{"id":909,"date":"2019-02-20T18:37:15","date_gmt":"2019-02-20T18:37:15","guid":{"rendered":"http:\/\/circassiancenter.com\/tr\/?p=909"},"modified":"2019-02-20T18:37:15","modified_gmt":"2019-02-20T18:37:15","slug":"anadil-ile-tiyatro","status":"publish","type":"post","link":"https:\/\/www.circassiancenter.com\/tr\/anadil-ile-tiyatro\/","title":{"rendered":"ANAD\u0130L \u0130LE T\u0130YATRO"},"content":{"rendered":"

YEMUZ Nevzat Tarak\u00e7\u0131
\n<\/strong>07.02.2010<\/span><\/p>\n

Deme-damara, kana, kafatas\u0131na dayanan, \u0131rk\u00e7\u0131l\u0131k yok mu oluyor yoksa?<\/p>\n

Ge\u00e7ti\u011fimiz g\u00fcnlerde T\u00fcrkiye\u2019de bir ilk ger\u00e7ekle\u015fti.<\/p>\n

Cevat Fehmi Ba\u015fkut\u2019un \u201cBuzlar \u00c7\u00f6z\u00fclmeden\u201d eserinden, \u00fcnl\u00fc tiyatro sanat\u00e7\u0131s\u0131 Say\u0131n Haldun Dormen\u2019in uyarlad\u0131\u011f\u0131 \u201c\u00c7\u00eerokeke Zivistan\u00ea\u201d yani \u201cBir K\u0131\u015f \u00d6yk\u00fcs\u00fc\u201d adl\u0131 m\u00fczikalin pr\u00f6miyeri (ilk g\u00f6sterimi) <\/span>Diyarbak\u0131r Belediye Tiyatrosu\u2019nda K\u00fcrt\u00e7e olarak yap\u0131ld\u0131.<\/span><\/b><\/p>\n

\u00c7ok normal de\u011fil, T\u00fcrkiye\u2019de bir eser, ilk kez tamamen K\u00fcrt\u00e7e olarak sahneleniyor.<\/p>\n

Salonda kimler mi var?<\/p>\n

Diyarbak\u0131r valisi, milletvekilleri, b\u00fcy\u00fck\u015fehir belediye ba\u015fkan\u0131, DEP eski milletvekilleri, sanat\u00e7\u0131 Ahmet Kaya’n\u0131n e\u015fi ve \u00e7ok say\u0131da sanatsever, oyunu b\u00fcy\u00fck ilgiyle izliyor.<\/p>\n

Program\u0131n sonunda \u201cKandil\u201dden gelen PKK’l\u0131lar\u0131n da aralar\u0131nda bulundu\u011fu konuklar sahneye \u00e7\u0131karak<\/b> oyuncular\u0131 tebrik ediyor, oyunculara karanfil da\u011f\u0131t\u0131yor.<\/p>\n

Ne dersiniz etraf\u0131m\u0131zdaki karlar eriyor, buzlar \u00e7\u00f6z\u00fcl\u00fcyor<\/b> mu yoksa?<\/p>\n

Bu olaya kim nas\u0131l bakar bilmiyorum ama bu tablo beni heyecanland\u0131rd\u0131.<\/p>\n

Dilin, toplumsal \u00f6nemi, tiyatronun misyonu ad\u0131na heyecan duydum.<\/p>\n

Oyun sonunda Say\u0131n Haldun Dormen, hayat\u0131n\u0131n en g\u00fczel ve heyecan verici oyununu sergiledi\u011fini s\u00f6yl\u00fcyor.<\/p>\n

Diyarbak\u0131r b\u00fcy\u00fck\u015fehir belediye ba\u015fkan\u0131 ise, Dormen ve arkada\u015flar\u0131na te\u015fekk\u00fcr etti\u011fini belirtiyor: “Bu gece 70 y\u0131ll\u0131k 80 y\u0131ll\u0131k karlar eriyor. Ve daha eriyecek. \u00d6n\u00fcm\u00fczde Allah’\u0131n izniyle bahar var, k\u00fclt\u00fcr bayram\u0131 var, dil bayram\u0131 var.<\/b>” diyor.<\/p>\n

