten ya\u015fanm\u0131\u015f \u015feylerin yer ald\u0131\u011f\u0131, novellalar, hikayeler e\u015fli\u011finde kaleme al\u0131nm\u0131\u015f destan, eski tarihlere dair anlat\u0131lar\u0131 i\u00e7eren bir eser. Bunlar\u0131n aras\u0131nda yazar\u0131n kendisine ait d\u00fc\u015f\u00fcnceleride b\u00fcy\u00fck yer tutuyor.<\/p>\n

Kitap d\u00fcn\u00fcn durumunu da bug\u00fcn\u00fcn halinide d\u00fc\u015f\u00fcnmemize vesile oluyor, iyilik, g\u00fczellik gibi eskimeyen insanc\u0131l n\u00fcvelere y\u00f6neltiyor, \u00f6zendiriyor.<\/p>\n

TLEVUSTEN Yus\u0131f son y\u0131llar\u0131nda tamamlayamad\u0131\u011f\u0131 ‘can verilip onur sat\u0131n al\u0131n\u0131r – \u043f\u0441\u044d\u0440 \u0430\u0442\u044b, \u043d\u0430\u043f\u044d\u0440 \u0430\u0449\u044d\u0444\u044b’ artas\u00f6z\u00fcn\u00fc ba\u015fl\u0131k olarak verdi\u011fi roman\u0131 yazmaktayd\u0131. Bu bitirmedi\u011fi roman\u0131da dahil olmak \u00fczere t\u00fcm eserlerine g\u00fc\u00e7 veren \u015fey insanlar\u0131 anlayan ve onlara b\u00fcy\u00fck d\u00fc\u015f\u00fcnceler a\u00e7an yazar\u0131n adeta yank\u0131lanan tezah\u00fcr\u00fcd\u00fcr. \u0130nsan isen insan onurunu y\u00fcceltmelisin, ulusunun d\u00fcn\u00fcn\u00fc ve bu g\u00fcn\u00fcn\u00fc \u00f6\u011frenmeli yar\u0131nlar\u0131na y\u00f6nelmelisin, as\u0131rlar boyunca elde edilmi\u015f zenginli\u011fimize katk\u0131da bulunarak daha da artt\u0131rarak gelecek nesillere aktarmal\u0131s\u0131n, TLEVUSTENin eserlerinin \u00f6z\u00fcnde yatan budur.<\/p>\n","protected":false},"excerpt":{"rendered":"

Prof. Dr. MAMIY Ruslan Filoloji Bilimdalın Adige Mak Gazetesi, Nisan 2013 Çeviri AÇUMIJ Hilmi TLEVUSTEN Yusıf, 70 yıl süren sanat yaşamında Adige edebiyatı ve kültüründe kaybolmayacak bir yol açtı. Eserlerine değer verenler de bu yapıtlarından dolayı pek çok iyi sıfatı ona layık görenler de çok sayıdalar. Bütün bunlar üzerinede az sayılmayacak derecede konuştuk-yazdık. Bu gün […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"0","ocean_second_sidebar":"0","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"0","ocean_custom_header_template":"0","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"0","ocean_menu_typo_font_family":"0","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"0","ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"off","ocean_gallery_id":[],"footnotes":""},"categories":[31],"tags":[],"class_list":["post-9035","post","type-post","status-publish","format-standard","hentry","category-edebiyat-genel-konular","entry"],"_links":{"self":[{"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/posts\/9035","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/comments?post=9035"}],"version-history":[{"count":1,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/posts\/9035\/revisions"}],"predecessor-version":[{"id":9037,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/posts\/9035\/revisions\/9037"}],"wp:attachment":[{"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/media?parent=9035"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/categories?post=9035"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/tags?post=9035"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}