Bu g\u00fcnleri, T\u00fcrk\u00e7e’nin d\u0131\u015f\u0131nda ba\u015fka bir dille konu\u015fman\u0131n, kasette \u015fark\u0131 dinlemenin yasak oldu\u011fu g\u00fcnlere k\u0131yaslarsan\u0131z insan moral buluyor, birden \u00fcmitleniveriyor.<\/p>\n

Ben bu kareleri g\u00f6n\u00fclden alk\u0131\u015fl\u0131yorum!<\/p>\n

Anadille tiyatro izlemek dil ve k\u00fclt\u00fcr bilincine sahip kimleri heyecanland\u0131rmaz ki?<\/p>\n

Tiyatro diye ge\u00e7memek laz\u0131m.<\/p>\n

Tiyatro, hayat\u0131n aynas\u0131d\u0131r. Biz bu aynada kendimizi g\u00f6rme ve d\u00fczeltme imk\u00e2n\u0131 bulabiliriz.<\/p>\n

Muhsin Ertu\u011frul\u2019un ifadesiyle \u201cTiyatrosuz kalan bir toplum, \u00f6nce dilini yitirir, gelene\u011fini unutur; sonra b\u00fct\u00fcn ba\u011flar\u0131 \u00e7\u00f6z\u00fcl\u00fcr, soka\u011fa d\u00fc\u015fer. En b\u00fcy\u00fck k\u00f6t\u00fcl\u00fck birbirimizden ayr\u0131ld\u0131\u011f\u0131m\u0131z g\u00fcn ba\u015flar.\u201d<\/p>\n

Almanlar yak\u0131l\u0131p y\u0131k\u0131lan \u015fehirlerinde hastaneden, \u00fcniversiteden, tap\u0131naktan, okuldan \u00f6nce<\/b>, on be\u015f y\u0131lda tam y\u00fcz yeni tiyatro yapt\u0131rm\u0131\u015flar.<\/p>\n

Eski Yunan’da 70 bin ki\u015filik Megalopolis’te 40 bin ki\u015filik tiyatro vard\u0131.<\/p>\n

Bug\u00fcn Yunanistan’da h\u00e2l\u00e2 kullan\u0131lan 55 basamakl\u0131 Epidauros tiyatrosu 14 bin ki\u015fi al\u0131yor.<\/p>\n

Bergama’da, Virankap\u0131’daki Roma tiyatrosu 30 bin ki\u015filiktir.<\/p>\n

Tellidere’deki tiyatro 50 bin ki\u015filik.<\/p>\n

Asklepion’daki tiyatronun hat\u0131r\u0131 say\u0131l\u0131r bir k\u0131sm\u0131, hastalara ayr\u0131lm\u0131\u015f.<\/p>\n

Bergama\u2019n\u0131n n\u00fcfusu 160 bin iken 100 bin ki\u015fi alan 4 tiyatrosu varm\u0131\u015f.<\/p>\n

Muhsin Ertu\u011frul\u2019a g\u00f6re, \u201cHastane g\u00f6vdelerin, tiyatro ruhlar\u0131n \u015fifa kayna\u011f\u0131d\u0131r.<\/b> Ruhsuz adam bir kal\u0131pt\u0131r. D\u00fc\u015f\u00fcnmekten, duymaktan, insanl\u0131ktan, iyi ve k\u00f6t\u00fcy\u00fc ay\u0131rt etmekten uzak bir kal\u0131p! En korkun\u00e7 su\u00e7lar\u0131 i\u015fleyenler hep bu ruhsuz kal\u0131plard\u0131r. \u00c7evremizi karartan, e\u011fitim \u0131\u015f\u0131\u011f\u0131na varamam\u0131\u015f bu sakat ruhlard\u0131r.\u201d<\/p>\n

Tiyatro okul kadar, hastane kadar \u00f6nemlidir. G\u00f6vde hastas\u0131 \u00f6l\u00fcr, ruh hastas\u0131 \u00f6ld\u00fcr\u00fcr.<\/p>\n

Tiyatronun en b\u00fcy\u00fck g\u00fcc\u00fc “s\u00f6z”dedir. \u0130nsanl\u0131\u011f\u0131n sesi, tiyatroda duyulan s\u00f6zlerle kulaktan kula\u011fa, ku\u015faktan ku\u015fa\u011fa ge\u00e7er, gelece\u011fe arma\u011fan kal\u0131r. Tiyatroda seyircinin kana kana i\u00e7ece\u011fi bu s\u00f6z ya\u011fmurudur; ruhlar\u0131 y\u0131kayan bu s\u00f6z tufan\u0131d\u0131r.<\/p>\n

Tiyatro, dil k\u00fclt\u00fcr\u00fcyle de do\u011frudan ba\u011flant\u0131l\u0131d\u0131r.<\/p>\n

Hal b\u00f6yleyken bizler tiyatronun neresindeyiz?<\/p>\n

Ya anadil ile tiyatro?<\/p>\n

Anadil de\u011fil mi hem bireysel hem toplumsal kimli\u011fi tezg\u00e2h\u0131nda dokuyan g\u00fc\u00e7?<\/p>\n

Dilin bu i\u015flevini eksiksiz yerine getirebilmesi, ulusall\u0131\u011f\u0131n\u0131 yitirmeden, kendi \u00f6z de\u011ferlerini korumas\u0131na ba\u011fl\u0131 de\u011fil mi?<\/p>\n

Bizler, kimli\u011fi ve k\u00fclt\u00fcr\u00fcyle bar\u0131\u015f\u0131k bireyler yeti\u015ftirmek u\u011fruna, yeti\u015fen nesillere tiyatro sevgisi a\u015f\u0131layabilirsek,<\/b> daha modern bir \u00e7evrenin, daha anlay\u0131\u015fl\u0131 bir insan modelinin, ya\u015fam\u0131 sanat haline getiren bir toplumun temelini atm\u0131\u015f oluruz.<\/p>\n

T\u00fcrkiye\u2019de daha fazla anadille tiyatro, karde\u015fli\u011fe, bar\u0131\u015fa ve dayan\u0131\u015fmaya hizmet edecektir.<\/p>\n

Tiyatronun kudretinden daha fazla yararlanmak i\u00e7in biraz daha gayret.<\/span><\/span><\/p>\n

Not<\/span><\/span><\/b>: Abhazya kurucu devlet ba\u015fkan\u0131 Merhum Viladislav Ardz\u0131nba’ya <\/span> <\/span> Allahtan rahmet, ailesine, yak\u0131nlar\u0131na ve sevenlerine sab\u0131rlar diliyorum.<\/p>\n

Ayr\u0131ca, <\/span> CC\u2019den ayr\u0131lan de\u011ferli arkada\u015flar\u0131m\u0131z\u0131n buruklu\u011funu ya\u015farken aram\u0131za yeni kat\u0131lan de\u011ferli yazar arkada\u015flar\u0131ma ho\u015f geldiniz diyor, bu g\u00fczel insanlar\u0131 sevgiyle sel\u00e2ml\u0131yorum.<\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

YEMUZ Nevzat Tarakçı 07.02.2010 Deme-damara, kana, kafatasına dayanan, ırkçılık yok mu oluyor yoksa? Geçtiğimiz günlerde Türkiye’de bir ilk gerçekleşti. Cevat Fehmi Başkut’un “Buzlar Çözülmeden” eserinden, ünlü tiyatro sanatçısı Sayın Haldun Dormen’in uyarladığı “Çîrokeke Zivistanê” yani “Bir Kış Öyküsü” adlı müzikalin prömiyeri (ilk gösterimi) Diyarbakır Belediye Tiyatrosu’nda Kürtçe olarak yapıldı. Çok normal değil, Türkiye’de bir eser, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"0","ocean_second_sidebar":"0","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"0","ocean_custom_header_template":"0","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"0","ocean_menu_typo_font_family":"0","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"0","ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"off","ocean_gallery_id":[],"footnotes":""},"categories":[106],"tags":[],"class_list":["post-909","post","type-post","status-publish","format-standard","hentry","category-yazarlar-yemuz-nevzat-tarakci","entry"],"_links":{"self":[{"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/posts\/909","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/comments?post=909"}],"version-history":[{"count":1,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/posts\/909\/revisions"}],"predecessor-version":[{"id":910,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/posts\/909\/revisions\/910"}],"wp:attachment":[{"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/media?parent=909"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/categories?post=909"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.circassiancenter.com\/tr\/wp-json\/wp\/v2\/tags?post=909"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}